A potter's assistant by day and dress lodger by night, Gustine sells herself for necessity in a rented gown, scrimping to feed and protect her only love: her fragile baby boy. She holds a glimmer of hope after meeting Dr. Henry Chiver, a prisoner of his own dark past. But in a world where suspicion of medicine runs rampant like a fever, these two lost souls will become irrevocably linked, as each crosses lines between rich and destitute, decorum and abandon, damnation and salvation. By turns tender and horrifying, The Dress Lodger is a captivating historical thriller charged with a distinctly modern voice. . . .

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    But the real reason she's there is to bear him and his barren wife a child, the consequences of which curse the tenement building that is their home for a hundred years. As we travel through the nine floors of the building and the next eight decades, the resident's lives entwine over the ages and in unpredictable ways. Along the way we encounter the city's most infamous Madam, a seance, a civil rights lawyer, a bone mermaid, a famous Beat poet, a notorious Edinburgh gang, a spy, the literati, artists, thinkers, strippers, the spirit world - until a cosmic agent finally exposes the true horror of the building's longest kept secret. No. 10 Luckenbooth Close hurtles the reader through personal and global history - eerily reflecting modern life today.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    Before she began writing, Jane Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed - Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing, however, delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. This lively comedy of manners, with its witty and subtle exploration of relationships, is often seen as Jane Austen's masterpiece.Public Domain (P)2018 Audible, Ltd.

    Can you imagine the chaos - all the churches closed, King John in retaliation arresting every priest who hadn't fled and the people terrified of dying in sin without the last rites? No burials were permitted on consecrated land, no marriages were conducted, no babies baptized. But I don't want to reveal much more, except to say the plot involves people-trafficking, murder and, oh yes... a very feisty dwarf and a eunuch with a hunger for revenge.

    It is narrated from the perspectives of multiple characters, a technique used to create suspense in many of the "sensation novels" pioneered by Wilkie Collins and others in the 1860s, as well as in many late nineteenth-century novels such as Dracula.Richard Marsh was the pseudonym of the British author, Richard Bernard Heldmann.

    After all, no one ever proved the rumors about her father’s gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true.Accompanied by her father’s handsome young assistant, Montgomery, and an enigmatic castaway, Edward — both of whom she is deeply drawn to—Juliet travels to the island, only to discover the depths of her father’s madness: He has experimented on animals so that they resemble, speak, and behave as humans. And worse, one of the creatures has turned violent and is killing the island’s inhabitants. Torn between horror and scientific curiosity, Juliet knows she must end her father's dangerous experiments and escape her jungle prison before it's too late. Yet as the island falls into chaos, she discovers the extent of her father’s genius—and madness—in her own blood.Inspired by H. G. Wells’s classic The Island of Dr. Moreau, The Madman’s Daughter is a dark and breathless Gothic thriller about the secrets we’ll do anything to know and the truths we’ll go to any lengths to protect.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Splitfoot tracks two women in two times as they march toward a mysterious reckoning.Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.

    Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

    In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

    But her life there is not as she might wish. Felicity Jones plays Fanny, whilst David Tennant is her cousin Tom and Benedict Cumberbatch his brother Edmund.

    As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting. William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago. As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.