Printz Award winner and New York Times bestseller Monster, adapted by Guy Sims and illustrated by Dawud AnyabwileMonster is a multi-award-winning, provocative coming-of-age story about Steve Harmon, a teenager awaiting trial for a murder and robbery. As Steve acclimates to juvenile detention and goes to trial, he envisions the ordeal as a movie. Monster was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist.Now Monster has been adapted into a graphic novel by Guy Sims, with stunning black-and-white art from Dawud Anyabwile, Guy's brother.Fans of Monster and of the work of Walter Dean Myers—and even kids who think they don't like to read—will devour this graphic adaptation.

    Please go away.This book is for the rest of us. These comics document the wasting of entire beautiful weekends on the internet, the unbearable agony of holding hands on the street with a gorgeous guy, dreaming all day of getting home and back into pajamas, and wondering when, exactly, this adulthood thing begins. In other words, the horrors and awkwardnesses of young modern life.

    But Cel is desperate to feel useful, and Abayomi Abiola, the Logan Museum's chief curator, is desperate to hire a new archivist. Cel soon realizes the job is unlike any other she's had. There's an apartment onsite she's required to live in, she only works in the middle of the night, and she definitely gets the impression that there's more to the museum than Abayomi and her new boss, Holly Park are letting on. And then strange things start happening. Odd noises. Objects moving. Vivid, terrifying dreams of a young woman Cel's never met, but feels strangely drawn to. A woman who for some reason needs Cel's help.As Cel attempts to learn more about her, she begins losing time, misplacing things, passing out--there's no denying the job is becoming dangerous. But Cel can't let go of the woman in her dreams. Who is she? Why is she so fixated on Cel? And does Cel have the power to save herself?

    When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past--even hiding the truth from her racist husband.Clare finds herself drawn to Irene's sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself--and her deception--into every part of Irene's stable existence. First published in 1929, Larsen's brilliant examination of the various ways in which we all seek to "pass," is as timely as ever.

    Shining a light on humanity's ancient customs and institutions in a funny origin story of human civilization, Mark Russell (PREZ) blends modern interpretations with Hanna-Barbera's classic character's, bringing a breath of fresh stone-age air. Hanna-Barbera has created some of the most recognizable animated characters of all time. As part of DC Comics' re-imagination of cartoons like Scooby-Doo, The Flintsones, Johnny Quest, Space Ghost, and Wacky Racers, these new series will be infused with modern and contemporary concepts while keeping the heart and soul of the classic animation. Collects THE FLINTSTONES #1-6.