Jane Juska is a smart, energetic divorcée who decided she’d been celibate too long, and placed the following personal ad in her favorite newspaper, The New York Review of Books:Before I turn 67—next March—I would like to have a lot of sex with a man I like. If you want to talk first, Trollope works for me. This closing reference was a nod to her favorite author, of course. The response was overwhelming, and Juska took a sabbatical from teaching to meet some of the men who had replied. And since her ad made it clear that she wasn’t expecting just hand-holding, her dates zipped from first base to home plate in record time. Juska is a totally engaging, perceptive writer, funny and frank about her exploits. It’s high time someone revealed the fact that older single people are as eager for sex and intimacy as their younger counterparts. Jane Juska’s brave, honest memoir will probably raise eyebrows and blood pressure, but it will undoubtedly appeal to the very large audience of grown-up readers who will be fascinated and inspired by her daring adventure.From the Hardcover edition.

    Nominated for the Edgar Award for best true-crime book of the year, it also marked the debut of an audaciously talented writer, James St. James, who himself had been a club kid and close friend and confidant of Michael Alig, the young man convicted of killing the drug dealer known as Angel. Now the book has been brought to the screen as Party Monster, with Macaulay Culkin playing killer Michael Alig and Seth Green as author/celebutante James St. James.

    The compilation of the OED, begun in 1857, was one of the most ambitious projects ever undertaken. As definitions were collected, the overseeing committee, led by Professor James Murray, discovered that one man, Dr. W. C. Minor, had submitted more than ten thousand. When the committee insisted on honoring him, a shocking truth came to light: Dr. Minor, an American Civil War veteran, was also an inmate at an asylum for the criminally insane.

    To this day, it remains the bestselling jazz album of all time, embraced by fans of all music genres. The album represented a true watershed moment in jazz history, and helped to usher in the first great jazz revolution since bebop.The Making of Kind of Blue is an exhaustively researched examination of how this masterpiece was born. Recorded with pianist Bill Evans; tenor saxophonist John Coltrane; composer/theorist George Russell; and Miles himself, the album represented a fortuitous conflation of some of the real giants of the jazz world, at a time when they were at the top of their musical game. The end result was a recording that would forever change the face of American music.Through extensive interview and access to rare recordings, Eric Nisenson pieced together the whole story of this miraculous session, laying bare the genius of Miles Davis, other musicians, and the heart of jazz itself.