as the text journeys from the ice age to climate crisis & devours figures & texts as expansive as levinas, plath, the ronettes, after-school-specials, fairy tales, & the romantics (among others). how to be a good girl dismantles contemporary formulations of womanhood to ask: how far will one woman go in her longing to be fathomed as good, & what pound of flesh must be paid to live through this.

    Moving through iconic and imagined landscapes, Anybody confronts the strangeness of being alive and of being a restlessly gendered, queer, emotive body. Wherever the poet turns—the cruising spaces of Fire Island, a city lake, a Greek island, a bodega-turned-coffee-shop—he finds the charge of boundedness and signification, the implications of what it means to be a this instead of a that. Witty, tender, and original, these poems pierce the constructs that define our lives.

    Taylor is so simultaneously perfect, yet useless, that she is paralyzed. Her mother Arlene is lonely and pill-popping, while Arlene’s brother Charlie faces the unexpected—even unwanted—prospect of being healthy with HIV. Fractured lives in various forms of exile eventually join to re-forge a definition of family from the ashes.T Cooper received an MFA in fiction writing from Columbia University. For some time, T doubled as T-Rok, a member of the heart-throbby Backdoor Boys performance troupe. T’s work—both fiction and non-fiction—has appeared in a variety of magazines, journals and anthologies. This is a first novel.

    Things are better for her than they were then. She's out as a trans lesbian, has a good job, and is in the promising start of a new relationship. To top it all off, she's back in contact with her sister, who has completely accepted her. She's not ready to tell the rest of her family, but that's okay. Lian Hui, a private investigator who had searched for Teresa for years, is surprised when they become friends. Not much of a people person and prone to bouts of anxiety, she finds herself drawn to Teresa's kindness and patience. When Teresa's relationship turns sour, Lian steps up as the friend Teresa needs most. As Teresa and Lian become closer, they find the line between friendship and romance can be a blurry, confusing thing.

    The poems in his new collection, Sweet Machine, see the world from a new, hard-won perspective: A coming back to life, after so much death, a way of seeing the body's "sweet machine" not simply as a time bomb, but also as a vibrant, sensual, living thing. These poems are themselves "sweet machines"--lyrical, exuberant and joyous--and they mark yet another milestone in the extraordinary career of one of our most distinguished and accomplished poets.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    Through a collage aesthetic and a multiplicity of voices, these poems take us from coast to coast, New York to LA, and toward uneasy questions about intimacy, love, death, and the human spirit. Dimitrov critiques America’s long-lasting obsessions with money, celebrity, and escapism—whether in our personal, professional, or family lives. What defines a life? Is love ever enough? Who are we when together and who are we by ourselves? These questions echo throughout the poems, which resist easy answers. The voice is both heartfelt and skeptical, bruised yet playful, and always deeply introspective.from "Water"What is aging exactly?There are new jobs and peopleand someone dies before noon every day.I am swimming and swimming…in May or an ocean,I don’t see the reason. “But that’s unimportant,” you said.“Just keep doing it over again until one day you can’t.”Spring excites us and we know what it is every time.The minutes in meetings are life’s most undistinguished;that’s obvious. And what’s obvious makes us all foolsthen fast friends.Alex Dimitrov is the author of Together and by Ourselves (Copper Canyon Press, 2017), Begging for It (Four Way Books, 2013), and the online chapbook American Boys (Floating Wolf Quarterly, 2012). He is the recipient of the Stanley Kunitz Prize from the American Poetry Review and a Pushcart Prize. His poems have been published in Poetry, The Yale Review, Kenyon Review, Slate, Tin House, Boston Review, and the American Poetry Review. He is the Senior Content Editor at the Academy of American Poets where he edits the popular online series Poem-a-Day and American Poets magazine. He has taught creative writing at Rutgers University-New Brunswick, Marymount Manhattan College, Bennington College, and lives in New York City.

    Most of the time, Harvard-educated psychiatrist Richard Novic is Rick, a man at the office or a husband and father at home. But one night a week, he is Alice, a woman about town, shopping, dining, dancing, and dating a man for nearly a decade.In contrast to the life he leads today, Rick Novic suffered since his sporty, nerdy boyhood with a secret, a desire he was in no way equipped to handle, but one that eventually burst through his denial, a few months before his wedding day. Just once, he felt, while he still could, he had to know how it felt to be a woman.Like Alice in Wonderland, his curiosity led him to fall headlong down a rabbit hole, through desperate straits, mind-opening surprises, heart-rending changes, gritty sex, and boundless love. By the time he was back on his feet, he was a different person, living a lifestyle he hadnt known existed. Anyone who has struggled to figure out who they are and how they want to live will surely appreciate this informative and engaging life story.Praise for Alice in Genderland Few know the transgender scene like GIRL TALK magazines Alice Novic. This exciting new memoir by her male alter ego takes us along with him and the people he loves, as he encounters and explores each twist and turn around him and within him. As much Lewis and Clark as it is Lewis Carroll, Alice in Genderland blazes a new trail in the world of crossdressing.Linda Jensen, contributing writer, Transgender Forum Alice bravely explores the limits of gender, sexuality, and relationshipsa sexy, poignant, and often hilarious memoir of transgenderism.Vernon A. Rosario, M.D., author of The Erotic Imagination , clinical faculty, UCLA Neuropsychiatric InstituteMore provocative than soothing, Alice in Genderland is fascinating and well worth reading.Vern L. Bullough, Ph.D., author of Crossdressing, Sex, and Gender, past president of the Society of the Scientific Study of Sex

    It's part nostalgia, part confusion, and part an ongoing wondering: How do any of us achieve adulthood? And why would we want to, if we had the choice? This collection is woven from and interrupted by extraordinary sequences, including Stephanie poems about Stephen's female self; poems on particular years of the poet's early life, each with its own memories, desires, insecurities, and pop songs; and versions of poems by the Greek poet Callimachus, whose present-day incarnation worries (who doesn't?) about mortality, the favor of the gods, and the career of Taylor Swift. The collection also includes poems on politics, location, and parenthood. Taken all together, this is Stephen Burt's most personal and most accomplished collection, an essential work that asks who we are, how we become ourselves, and why we make art.

    It is his first published book. The included poems span a wide range of subjects and themes, covering such topics as love, abuse, suicide, poverty, and many many others.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    He Felt Unwell (So He Wrote This) is a curated collection of poems and illustrations that create a therapeutic journey and visual experience through the ups and downs of love, loss, fear, and doubt.

    North Morgan's third novel moves beyond the confines of fiction to examine how homosexuality's acceptance into society has created a new breed of demons for a generation of men born as outsiders yet living at the forefront of popular culture. Heartbreaking but never far from humour, Love Notes to Men Who Don't Read confirms Morgan's place as the leading interpreter of gay culture on either side of the Atlantic.

    He is the author of The Darker Fall and Want and teaches at the MFA Program for Writers at Warren Wilson College.