Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    He becomes obsessed with proving his wife Kat's loyalty after discovering a hidden cache of journals and intimate photos which document a sexual appetite she has never shared with him, even though they have been married for ten years.Mark broods over Kat's journals – until fate provides a way for him to test Kat's loyalty.It's brilliant – as long as Kat never finds out.

    She traveled everywhere with two boxes: the first with red sequins for the dress she wore as a magician’s assistant, the second with green sequins for her mermaid tail. She'd grown up on wild stories told by wild circus people. Books, she hadn’t had books until she’d found Daniel Watson and stopped moving.The first time Daniel saw her, Paulina was floating in a glass tank, suspended in water that sparkled like it was made from night sky. She has settled down now, living in a house on a cliff on Long Island Sound with Daniel and their young family: six-year-old Simon and his baby sister, Enola. But if you steal the magician’s assistant from a carnival, how can you know if she’ll disappear?

    An offer to join the struggling West Coast Ballet Theatre as a principal dancer seems like the perfect opportunity for a fresh start—a new life in San Francisco, an exciting step up in her career, and the hope of a redefined sense of family. But the other dancers are wary, clannish and tight-lipped, particularly about an incident that hastened the departure of their beloved artistic director, leading to the arrival of his replacement, the young, inexperienced Anders Gunst. And no one wants to talk about Jana, a former company member who defiantly walked out rather than work under Anders. It is Jana herself who offers April hints, and even friendship, where she reveals a loneliness and hunger to belong that newly orphaned April well understands. But there is something troubling about Jana, and what April doesn’t know could prove deadly. A prequel to the Ballet Theatre Chronicles, BALLET ORPHANS explores the work and sacrifices required to arrive at the highest tiers of the professional ballet world, coupled with the primal, universal desire to belong, to love and be loved, and the lengths we’ll go to protect those we call family.

    Based on little-known history, this timely book will strike a chord with readers of Fiona Davis, Tracey Lange, and Marie Benedict.Based on the true story of America’s only leper colony, The Second Life of Mirielle West brings vividly to life the Louisiana institution known as Carville, where thousands of people were stripped of their civil rights, branded as lepers, and forcibly quarantined throughout the entire 20th century. For Mirielle West, a 1920’s socialite married to a silent film star, the isolation and powerlessness of the Louisiana Leper Home is an unimaginable fall from her intoxicatingly chic life of bootlegged champagne and the star-studded parties of Hollywood’s Golden Age. When a doctor notices a pale patch of skin on her hand, she’s immediately branded a leper and carted hundreds of miles from home to Carville, taking a new name to spare her family and famous husband the shame that accompanies the disease.At first she hopes her exile will be brief, but those sent to Carville are more prisoners than patients and their disease has no cure. Instead she must find community and purpose within its walls, struggling to redefine her self-worth while fighting an unchosen fate.As a registered nurse, Amanda Skenandore’s medical background adds layers of detail and authenticity to the experiences of patients and medical professionals at Carville – the isolation, stigma, experimental treatments, and disparate community. A tale of repulsion, resilience, and the Roaring ‘20s, The Second Life of Mirielle West is also the story of a health crisis in America’s past, made all the more poignant by the author’s experiences during another, all-too-recent crisis.

    He enjoys his expensive toys, lush mansion, and life of comfort, but something is missing. A chance meeting with fellow billionaires sparks his imagination and he sets forth on a new venture. He will buy a nuclear aircraft carrier, sail it through the Great Lakes, drag it across Northern Minnesota to an Indian reservation, and hook it up to the power grid. With this bold publicity stunt, he hopes to reinvigorate the nuclear energy debate in this country. Intrepid visionaries see into the future and trudge forward. They are the builders of societies and the makers of progress. But sometimes they get sidetracked and lull into comfort. Along the way Tyler encounters an echelon of obstacles from angry energy companies to zealous environmentalists, and even his own nuclear physicist peers. The government wants to shut him down, his own wife thinks he’s crazy, and he’s running out of money. But Tyler also learns that people love getting behind a man with a vision. In this adventure we learn of leadership, ingenuity in the face of overwhelming odds, and what it is to take people with you. Who will you take with when your inspiration comes?

    Hailed by Kirkus Reviews as “an action-packed treat […] with a relatable heroine facing challenges in a vivid world of magic and mystery,” and called a new classic by readers, The Crowns of Croswald series is a magical romp through a fully formed universe with dragons, magical quills, potions, and mythical creatures.Ivy Lovely is 16 and she has no idea who she is—or what her powers could be. When she crosses a magical boundary, she discovers a whole new world of enchantment and mystery. Making friends that will last a lifetime—and save her life—she steps into her own abilities and discovers more about her hidden past, magical blood, and the power of Croswald’s mystical stones. But all is not well: a dark history and an evil Queen threatens all that is good. Will Ivy’s bravery and wit be enough?Curious and whimsical, both shy and brave, Ivy is a hero that connects with readers of all ages. For those who wished that Narnia, Harry Potter, and Alice in Wonderland could go on forever, Croswald opens a whole new world of magic. Recommended as a read-aloud for families and a first middle-grade fantasy read, The Crowns of Croswald is a four-part series that will carry readers to a whimsical world that they won’t want to leave.

    We follow Johnny and Margo, Johnny's lifelong, albeit socially taboo, friendship with his friend, “Bullet Joe” Rogan, a pitcher in the Negro Leagues.Johnny introduces his granddaughter, Debby, to the tree in 1957, an era of bobby socks, roller-skating carhops and Elvis music, and Debby meets Mason in 1967's Summer of Love, just before Mason is drafted to fight in Vietnam.For 30 years, Debby wonders whatever became of the boy who changed her life. Then she finds out.

    A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.For nearly half a century, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films, who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film-history student comes to interview Claude about The Electric Hotel—the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose—the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments and reels in desperate need of restoration, and Claude’s memories of the woman who inspired and beguiled him.

    It is September 1940—a year into the war—and as German bombs fall on Britain, fears grow of an impending invasion. Enemy fighter planes blacken the sky around the Epping Forest home of Susan Shepherd and her grandfather, Bertie. After losing her parents to influenza as a child, Susan found comfort in raising homing pigeons with Bertie. All her birds are extraordinary to Susan—loyal, intelligent, beautiful—but none more so than Duchess. Hatched from an egg that Susan incubated in a bowl under her grandfather’s desk lamp, Duchess shares a special bond with Susan and an unusual curiosity about the human world. Thousands of miles away in Buxton, Maine, a young crop-duster pilot named Ollie Evans has decided to travel to Britain to join the Royal Air Force. His quest brings him to Epping and to the National Pigeon Service, where Susan is involved in a new, covert assignment. Codenamed Source Columba, the mission aims to air-drop hundreds of homing pigeons in German-occupied France. Many will not survive. Those that do make the journey home to England can convey crucial information on German troop movements—and help reclaim the skies from the Luftwaffe. The friendship between Ollie and Susan deepens as the mission date draws near. When Ollie’s plane is downed behind enemy lines, both know how remote the chances of reunion must be. Yet Duchess’s devotion and her singular sense of duty will become an unexpected lifeline, relaying messages between Susan and Ollie as war rages on—and proving, at last, that hope is never truly lost.

     Two Lives… separated by millennia but nevertheless linked irrevocably. What possible link could Mark Hayek, an introverted twenty-first century research scientist, have to Raven, a young healer who lived during the late Pleistocene? It has everything to do with an injured Neanderthal man taken captive by Raven’s band while he and his brothers were hunting bison. After Raven heals the captive, he leaves for his tribe, and she tries to forget him as she struggles to remain within the band. But it’s not possible to stay when several band members make her life with the group untenable. Seeking the Neanderthal man she’d helped and facing her fear of being alone on the dangerous steppes, she begins crossing that grassy land—but a woman like Raven isn’t destined to be by herself for long. In the future, Mark Hayek is forced into making his own journey when his uncle dies in the Levant. His travels place him firmly in the footsteps of his Neanderthal and Early Modern Human ancestors, crossing the same ancient lands as he struggles against the fate a wayward kinsman has imposed. He’s been made a pawn in a cruel game, but when he encounters a woman being held prisoner in a cave, he seeks a way to save her. Help arrives for the pair, flowing from an unexpected, ancient source, igniting a struggle deep within Mark to accept that the illogical as well as the logical make up existence. Peoples come and go, one group replacing another over time, and echoes from ancient events have always affected the future, but Mark and Raven discover that in certain environments echoes are able to bounce back and forth, blurring their origins.

    A journey of self-discovery capped off by a bad batch of moonshine transforms Rabelais into a cult leader. Meanwhile, John wants nothing more than to be left alone, but is caught between the burgeoning movements unwittingly started by his two friends. Dark, caustic, and wickedly sardonic, St. Anthony's Fire casts a burning light on the absurdities of 21st century society in the form of The City. If reading it leaves you feeling frustrated and miserable, with a worse outlook on life and the world around you, then it has done its job.

    It’s in the love of dogs, and my love for them, that I can best now take the measure of the child I once was, and the bottomless, unfathomable desires that once haunted me.There are times when it is hard for me to fully remember that love, which was once so fragile, and so fierce. Sometimes it seems to fade before me, like breath on a mirror.But I remember the dogs. In her New York Times opinion column, Jennifer Finney Boylan wrote about her relationship with her beloved dog Indigo, and her wise, funny, heartbreaking column went viral. In Good Boy, Boylan explores what should be the simplest topic in the world, but never is: finding and giving love.Good Boy is a universal account of a remarkable story: showing how a young boy became a middle-aged woman—accompanied at seven crucial moments of growth and transformation by seven memorable dogs. “Everything I know about love,” she writes, “I learned from dogs.” Their love enables us pull off what seem like impossible feats: to find our way home when we are lost, to live our lives with humor and courage, and above all, to best become our true selves.

    For three months, this humble fishing village will serve as the playground for New York City’s wealthy elite. Beatrice Bordeaux was looking forward to a summer of reigniting the passion between her and her husband, Harry. Instead, tasked with furthering his investment interest in Montauk as a resort destination, she learns she’ll be spending twelve weeks sequestered with the high society wives at The Montauk Manor—a two-hundred room seaside hotel—while Harry pursues other interests in the city. College educated, but raised a modest country girl in Pennsylvania, Bea has never felt fully comfortable among these privileged women, whose days are devoted not to their children but to leisure activities and charities that seemingly benefit no one but themselves. She longs to be a mother herself, as well as a loving wife, but after five years of marriage she remains childless while Harry is increasingly remote and distracted. Despite lavish parties at the Manor and the Yacht Club, Bea is lost and lonely and befriends the manor’s laundress whose work ethic and family life stir memories of who she once was. As she drifts further from the society women and their preoccupations and closer toward Montauk’s natural beauty and community spirit, Bea finds herself drawn to a man nothing like her husband –stoic, plain spoken and enigmatic. Inspiring a strength and courage she had almost forgotten, his presence forces her to face a haunting tragedy of her past and question her future. Desperate to embrace moments of happiness, no matter how fleeting, she soon discovers that such moments may be all she has, when fates conspire to tear her world apart…

    His life, now at a crossroads, has been a jumble of invention, elusive memories, and handed-down stories. But when Richard finds his mother’s hidden notebook, written by her during World War II, he discovers a confession that was never meant to be read by anyone—least of all, her son.,p>Richard’s quest for the truth about his life leads him to an embattled Sarajevo. In the chaos of the besieged city, he discovers something more: a transformative romance and unexpected new friendships that will change the course of his search. But fate has been playing with all of them. And just as fate determines the lives of the characters in his novel, a betrayal reaching back half a century has yet to loosen its grip—on Richard, on everyone he has come to love, and on those he has no choice but to try to forgive.