With authority and insight, Mengele examines the entire life of the world's most infamous doctor.

    It was also one of the war's bloodiest and most pivotal battles, whose outcome would shape international politics for decades to come.Cornelius Ryan's compelling account of this final battle is a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of Berlin experienced in the face of the Allied assault. As always, Ryan delves beneath the military and political forces that were dictating events to explore the more immediate imperatives of survival, where, as the author describes it, “to eat had become more important than to love, to burrow more dignified than to fight, to exist more militarily correct than to win.”It is the story of ordinary people, both soldiers and civilians, caught up in the despair, frustration, and terror of defeat. It is history at its best, a masterful illumination of the effects of war on the lives of individuals, and one of the enduring works on World War II.

    Netizel would later find another collection of transcriptions, twice as extensive, in the National Archive in Washington. These were discoveries that would provide a unique & profoundly important window into the true mentality of the soldiers in the Wehrmacht, the Luftwaffe, the German navy & the military in general--almost all of whom had insisted on their own honorable behavior during the war. Collaborating with renowned social psychologist Harald Welzer, Neitzel examines these conversations--& the casual, pitiless brutality omnipresent in them--from a historical & psychological perspective. In reconstucting the frameworks & situations behind these conversations, they've created a powerful narrative of wartime experience.

    The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today.Gaddis points out that while the historical method is more sophisticated than most historians realize, it doesn't require unintelligible prose to explain. Like cartographers mapping landscapes, historians represent what they can never replicate. In doing so, they combine the techniques of artists, geologists, paleontologists, and evolutionary biologists. Their approaches parallel, in intriguing ways, the new sciences of chaos, complexity, and criticality. They don't much resemble what happens in the social sciences, where the pursuit of independent variables functioning with static systems seems increasingly divorced from the world as we know it. So who's really being scientific and who isn't? This question too is one Gaddis explores, in ways that are certain to spark interdisciplinary controversy.Written in the tradition of Marc Bloch and E.H. Carr, The Landscape of History is at once an engaging introduction to the historical method for beginners, a powerful reaffirmation of it for practitioners, a startling challenge to social scientists, and an effective skewering of post-modernist claims that we can't know anything at all about the past. It will be essential reading for anyone who reads, writes, teaches, or cares about history.

    He traces the path to war, making clear why Germany and Austria-Hungary were primarily to blame, and describes the gripping first clashes in the West, where the French army marched into action in uniforms of red and blue with flags flying and bands playing. In August, four days after the French suffered 27,000 men dead in a single day, the British fought an extraordinary holding action against oncoming Germans, one of the last of its kind in history. In October, at terrible cost the British held the allied line against massive German assaults in the first battle of Ypres. Hastings also re-creates the lesser-known battles on the Eastern Front, brutal struggles in Serbia, East Prussia and Galicia, where the Germans, Austrians, Russians and Serbs inflicted three million casualties upon one another by Christmas. As he has done in his celebrated, award-winning works on World War II, Hastings gives us frank assessments of generals and political leaders and masterly analyses of the political currents that led the continent to war. He argues passionately against the contention that the war was not worth the cost, maintaining that Germany's defeat was vital to the freedom of Europe. Throughout we encounter statesmen, generals, peasants, housewives and private soldiers of seven nations in Hastings's accustomed blend of top-down and bottom-up accounts: generals dismounting to lead troops in bayonet charges over 1,500 feet of open ground; farmers who at first decried the requisition of their horses; infantry men engaged in a haggard retreat, sleeping four hours a night in their haste. This is a vivid new portrait of how a continent became embroiled in war and what befell millions of men and women in a conflict that would change everything.

    Some of the lessons she imparts are surprising, as when she argues, against other historians, that the female camp guards were far more humane than their male counterparts, and when she admits that she has difficulty today queuing in line, a constant of camp life, "out of revulsion for the bovine activity of simply standing." Her memories of her youth are punctuated by sharp reflections on the meaning of the Shoah, and how it should best be memorialized in a time when ever fewer survivors are left to act as witnesses. Those reflections are often angry -- "Absolutely nothing good came out of the concentration camps," she writes, recalling an argument with a naive German graduate student, "and he expects catharsis, purgation, the sort of thing you go to the theatre for?"But they are constantly provocative, too. Though readers will doubtless take issue with some of her conclusions, Kluger's insistent memoir merits a wide audience. --Gregory McNamee

    The Travels recounts Polo's journey to the eastern court of Kublai Khan, the chieftain of the Mongol empire which covered the Asian continent, but which was almost unknown to Polo's contemporaries. Encompassing a twenty-four year period from 1271, Polo's account details his travels in the service of the empire, from Beijing to northern India and ends with the remarkable story of Polo's return voyage from the Chinese port of Amoy to the Persian Gulf. Alternately factual and fantastic, Polo's prose at once reveals the medieval imagination's limits, and captures the wonder of subsequent travel writers when faced with the unfamiliar, the exotic or the unknown.

    At a certain distance yet still with access to many of the people who enabled and who opposed the führer and his Third Reich, Toland strove to treat this life as if Hitler lived and died a hundred years before instead of within his own memory. From childhood and obscurity to his desperate end, Adolf Hitler emerges as, in Toland’s words, “far more complex and contradictory . . . obsessed by his dream of cleansing Europe Jews . . . a hybrid of Prometheus and Lucifer.”

    Pegasus Bridge was the first engagement of D-Day, the turning point of World War II.This gripping account of it by acclaimed author Stephen Ambrose brings to life a daring mission so crucial that, had it been unsuccessful, the entire Normandy invasion might have failed. Ambrose traces each step of the preparations over many months to the minute-by-minute excitement of the hand-to-hand confrontations on the bridge. This is a story of heroism and cowardice, kindness and brutality—the stuff of all great adventures.

    Sebald completed this controversial book before his death in December 2001. On the Natural History of Destruction is his harrowing and precise investigation of one of the least examined silences of our time. In it, the novelist examines the devastation of German cities by Allied bombardment and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This historical void is in part a repression of things -- such as the death by fire of the city of Hamburg at the hands of the RAF -- too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia. His analysis of its effects in and outside Germany has already provoked angry painful debate. Sebald's novels are rooted in meticulous observation. His essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humor and, throughout, the sensitivity of his intelligence. This book is a study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.

    Protesting in the name of principles Hitler thought he had killed forever, Sophie Scholl and other members of the White Rose realized that the ‘Germanization’ Hitler sought to enforce was cruel and inhuman, and that they could not be content to remain silent in its midst.From its inception to its end, the captivating story of Sophie Scholl and the White Rose is an uplifting and enlightening account of German resistance to the Third Reich. With detailed chronicles of Scholl’s arrest and trial before Hitler’s Hanging Judge, Roland Freisler, as well as appendices containing all of the leaflets the White Rose wrote and circulated exhorting Germans to stand up and fight back, this volume is an invaluable addition to World War II literature and a fascinating window into human resilience in the face of dictatorship.

    In Naples, Lucky Luciano fixes horse races and launches the global heroin trade. And in Bologna, a bartender searches for true love and his missing communist father.Set during the height of the Cold War - with the world divided into East and West - 54 features Italian partisans, KGB agents, Parisian lowlifes, and cameos by David Niven, Marshal Tito, and Grace Kelly. Wu Ming brings us a cinematic romp that is by turns edgy social satire and modern comic send up.

    While her parents and two older sisters were taken to the gas chambers, she and her twin, Miriam, were herded into the care of the man known as the Angel of Death, Dr. Josef Mengele and subjected to sadistic medical experiments and forced to fight daily for their own survival. Through this book, readers will learn of a child's endurance and survival in the face of truly extraordinary evil. The book also includes an epilogue on Eva's recovery from this experience and her remarkable decision to publicly forgive the Nazis. Through her museum and her lectures, she has dedicated her life to giving testimony on the Holocaust, providing a message of hope for people who have suffered, and working toward goals of forgiveness, peace, and the elimination of hatred and prejudice in the world.

    But while it lasted, his closest lieutenants competed ferociously for power and position as his chosen successor. This peculiar leadership dynamic resulted in millions of deaths and some of the worst excesses of World War II. The Devil's Disciples is the first major book for a general readership to examine those lieutenants, not only as individuals but also as a group. It focuses on the three most important Nazi paladins—Göring, Goebbels, and Himmler—with their nearest rivals—Bormann, Speer, and Ribbentrop—in close attendance. Perceptive, illuminating, and grandly ambitious, The Devil's Disciples is above all a powerful chronological narrative, showing how the personalities of Hitler's inner circle developed and how their jealousies and constant intrigues affected the regime, the war, and Hitler himself.

    What happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.In 1944, a band of Jewish guerrillas emerged from the Baltic forest to join the Russian army in its attack on Vilna, the capital of Lithuania. The band, called the Avengers, was led by Abba Kovner, a charismatic young poet. In the ghetto, Abba had built bombs, sneaking out through the city's sewer tunnels to sabotage German outposts. Abba's chief lieutenants were two teenage girls, Vitka Kempner and Ruzka Korczak. At seventeen, Vitka and Ruzka were perhaps the most daring partisans in the East, the first to blow up a Nazi train in occupied Europe. Each night, the girls shared a bed with Abba, raising gossip in the ghetto. But what they found was more than temporary solace. It was a great love affair. After the liquidation of the ghetto, the Avengers escaped through the city's sewage tunnels to the forest, where they lived for more than a year in a dugout beside a swamp, fighting alongside other partisan groups, and ultimately bombing the city they loved, destroying Vilna's waterworks and its powerplant in order to pave the way for its liberation.Leaving a devastated Poland behind them, they set off for the cities of Europe: Vitka and Abba to the West, where they would be instrumental in orchestrating the massive Jewish exodus to the biblical homeland, and Ruzka to Palestine, where she would be literally the first person to bring a first hand account of the Holocaust to Jewish leaders. It was in these last terrifying days--with travel in Europe still unsafe for Jews and the extent of the Holocaust still not widely known--that the Avengers hatched their plan for revenge. Before it was over, the group would have smuggled enough poison into Nuremberg to kill ten thousand Nazis. The Avengers is the story of what happened to these rebels in the ghetto and in the forest, and how, fighting for the State of Israel, they moved beyond the violence of the Holocaust and made new lives.From Rich Cohen, one of the preeminent journalists of his generation and author of the highly praised Tough Jews, a powerful exploration of vindication and revenge, of dignity and rebellion, painstakingly recreated through his exclusive access to the Avengers themselves. Written with insight, sensitivity, and the moral force of one of the last great struggles of the Second World War, here is an unforgettable story for our time.