She is considered one of the outstanding Indian poets writing in English, although her popularity in Kerala is based chiefly on her short stories and autobiography. Much of her writing in Malayalam came under the pen name Madhavikkutty. She was born on March 31, 1934 in Malabar in Kerala, India. She is the daughter of V.M. Nair, a former managing editor of the widely-circulated Malayalam daily Mathrubhumi, and Nalappatt Balamani Amma, a renowned Malayali poetess. In 1984, she was short-listed for the Nobel Prize for Literature along with Marguerite Yourcenar, Doris Lessing, and Nadine Gordimer. Kamala Das is probably the first Hindu woman to openly and honestly talk about sexual desires of Indian woman, which made her an iconoclast of her generation. The fact that the book has run into thirty editions is proof enough to appreciate the popularity of the book

    Raped at age ten, raped again as a young collegiate, she is abandoned twice: first by her father and later by Christy who loved her, but takes her through a wedding ceremony only to leave her later the same day. When Christy returns sixteen years later, shattered and unstable, the burnt and withered roots of love bloom again. Trauma, betrayal, and loneliness are the colours that paint this picture of physical and emotional violence that Radhika endures.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    Kesavadev, one of the prolific writers of 20th century Kerala. In the “introduction” to this book, the author contemplates on the social progress to which Kerala was slowly waking up in the beginning of twentieth century. His analyses of these developments often give birth to his literary works, as what happened in this book too, the author says. Dev, as the writer has been popularly known in Kerala, recalls that there were three main aspects for the social progress witnessed by Kerala in the first half of twentieth century (the introduction written in 1963 takes into account half a century preceding it to make this inference). The destruction of matrilineal system (marumakkathayam), which had a tint of feudal character in it, the social mobility of Ezahvas, who had witnessed backwardness in a caste-ridden society, and the progress of Christian community in the economic and education front were the three aspects.

    Naadan Premam was first published in 1941.

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    This collection brings together some of the most well known stories of M T Vasudevan Nair, fairly representative of his literary works. Written over a broad span of time from 1962 to 2000, the stories collected here reflect the built-in variety of his fictional concerns and the changing tones of his narration.

    Kesavante Vilapangal is the life of Kesavan, a clark cum novelist who has written a novel on EMS.Kesavante Vilaapangal received Vayalar Award in 2003.

    Both novels depict the same issue narrated by two different people from the same place but with different perspectives. This twin wonder is interconnected, and at the same time independent, with Beniyamin touch.

    Arohanam portrays the political situation prevailed in India by sketching public figures.

    wrote on the royal family of the erstwhile state of Travancore. The other two are Dharmaraja (1913) and Ramaraja Bahadur in two parts (1918-1920). Marthanda Varma on the surface, is a historical romance, but its subtext is a political one of contemporary significance. In the novel there is a subplot with Subhadra at the centre. Through what she does or what happens to her, C.V. is projecting a futuristic vision of the New Woman in the Indian context. The conventional image of the woman is replaced by an imagined figure that was to emerge on the Indian scene. Another unique feature of this novel is the introduction, for the first time, of untouchables, the channans of south Travancore, Hence is fiction asserting humanistic values over and above the taboos and superstitions of yester-years.

    Padmarajan (1945-1991). The volume includes 18 stories, all of which are deeply insightful tales on romance and relationships. Padmarajan’s ‘Lola’, which was once selected by the late critic K.P. Appan as Malayalam’s best love story, has also been included in the volume. The foreword has been written by publisher and entrepreneur Ravi D.C.

    It has a long foreword by the novelist himself and a longer afterword by P K Balakrishnan. This special edition also has illustrations by Sherif and photographs of the real characters including Pathumma and goats.

    The descendants of Ittykkora is believed to be active even now, living a secret life, controlling large number of business and power, following the gospel of Ittykkora with their own set of customs and rituals. Using medieval history as the base for his theme, Ramakrishnan does a good job in keeping the central theme intact, while exploring the other aspects of modern life across continents and culture.

    A world where The Sands of Time comes to life, a unique and compelling epic fantasy. Xerxes discovers an ancient golden lamp in a shop of magical artifacts and his simple life is immediately altered, propelling him into a brand-new world inhabited by powerful alien races. On this strange and distant planet, a world so unlike Earth, Xerxes soon discovers his new identity, one that names him Dragonheart. Presented with an ancient dragon of more than five thousand years old, a dragon with indescribable magical abilities, he is compelled to accept his destiny as Dragon Rider. A destiny that drives him into the heart of threats shadowed over by the evil Naga race. Can Xerxes shoulder the responsibilities of a true Dragonheart? When the significance of the lamp comes to the fore, it becomes evident that the survival of the planet lies entirely in his hands. Reviews '...a strong first book in what will surely be an impressive series...a superb foundation for many more...' Self-Publishing Review 'Though dense with world building, this dragon rider tale remains refreshingly optimistic' Kirkus Reviews '...an excellent story that promises even more action in the next volume' Readers' Favorite About the Author Nishi Chandermun is the author of the fantasy epic, The Pearl of Immortality, Book 1 of The Sands of Time series. She lives in Durban, South Africa, and enjoys holidaying in the breathtaking and impressive city of Cape Town. She loves writing and bringing to life the workings of her avid imagination. When not occupied with swords and dragons and the magic of the Light and Dark, she enjoys coffee dates and dining out with the family. www.nishichandermun.com