When a young actor from the big city lives with two aging bachelor farmers to gather stories about rural life, the farmers' lives are irrevocably altered when art attempts to imitate life and the line between truth and fiction is crossed.

    Padma Nadir Majhi ( Bengali:,English title: Boatman of the River Padma or The Padma Boatman ) (1993) is an award-winning Indian Bengali feature film directed by Goutom Ghosh from novel,the same name Manik Banerjees Padma Nadir Majhi.Hossian Miya (Utpal Dutta),Bengali Muslim, a trader who offers to take this community to with an idealistic vision: he wants to establish a little utopia on an island (Moynadeep) in the Padma delta . and offer them a better life there. It is apparent that Hossian Miya has a flourishing business there, because he has recently purchased a huge boat because of expanding business.

    She's beautiful, talented and loved by many but she runs from love and lives for attention. Her horrible choices to get attention bring on a ton of chaos as she becomes stalkers prey. She doesn't know which way to turn as her admirers come at her and each other gunning for the title, Number One Fan. Will Fallon go crazy and dive off the deep end or will she gain the upper hand?

    But what he soon discovers is that New Orleans' niggas are even grimier than the dudes he left dead in Atlanta. Lines are crossed; friends turn into bitter rivals and the only certainty in Mayhem's life is death and bloodshed until he stumbles upon Keedy, a diamond in the hood. When they meet, it's true love at first sight-hood style. But the price they must pay to be together could be death. Mayhem fears nothing. Keedy has nothing to lose. All they have is each other as death closes in on them, threatening to obliterate their epic love. Will they succumb to the laws or their enemies? Or will true love and their always handy guns be their shield?

    Their relationship is only held together by a thread. As their marriage disintegrates around them, Adam tries desperately to salvage it – while Emma does everything in her power, not only to avoid the issue, but to avoid him. But what has brought them to this point? Why is Emma traumatised by the very sight of him? And why is Adam having recurring nightmares? Jean McParland has long been living her own nightmare, battling with her son Paul whose violent outbursts have terrorised her and his younger siblings in their own home. Torn between her love for her eldest son and fears for the other children, Jean has shied away from taking decisive action . . . while their lives continued to spin out of control. Then, in just one moment, Adam, Emma and Jean’s lives became inextricably linked and were changed forever.

    

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    Scientists referred to the event as The Anomaly. A byproduct of The Anomaly was the advent of hybrid beings—people who became mixed with whatever animal or object was closest to them the moment the event occurred. Humans, or pedigrees, soon relegated fairy refugees and hybrids into ghetto zones in large cities.Seventy years later, Wolfgang Rex, a second-generation hybrid—part human, part Rhodesian Ridgeback—is a retired police detective who runs a private investigation business in Chicago’s Southside. It’s a one-hybrid show; though Rex couldn’t survive without his assistant, the faerie Sally Sandweb.One night, two vampires visit Rex and offer him a substantial reward for the recovery of a stolen scroll. Later that same evening, Charlotte Sweeney-Jarhadill, a pedigree woman from Louisiana, visits Rex and hires him to exorcize the headless ghost of a Confederate soldier from her home.To complicate matters, the private detective ends up falling for Charlotte. Meanwhile, the vampires demand results in the search for the missing scroll. When Rex’s assistant Sally goes missing, he must stay alive long enough to find her. Charlotte and the vampires, however, have other plans for Rex.

    Raised by her father, a ruthless Mexican drug cartel boss, and her mother, a strong-spirited black woman with an MBA from Harvard, it's no surprise that when Alexus graduates from high school text books to kilos of cocaine and heroin, she quickly becomes one of the best to ever do it in the dope game. After her father, Juan "Papi" Costilla, is sent away to federal prison, Alexus soon finds herself in Michigan City, Indiana with her mother, Rita Mae Bishop. With $250,000 in cash and 48 kilos of pure cocaine--stuffed inside large soup cans and smuggled into the country through her family's drug tunnel-- Alexus sets out to build herself a BMF-like drug-dealing ring, utilizing the connections of her numerous lovers to maximize her bankroll. But will she survive the wrath of the Costilla cartel when a portion of it turns against her? Find out in...

     For Annie and Will, who have left their marriages to be together, the future is fraught with the complications of starting over. Both have left pieces of themselves behind: For Annie, it is the husband and friend she has known since childhood; for Will, it is the five-year-old daughter he adores. And for the Korean-born Sungae, one of Annie's English-as-a-second-language students, it is a search for the words that will help her resolve the sorrows of her tragic history. As Sungae struggles with the new language and with her memories, her story unfolds in ways that will have profound consequences not only for Sungae, but for Annie, Will, and their former spouses. A lyrical and deeply moving novel about love, loss, and language-and about confronting life's tough choices-The Language of Good-bye "weaves a wonderful story [about] letting go of the past and moving forward into the future" (Gail Tsukiyama, author of The Language of Threads).

    Being in a relationship with ladies' man, Jay'vion, Asia is ready to throw in the towel. Jay'vion is the true definition of the song 'Can't Raise a Man.' Having a hard time being faithful and committing himself to Asia, he finds himself alone and lonesome. The last woman has approached Asia for the last time, and though letting go might be the hardest thing she's ever had to endure, she knows it's something she has to do. What hurts the most is falling for another man when you already have one of your own. Tangela has always lived by the rule of loyalty, even if her man is serving a five-year sentence. When she meets irresistible, fresh out of prison Quintez, she knows to stay far away from his kind. Little does she know, whatever Quintez wants, he gets. That includes her. Will Tangela continue to be loyal to her man, or will Quintez be one temptation she will not be able to fight? This is one rollercoaster ride you don't want to miss.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    

    Her peaceful childhood in Kent is devastated when her parents and younger brothers are taken by smallpox. When her cousin Richard offers to take her in, it seems an offer too tempting to refuse. But Richard’s bedridden sister is in need of constant attention, and when Rebecca moves into Richard’s house in London’s East End, Richard moves out. Luck, it seems, has been anything but a lady. And when Rebecca is attacked while out shopping, it seems that fate is far from finished with her. Then Rebecca is rescued by Jimmy Jackson, an East End bookie with deep brown eyes and rugged good looks. And as she gets to know him, she realises she has found that rarest of men: one who is as kind as he is attractive… For readers of Katie Flynn, Annie Groves, and Rosie Goodwin, Luck Be A Lady is a heartwarming East End saga.

    And when her soon-to-be husband, Trevan "TC" Clayton, is shot to death right in front of her on the night he proposes to her, her life takes a dramatic turn for the worse. TC's mother gives all her son's worldly possessions away—including he and Nisey's Florissant suburban home—to a two-bit con-artist/ex-pimp turned reverend. Nisey is left with no other choice but to move back to the drug-infested Section 8 apartments of St. Louis' JVL.Stripped of the ghetto fabulous lifestyle, Nisey and her girlfriends pick up the scale and baggies to turn their misfortunes into a fortune. Quickly, she and her clique of "Trap-A-Rellas" become the talk of the Lou, and just as fast as she reaches the top, schemes are set in place to knock her back down.