How to make a lot out of a little.

    They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book -is a ground-breaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation;-draws inspiration from film, theater, public art, and urban design to transform historic house museums;-provides a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity;-offers a wry, but informed, rule-breaking perspective from authors with years of experience; -gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.

    In the championship game for the NCAA title that year, Don Haskins, coach of the then little-known Texas Western College, did something that had never been done before in the history of college basketball. He started five black players, and in the now legendary game, unseated the nationally top-ranked University of Kentucky. Broadcast on television throughout the country, the Miners victory became the impetus for the desegregation of all college teams in the South during the next few years. Now, for the first time, Hall of Fame coach Don Haskins tell his story. Beginning as a small-town high school basketball coach, Haskins was known for his tough coaching methods and larger-than-life personality. As a child growing up during the Dust Bowl in Oklahoma, he developed a strong set of values and discipline that he would instill in his players throughout his coaching career. With recollections from his former players, including those of the 1966 team, along with Haskins's own Seven Principles for Success, Glory Road is the inspiring story of a living legend and one of the most respected coaches of all time. With a foreword by basketball legend Bobby Knight, and coinciding with the release of the film Glory Road, the story of Don Haskins and his championship team is sure to become a classic for sports fans and historians.

    An hour and a half later, she killed her father the same way. Although the story has been told by those least qualified to do so -- outsiders and men. Now, for the first time, this famous American crime is examined by someone with all the proper credentials: Victoria Lincoln, a native of Fall River and thus knows the never-revealed 'inside' story of the crime that insular community regarded as its private disgrace; she is a woman, and as she convincingly demonstrates, the Borden murders -- and their solution -- can be fully understood only by a fellow woman.Miss Lincoln comes up with startling new findings in her penetrating analysis of the crime. Among them: the hitherto unknown motive for the killings (a secret no one but an inhabitant of Fall River, Massachusetts, ever could possibly disclose); a startling new hypothesis to account for Lizzie's celebrated 'peculiar spells' that casts new light on how the crime was committed; and the place where Lizzie hid the dress she was wearing at the time of the murders -- a mystery that has been plaguing criminologists for years.

    This classic reprint of Corporal Alvin York's journal reveals him as a humble Christian who risked his life in the First World War and was later awarded the congessional Medal of Honor for his brav

    They took three billion man-hours to build. And even though most are crumbling today, they contain a magnificent scientific and cultural story—about the geothermal forces that formed their stones, the tectonic movements that brought them to the surface, the glacial tide that broke them apart, the earth that held them for so long, and about the humans who built them.Stone walls tell nothing less than the story of how New England was formed, and in Robert Thorson's hands they live and breathe. "The stone wall is the key that links the natural history and human history of New England," Thorson writes. Millions of years ago, New England's stones belonged to ancient mountains thrust up by prehistoric collisions between continents. During the Ice Age, pieces were cleaved off by glaciers and deposited—often hundreds of miles away—when the glaciers melted. Buried again over centuries by forest and soil buildup, the stones gradually worked their way back to the surface, only to become impediments to the farmers cultivating the land in the eighteenth century, who piled them into "linear landfills," a place to hold the stones. Usually the biggest investment on a farm, often exceeding that of the land and buildings combined, stone walls became a defining element of the Northeast's landscape, and a symbol of the shift to an agricultural economy.Stone walls layer time like Russian dolls, their smallest elements reflecting the longest spans, and Thorson urges us to study them, for each stone has its own story. Linking geological history to the early American experience, Stone by Stone presents a fascinating picture of the land the Pilgrims settled, allowing us to see and understand it with new eyes.

    From the Tsarnaev brothers’ years leading up to the act of terror to the bomb scene itself (which both authors witnessed first-hand within minutes of the blast), from the terrifying police shootout with the suspects to the ultimate capture of the younger brother, Boston Strong: A City’s Triumph over Tragedy reports all the facts—and so much more. Based on months of intensive interviews, this is the first book to tell the entire story through the eyes of those who experienced it. From the cop first on the scene, to the detectives assigned to the manhunt, the authors provide a behind-the-scenes look at the investigation. More than a true-crime book, Boston Strong also tells the tragic but ultimately life-affirming story of the victims and their recoveries and gives voice to those who lost loved ones. With their extensive reporting, writing experience, and deep ties to the Boston area, Sherman and Wedge create the perfect match of story, place, and authors.If you’re only going to read one book on this tragic but uplifting story, this is it.

    An American charmer and art collector, Isabella Stewart Gardner and her husband Jack kept company with the leading men of the day including Henry James, Henry Adams, John Singer Sargent and Whistler. The Stewart Gardners' Boston home, which was modelled after a Venetian

    A reprint of a hardcover edition.The most bizarre series of murders since Jack the Ripper triggered the greatest man-hunt in the annals of modern crime for Albert deSalvo, brutal sexual psychopath, who murdered thirteen women and held a city in the icy grip of terror for eighteen months.

    Fearful of prison time—or lynching—for violating Indiana’s antimiscegenation laws in the 1940s, E. Dolores Johnson’s black father and white mother fled Indianapolis to secretly marry in Buffalo, New York.  When Johnson was born, social norms and her government-issued birth certificate said she was Negro, nullifying her mother’s white blood in her identity. Later, as a Harvard-educated business executive feeling too far from her black roots, she searched her father’s black genealogy. But in the process, Johnson suddenly realized that her mother’s whole white family was—and always had been—missing. When she began to pry, her mother’s 36-year-old secret spilled out. Her mother had simply vanished from Indiana, evading an FBI and police search that had ended with the conclusion that she had been the victim of foul play.

    The question "How did you get out?" has haunted MacDonald ever since. In response he has written this new book, a searingly honest story of reinvention that begins with young MacDonald's breakaway from the soul-crushing walls of Southie's Old Colony housing project and ends with two healing journeys to Ireland that are unlike anything in Irish American literature.The story begins with MacDonald's first urgent forays outside Southie, into Boston and eventually to New York's East Village, where he becomes part of the club scene swirling around Johnny Rotten, Mission of Burma, the Clash, and other groups. MacDonald's one-of-a-kind 1980s social history gives us a powerful glimpse of what punk music is for him: a lifesaving form of subversion and self-education. But family tragedies draw him home again, where trauma and guilt lead to an emotional collapse. In a harrowing yet hilarious scene of self-discovery, MacDonald meets his father for the first time -- much too late. After this spectacularly failed attempt to connect, MacDonald travels to Ireland, first as an alienated young man who has learned to hate shamrocks with a passion, and then on a second trip with his extraordinary "Ma," a roots journey laced with both rebellion and profound redemption.

      Drawing on a trove of sealed files and previously classified material, Whitey digs deep into the mind of James J. “Whitey” Bulger, the crime boss and killer who brought the FBI to its knees. He is an American original --a psychopath who fostered a following with a frightening mix of terror, deadly intimidation and the deft touch of a politician who often helped a family in need meet their monthly rent. But the history shows that despite the early false myths portraying him as a Robin Hood figure, Whitey was a supreme narcissist, and everything--every interaction with family and his politician brother Bill Bulger, with underworld cohorts, with law enforcement, with his South Boston neighbors, and with his victims--was always about him. In an Irish-American neighborhood where loyalty has always been rule one, the Bulger brand was loyalty to oneself.                  Whitey deconstructs Bulger's insatiable hunger for power and control. Building on their years of reporting and uncovering new Bulger family records, letters and prison files, Dick Lehr and Gerard O'Neill examine and reveal the factors and forces that created the monster. It's a deeply rendered portrait of evil that spans nearly a century, taking Whitey from the streets of his boyhood Southie in the 1940s to his cell in Alcatraz in the 1950s to his cunning, corrupt pact with the FBI in the 1970s and, finally, to Santa Monica, California where for fifteen years he was hiding in plain sight as one of the FBI's Ten Most Wanted. In a lifetime of crime and murder that ended with his arrest in June 2011, Whitey Bulger became one of the most powerful and deadly crime bosses of the twentieth century. This is his story.

    Mayer's consequential biography will be read for generations to come.

    Only hours before, he'd killed another woman by drowning her in her bathtub. As Watts attempted to do the same to 20-year-old Lori Lister, her roommate Melinda Aguilar, 18, made a daring escape, leading to Watts's arrest.Justice DeferredWatts was a sadistic slayer with a lust for killing in a variety of ways: strangulation, suffocation, drowning, and stabbing. He confessed to thirteen murders, but with no direct evidence to link him to the crimes, he managed to plea bargain his sentence down to 60 years for burglary.A Fiend ThwartedDue to a legal flaw in the Texas criminal justice system, Watts was supposed to be released from prison in 2006. Through the ceaseless efforts of investigators and the mother of one of the victims, Watts was finally tried and convicted to life in prison for a murder he'd committed in Michigan in 1979. He remains the prime suspect in approximately 90 other slayings. Experts theorize that Watts may have slain more than Ted Bundy, Jeffrey Dahmer, and John Wayne Gacy. . .combined! Here is the chilling story of how he almost got away with murder.16 Pages Of Shocking Photos

    Ironically, the extraordinary endurance of the myth that has grown up around the Hatfields and McCoys has obscured the consideration of the feud as a serious historical event. In this study, Altina Waller tells the real story of the Hatfields and McCoys and the Tug Valley of West Virginia and Kentucky, placing the feud in the context of community and regional change in the era of industrialization.Waller argues that the legendary feud was not an outgrowth of an inherently violent mountain culture but rather one manifestation of a contest for social and economic control between local people and outside industrial capitalists—the Hatfields were defending community autonomy while the McCoys were allied with the forces of industrial capitalism. Profiling the colorful feudists "Devil Anse" Hatfield, "Old Ranel" McCoy, "Bad" Frank Phillips, and the ill-fated lovers Roseanna McCoy and Johnse Hatfield, Waller illustrates how Appalachians both shaped and responded to the new economic and social order.