Cleaver writes in Soul on Ice, "I'm perfectly aware that I'm in prison, that I'm a Negro, that I've been a rapist, and that I have a Higher Uneducation." What Cleaver shows us, on the pages of this now classic autobiography, is how much he was a man.

    Jones, a prodigy of the short story, returns to the form that first won him praise in this new collection of stories, All Aunt Hagar's Children. Here he turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them in the city, people who in Jones's masterful hands emerge as fully human and morally complex. With the legacy of slavery just a stone's throw behind them and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

    Against a backdrop of high Edwardian luxury, Natalie Edwardes is poised on the brink of adulthood and, in an age when a woman's destiny is decided by marriage, her beauty, wit and wealth would seem to guarantee her a glittering future. But, isolated by her father's position as a self-made man, Natalie has never felt at ease in a society bound by a maze of conventions. Heart, for her, will always rule head, and so it seems that an encounter with a dashing yet gentle artist-soldier contains all the seeds of her life's happiness. The dance of Natalie's life whirls her from the glittering ballrooms of London and the grand houses of Scotland and Devon, to the Scottish Highlands. But the strictures of polite society are far-reaching and Natalie's happiness is abruptly snatched away. She is forced to compromise her romantic ideals and it is only when the tragedy of the Titanic touches her life, years later, that she discovers what love really means and the heartrending choices it poses. Choices that even the cataclysmic events of 1914-1919 seem unlikely to challenge.

    Janie's quest for identity takes her through three marriages and into a journey back to her roots.

    Opening dramatically at  Sweet Tamarind, a rice and cotton plantation on an island off South Carolina's coast, we watch as recently emancipated Bette Mayfield says her goodbyes before fleeing for the mainland. With her granddaughter, Eudora, in tow, she heads to Charleston. There, they carve out lives for themselves as fortune-teller and seamstress. Dora will marry, the Mayfield line will grow, and we will follow them on a journey through the watershed events of America's troubled, vibrant history—from Reconstruction to both World Wars, from the Harlem Renaissance to Vietnam and the modern day. Shange and Bayeza give us a monumental story of a family and of America, of songs and why we have to sing them, of home and of heartbreak, of the past and of the future, bright and blazing ahead.

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    No one in her family expects Mary to go far; she's the middle daughter, sharp-tongued, not the favorite, not pretty. But when her cousin, the new Queen of England, Anne Boleyn invites a Shelton daughter to serve her at court, Mary proves to her parents she's their best choice when she boldly spies on them. Mary needs her penchant for breaking the rules if she's to survive at court.Surrounded by girls desperate for the same prize: a grand marriage—Mary quickly outshines them all when she discovers her talent for flirtation and catches the eye of the reckless yet beguiling Lord John de Vere. Thrilled by his attentions, she falls headlong into a passionate game of Pass-the-Time that promises Mary the love she craves and the advancement her family desires. But Mary's dazzling success brings her dangerous enemies who scheme to ruin her life at court. Mary must win Queen Anne’s favor to escape their plots and win her future with Lord John. When Mary forgets that love at court is always a game, she finds herself used in a vicious revenge designed to destroy the most powerful noble in England. With her greatest enemy ready to reveal her worst secret, Mary has just one chance to save her herself from total ruin. It means lying to her family, deceiving Lord John, and defying the Queen. It’s the game Mary was born to play...if she dares.

    Both are gainfully employed, Marcus as a detective for Chicago's Finest, and Monet as a nurse in the neonatal unit of an inner city hospital. They are faithful members of Reverend Ruth Wilcox's church, The Temple. The only thing missing from their life is a child. Doctors have been unable to explain the reason for Monet's inability to conceive, which she calls the Sarah Syndrome. Then the unthinkable occurs. Monet is brutally assaulted. Months later, she learns the news she has been longing to hear her entire married life: she's having a baby. Monet is thrilled, but Marcus is appalled by the news, and orders his wife to terminate the pregnancy. Monet refuses, and a cold war of monumental proportions breaks out in the Caldwell household. In the face of great adversity, will Monet's faith persevere?

    Open only at 13 o'clock.You are invited to enter an unusual competition.I am looking for the most magical, spectacular, remarkable pleasure garden this world has to offer.On the night her mother dies, 8-year-old Beatrice receives an invitation to the mysterious Winter Garden. A place of wonder and magic, filled with all manner of strange and spectacular flora and fauna, the garden is her solace every night for seven days. But when the garden disappears, and no one believes her story, Beatrice is left to wonder if it were truly real.Eighteen years later, on the eve of her wedding to a man her late father approved of but she does not love, Beatrice makes the decision to throw off the expectations of Victorian English society and search for the garden. But when both she and her closest friend, Rosa, receive invitations to compete to create spectacular pleasure gardens - with the prize being one wish from the last of the Winter Garden's magic - she realises she may be closer to finding it than she ever imagined.Now all she has to do is win.

    There are some facts and figures, but they tell us nothing about the women themselves: their motives, their emotions, and the memories they passed on to their children. Gayl Jones's first novel is a gripping portrait of this harsh sexual and psychological genealogy....Jones's language is subtle and sinewy, and her imagination sure." —Margo Jefferson, Newsweek

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, and business-minded, she knows and loves the streets like the curves of her own body. But when a cold Winter wind blows her life in a direction she doesn't want to go, her street smarts and seductive skills are put to the test of a lifetime. Unwilling to lose, this ghetto girl will do anything to stay on top. Featuring a Special Collector’s Edition Reader’s Guide—including an author Q&A, detailed character analyses, and the author’s own remarks about the meaning of her story.

    She doesn't understand why her father leaves each night with a mysterious box or why her mama drinks so much. What Florence knows are sultry days spent with her grandparents, being cared for by their maid, Zenie, on the colored side of town.Tension builds during the summer of 1963. Mama bakes cakes at all hours to scrape by. And Zenie's niece Eva is in town, selling insurance to the blacks and stepping on Mr. Forrest's toes. When Eva is brutally assaulted, all hell breaks loose: Mama crashes her car, Florence's grandfather dies, a woman is murdered, and Florence finally gets a look in Daddy's box.Florence sees things that summer that she won't understand for years to come: her mother's disappearance, her father's racism. Years later, she'll face the truth and how she was caught in the middle of it. The Queen of Palmyra is rich in both setting and characters. It's an affecting tale of a girl who is loved yet lost, trying to make sense of the world in a tumultuous time, finally forced to confront the sins of her father.

    From the New York Times bestselling author of Cane River comes the dramatic, intertwining story of two families and their struggles during the tumultuous years that followed the Civil War.

    Multigenerational saga of Alex Haley's father's family through his grandmother, Queen, the proud daughter born of a slave and a white slave owner.