Born in Berlin in 1920 and raised by the same parents, one boy is Jewish, his adopted brother is Aryan. At first, their origins are irrelevant. But as the political landscape changes they are forced to make decisions with horrifying consequences.

    Loved by most that she meets, Charlotte has a gift for friendship, and it is her work as a Sunday School teacher that gives her hope - and an escape from home. When Charlotte meets Miles Thornton, she is instantly drawn to him. He is new to the area and a widower, with three lovely young sons to look after but the one thing he has longed for is a daughter. As they grow to understand one another, it seems that Miles and Charlotte have more in common that meets the eye... Sweeping from the early 1920s through to the end of World War II, SONS AND DAUGHTERS is a compelling, traditional saga set against the Lincolnshire landscape that Margaret Dickinson portrays so well.

    1943: Tucked away in the idyllic hills south of Florence, the Rosatis, an Italian family of noble lineage, believe that the walls of their ancient villa will keep them safe from the war raging across Europe. Eighteen-year-old Cristina spends her days swimming in the pool, playing with her young niece and nephew, and wandering aimlessly amid the estate’s gardens and olive groves. But when two soldiers, a German and an Italian, arrive at the villa asking to see an ancient Etruscan burial site, the Rosatis’ bucolic tranquility is shattered. A young German lieutenant begins to court Cristina, the Nazis descend upon the estate demanding hospitality, and what was once their sanctuary becomes their prison. 1955: Serafina Bettini, an investigator with the Florence police department, has her own demons. A beautiful woman, Serafina carefully hides her scars along with her haunting memories of the war. But when she is assigned to a gruesome new case—a serial killer targeting the Rosatis, murdering the remnants of the family one-by-one in cold blood—Serafina finds herself digging into a past that involves both the victims and her own tragic history. Set against an exquisitely rendered Italian countryside, The Light in the Ruins unveils a breathtaking story of moral paradox, human frailty, and the mysterious ways of the heart.

    Andras Lévi, a Hungarian-Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he promised to deliver. But when he falls into a complicated relationship with the letter's recipient, he becomes privy to a secret that will alter the course of his—and his family’s—history. From the small Hungarian town of Konyár to the grand opera houses of Budapest and Paris, from the despair of Carpathian winter to an unimaginable life in labor camps, The Invisible Bridge tells the story of a family shattered and remade in history’s darkest hour.

    Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war. In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication of Paris. But as she soon discovers, the hilltop town is rich with unexpected pleasures. Pascal once worked in the nearby ochre mines and later became a pigment salesman and frame maker; while selling his pigments in Paris, he befriended Pissarro and Cézanne, some of whose paintings he received in trade for his frames. Pascal begins to tutor Lisette in both art and life, allowing her to see his small collection of paintings and the Provençal landscape itself in a new light. Inspired by Pascal’s advice to “Do the important things first,” Lisette begins a list of vows to herself (#4. Learn what makes a painting great). When war breaks out, André goes off to the front, but not before hiding Pascal’s paintings to keep them from the Nazis’ reach. With German forces spreading across Europe, the sudden fall of Paris, and the rise of Vichy France, Lisette sets out to locate the paintings (#11. Find the paintings in my lifetime). Her search takes her through the stunning French countryside, where she befriends Marc and Bella Chagall, who are in hiding before their flight to America, and acquaints her with the land, her neighbors, and even herself in ways she never dreamed possible. Through joy and tragedy, occupation and liberation, small acts of kindness and great acts of courage, Lisette learns to forgive the past, to live robustly, and to love again.

    She lives above a small rail station, which she cleans in order to earn her keep. When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another - or if the secrets that burn between them will destroy everything.

    Thirteen-year-old Lisa has escaped from Nazi Germany on the Kindertransport. She arrives in London unable to speak a word of English, her few belongings crammed into a small suitcase. Among them is one precious photograph of the family she has left behind. Lonely and homesick, Lisa is adopted by a childless couple. But when the Blitz blows her new home apart, she wakes up in hospital with no memory of who she is or where she came from. The authorities give her a new name and despatch her to a children's home. With the war raging around her, what will become of Lisa now?

    In Berlin, at the time when the world changed, Hanni Kohn knows she must send her twelve-year-old daughter away to save her from the Nazi regime. She finds her way to a renowned rabbi, but it’s his daughter, Ettie, who offers hope of salvation when she creates a mystical Jewish creature, a rare and unusual golem, who is sworn to protect Lea. Once Ava is brought to life, she and Lea and Ettie become eternally entwined, their paths fated to cross, their fortunes linked.Lea and Ava travel from Paris, where Lea meets her soulmate, to a convent in western France known for its silver roses; from a school in a mountaintop village where three thousand Jews were saved. Meanwhile, Ettie is in hiding, waiting to become the fighter she’s destined to be.What does it mean to lose your mother? How much can one person sacrifice for love? In a world where evil can be found at every turn, we meet remarkable characters that take us on a stunning journey of loss and resistance, the fantastical and the mortal, in a place where all roads lead past the Angel of Death and love is never ending.

    . .Fliss is on the way to visit her grandmother in Wales - the grandmother who she doesn't get on with - with her mother who is recuperating from chemotherapy. But her mum is getting better, that's the main thing, so Fliss can concentrate on being grouchy and not looking forward to meeting her grandmother Margot, who is so cold and always so unforgiving of Fliss's every mistake . . . But when the six months is up, Fliss consoles herself, she and her mum will go back to London and back to Real Life!In the meantime Fliss needs to get used to her new school, not upset the scary girls, and just keep her head down (whilst still making sure that everybody knows she is from London, of course). Then Fliss discovers a diary at the back of her bookcase. It is from the 1940s and is set in World War II, and, Fliss realises, is actually Margot's diary from when she was a young woman during the Blitz. Intrigued, Fliss begins to read. There she discovers a whole new side to Margot, a wartime romance and also Margot's deepest, most buried secret. And it is then that Fliss discovers something terrible in her own life that she is going to have to come to terms with...A brilliantly written love story from acclaimed teen writer Juno Dawson

    Young Esther Evans has lived her whole life within the confines of her remote mountain village. The daughter of a fiercely nationalistic sheep farmer, Esther yearns for a taste of the wider world that reaches her only through broadcasts on the BBC. Then, in the wake of D-day, the world comes to her in the form of a German POW camp set up on the outskirts of Esther's village. The arrival of the Germans in the camp is a source of intense curiosity in the local pub, where Esther pulls pints for both her neighbors and the unwelcome British guards. One summer evening she follows a group of schoolboys to the camp boundary. As the boys heckle the prisoners across the barbed wire fence, one soldier seems to stand apart. He is Karsten Simmering, a German corporal, only eighteen, a young man of tormented conscience struggling to maintain his honor and humanity. To Esther's astonishment, Karsten calls out to her. These two young people from worlds apart will be drawn into a perilous romance that calls into personal question the meaning of love, family, loyalty, and national identity. The consequences of their relationship resonate through the lives of a vividly imagined cast of characters: the drunken BBC comedian who befriends Esther, Esther's stubborn father, and the resentful young British "evacuee" who lives on the farm-even the German-Jewish interrogator investigating the most notorious German prisoner in Wales, Rudolf Hess. Peter Ho Davies has been hailed for his "all-encompassing empathy that is without borders" (Elle). That trancendent compassion shines through The Welsh Girl, a novel that is both thought-provoking and emotionally enthralling.

    But on a riverside farm in Suffolk there is excitement of another kind: Mrs Pretty, the widowed farmer, has had her hunch proved correct that the strange mounds on her land hold buried treasure. As the dig proceeds against a background of mounting national anxiety, it becomes clear though that this is no ordinary find ... and soon the discovery leads to all kinds of jealousies and tensions.John Preston's recreation of the Sutton Hoo dig - the greatest Anglo-Saxon discovery ever in Britain - brilliantly and comically dramatizes three months of intense activity when locals fought outsiders, professionals thwarted amateurs, and love and rivaly flourished in equal measure.

    1942, Manchester World War Two is in full swing and Lily Mullins is determined to do her bit for the war effort. Her friends and sweetheart have all joined up and Lily's sure there must be a role for her that goes further than knitting socks for the troops! When she decides to volunteer for the Women's Auxiliary Air Force, Lily soon discovers that she has a talent as a wireless operator. Helped along the way by a special gang of girls, she finds strengths she didn't know she had and realises that the safety of the country might just be in her hands . . . Meanwhile, Danny is determined to marry Lily, but his letters home become more and more distant. Will a long separation mean the end of their love story?An uplifting and inspiring novel of women on the home front. '[The story] read so true to me and I really didn't want to put it down . . . It may be fiction but those things could, and did, happen.' Vera Morgan, wartime WAAF 'An impeccably researched and uplifting story of love, loss and courage: a heartwarming read that will captivate all those who love a good war story.' Clare Harvey, author of The Gunner Girl'A wonderful, inspiring story. I can't wait to read more from Shirley Mann.' Sheila Newberry

    Their short honeymoon results in a baby, but on the birth of her daughter, Joy, Esther's world falls apart. Esther's dying mother confesses to a dark secret that she has kept to herself for twenty years: Esther is not her natural daughter but the result of an exchange of babies after her own child was stillborn. Esther's real mother was being forced to give up her baby to an orphanage by her furious family who were incensed about the unsuitability of their daughter's lover, and Joy's birth makes the reason clear. Harshly rejected by Monty, and with the man Esther believed was her father breathing fire and damnation, she takes her precious baby and leaves everything and everyone she's ever known, determined to fend for herself and her child. But her fight is just beginning . . .

    Emotionally distant but highly successful Edward Feathers, his beautiful wife Betty, and his devilishly handsome professional rival (and Betty's one-time lover) Edward Veneering are the anchors of this series, with each novel focusing on a differenct character. Feathers was a "raj orphan"--children bown in Far East British colonies and raised in England--while Veneering's own path to legal renown is a Dickensian as his name. Filth and his circle tell a bittersweet tale of enduring friendship while contending with the disappointments and consolations of age as a once-insurmountable empire declines around them. Told with Jane Gardam's customary wit, the Old Filth trilogy is a deeply humane and often comic portrait of aging and a reminder that the experiences we choose to take with us in our twilight years are as unforgettable--and unpredictable as life itself.

    Beginning in 1905 with ninety-year-old Celia Dunne, it delightfully portrays the bustling life of her heir and grand-nephew, Humphrey Dunne, and his family of five rambunctious children. It follows the family over forty years -- through their youthful antics, merry parties, heartbreaks and loves and marriages, as each in turn comes to maturity and an understanding of the enduring satisfaction Dunnian gives to their lives.