Ballard's mesmerizing and ferociously prescient novel imagines a terrifying future in which solar radiation and global warming have melted the polar ice caps and Triassic-era jungles have overrun a submerged and tropical London. Set during the year 2145, the novel follows biologist Dr. Robert Kerans and his team of scientists as they confront a surreal cityscape populated by giant iguanas, albino alligators, and endless swarms of malarial insects. Nature has swallowed all but a few remnants of human civilization, and, slowly, Kerans and his companions are transformed—both physically and psychologically—by this prehistoric environment. Echoing Joseph Conrad's Heart of Darkness—complete with a mad white hunter and his hordes of native soldiers—this "powerful and beautifully clear" (Brian Aldiss) work becomes a thrilling adventure and a haunting examination of the effects of environmental collapse on the human mind.

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    Twk-men ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: the evil are charming, the good are dangerous.

    Simak's "City" is a series of connected stories, a series of legends, myths, and campfire stories told by Dogs about the end of human civilization, centering on the Webster family, who, among their other accomplishments, designed the ships that took Men to the stars and gave Dogs the gift of speech and robots to be their hands.Contents:· City · May 1944 · Huddling Place · Jul 1944 · Census · Sep 1944 · Desertion · Nov 1944 · Paradise · Jun 1946 · Hobbies · Nov 1946 · Aesop · Dec 1947 · The Simple Way [The Trouble with Ants] · Jan 1951.

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    Martin and Gardner Dozois, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel.Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

    The radioactivity acts as a catalyst for the bug spray, causing his body to shrink at a rate of approximately 1/7 of an inch per day. A few weeks later, Carey can no longer deny the truth: not only is he losing weight, he is also shorter than he was and deduces, to his dismay, that his body will continue to shrink.

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course.But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer, he really shouldn't be surprised. Contracted by a billionaire to discover who murdered his last body, Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    Now, after twenty-one annual collections, comes the ultimate in science fiction anthologies, The Best of the Best: 20 Years of the Year's Best Science Fiction, in which legendary editor Gardner Dozois selects the very best short stories for this landmark collection. Contributors include: * Stephen Baxter * Greg Bear * William Gibson * Terry Bisson * Pat Cadigan * Ted Chiang * John Crowley * Tony Daniel * Greg Egan * Molly Gloss * Eileen Gunn * Joe Haldeman * James Patrick Kelly * John Kessel * Nancy Kress * Ursula K. Le Guin * Ian R. MacLeod * David Marusek * Paul McAuley * Ian McDonald * Maureen F. McHugh * Robert Reed * Mike Resnick * Geoff Ryman * William Sander * Lucius Shepard * Robert Silverberg * Brian Stableford * Bruce Sterling * Charles Stross * Michael Swanwick * Steven Utley * Howard Waldrop * Walter Jon Williams * Connie Willis * Gene WolfeWith work spanning two decades, The Best of the Best stands as one of the ultimate science fiction anthologies ever published.Contents xi • Foreword (The Best of the Best: 20 Years of the Year's Best Science Fiction) • essay by Robert Silverbergxvii • Preface (The Best of the Best: 20 Years of the Year's Best Science Fiction) • essay by Gardner Dozois1 • Blood Music • (1983) • novelette by Greg Bear19 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe28 • Salvador • (1984) • shortstory by Lucius Shepard42 • Trinity • (1984) • novella by Nancy Kress78 • Flying Saucer Rock and Roll • (1985) • novelette by Howard Waldrop (aka Flying Saucer Rock & Roll)93 • Dinner in Audoghast • (1985) • shortstory by Bruce Sterling103 • Roadside Rescue • (1985) • shortstory by Pat Cadigan109 • Snow • (1985) • shortstory by John Crowley121 • The Winter Market • (1985) • novelette by William Gibson137 • The Pure Product • (1986) • novelette by John Kessel152 • Stable Strategies for Middle Management • (1988) • shortstory by Eileen Gunn162 • Kirinyaga • [Kirinyaga • 2] • (1988) • novelette by Mike Resnick177 • Tales from the Venia Woods • [Roma Eterna] • (1989) • shortstory by Robert Silverberg191 • Bears Discover Fire • (1990) • shortstory by Terry Bisson199 • Even the Queen • (1992) • shortstory by Connie Willis213 • Guest of Honor • (1993) • novelette by Robert Reed238 • None So Blind • (1994) • shortstory by Joe Haldeman246 • Mortimer Gray's History of Death • (1995) • novella by Brian Stableford (aka Mortimer Gray's "History of Death")293 • The Lincoln Train • (1995) • shortstory by Maureen F. McHugh303 • Wang's Carpets • (1995) • novelette by Greg Egan328 • Coming of Age in Karhide • [Hainish] • (1995) • novelette by Ursula K. Le Guin342 • The Dead • (1996) • shortstory by Michael Swanwick352 • Recording Angel • (1996) • shortstory by Ian McDonald363 • A Dry, Quiet War • (1996) • novelette by Tony Daniel380 • The Undiscovered • (1997) • novelette by William Sanders400 • Second Skin • (1997) • shortstory by Paul J. McAuley418 • Story of Your Life • (1998) • novella by Ted Chiang454 • People Came from Earth • (1999) • shortstory by Stephen Baxter464 • The Wedding Album • [Cathy] • (1999) • novella by David Marusek502 • 10 to 16 to 1 • (1999) • novelette by James Patrick Kelly (aka 1016 to 1)520 • Daddy's World • (1999) • novelette by Walter Jon Williams541 • The Real World • [Silurian Tales] • (2000) • shortstory by Steven Utley561 • Have Not Have • (2001) • novelette by Geoff Ryman577 • Lobsters • [Macx Family] • (2001) • novelette by Charles Stross597 • Breathmoss • (2002) • novella by Ian R. MacLeod647 • Lambing Season • (2002) • shortstory by Molly Gloss

    Irritated at being labeled a flatlander, Elephant decides visit the most unusual system in the galaxy ... with Beowulf piloting his ship, of course- Nebula Award(R) Nominee

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    Buildings breathe, cars attack, angels patrol, and hyper-intelligent pets rebel.With unbridled invention and breakneck adventure, Hannu Rajaniemi is on the cutting-edge of science fiction. His post-apocalyptic, post-cyberpunk, and post-human tales are full of exhilarating energy and unpredictable optimism.How will human nature react when the only limit to desire is creativity? When the distinction between humans and gods is as small as nanomachines—or as large as the universe? Whether the next big step in technology is 3D printing, genetic alteration, or unlimited space travel, Rajaniemi writes about what happens after.

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)