Her grandmother is sick, maybe dying. Like the rest of her family, Caroline's been at Gram's bedside since her stroke. With the pressure building, all Caroline wants to do is escape--both her family and the reality of Gram's failing health. So when Caroline's best friend offers to take her to a party one fateful Friday night, she must choose: stay by Gram's side, or go to the party and live her life.The consequence of this one decision will split Caroline's fate into two separate paths--and she's about to live them both.Friendships are tested and family drama hits an all-new high as Caroline attempts to rebuild old relationships, and even make a few new ones. If she stays, her longtime crush, Joel, might finally notice her, but if she goes, Chris, the charming college boy, might prove to be everything she's ever wanted.Though there are two distinct ways for her fate to unfold, there is only one happy ending...

    Ranked in the middle of her class at Sacred Heart, she’s not popular, but not a social misfit. Wren is the quiet, “good” girl who's always done what she's supposed to—only now in her junior year, this passive strategy is backfiring. She wants to change, but doesn’t know how.Grayson Barrett was the king of St. Gabe’s. Star of the lacrosse team, top of his class, on a fast track to a brilliant future—until he was expelled for being a “term paper pimp.” Now Gray is in a downward spiral and needs to change, but doesn’t know how. One fateful night their paths cross when Wren, working at her family’s Arthurian-themed catering hall, performs the Heimlich on Gray as he chokes on a cocktail weenie, saving his life literally and figuratively. What follows is the complicated, awkward, hilarious, and tender tale of two teens shedding their pasts, figuring out who they are—and falling in love.

    But she doesn't feel like one. She feels angry. And lost. And alone. Eleven months after the school shooting that killed her twin brother, May still doesn't know why she was the only one to walk out of the band room that day. No one gets what she went through--no one saw and heard what she did. No one can possibly understand how it feels to be her. Zach lost his old life when his mother decided to defend the shooter. His girlfriend dumped him, his friends bailed, and now he spends his time hanging out with his little sister...and the one faithful friend who stuck around. His best friend is needy and demanding, but he won't let Zach disappear into himself. Which is how Zach ends up at band practice that night. The same night May goes with her best friend to audition for a new band. Which is how May meets Zach. And how Zach meets May. And how both might figure out that surviving could be an option after all.

    She’d be watching old comedy sketches with him. She’d be kissing him in the library stacks.She certainly wouldn’t be at The Wooden Barn, a therapeutic boarding school in rural Vermont, living with a weird roommate, and signed up for an exclusive, mysterious class called Special Topics in English.But life isn’t fair, and Reeve Maxfield is dead.Until a journal-writing assignment leads Jam to Belzhar, where the untainted past is restored, and Jam can feel Reeve’s arms around her once again. But there are hidden truths on Jam’s path to reclaim her loss.From New York Times bestselling author Meg Wolitzer comes a breathtaking and surprising story about first love, deep sorrow, and the power of acceptance.

    Superstar Clay Coolidge is most definitely going to end up one of those things. But unfortunately for Clay, if he can’t convince Annie to join his summer tour, his music label is going to drop him. That’s what happens when your bad boy image turns into bad boy reality. Annie has been avoiding the spotlight after her parents’ tragic death, except on her skyrocketing YouTube channel. Clay’s label wants to land Annie, and Clay has to make it happen. Swayed by Clay’s undeniable charm and good looks, Annie and her band agree to join the tour. From the start fans want them to be more than just tour mates, and Annie and Clay can’t help but wonder if the fans are right. But if there’s one part of fame Annie wants nothing to do with, it’s a high-profile relationship. She had a front row seat to her parents’ volatile marriage and isn’t interested in repeating history. If only she could convince her heart that Clay, with his painful past and head over heels inducing tenor, isn’t worth the risk.

    Her mom left town. She has bills to pay and a little sister to look after. Now is not the time for level-headed seventeen-year-old Lucille to fall in love. But love—messy, inconvenient love—is what she's about to experience when she falls for Digby Jones, her best friend's brother.

    Only when Rosie tells her mother's best friend, "Aunt Sarah," that she is going to be tested for the disease does Sarah, a midwife, reveal that Trudie wasn't Rosie's mother after all. Rosie was swapped at birth with a sickly baby who was certain to die. Devastated, Rosie decides to join her ex-boyfriend on his gap-year travels, leaving England to find her birth mother in America. But all does not go as planned. After Rosie discovers yet more of her family's deeply buried secrets and lies, she is left with an agonizing decision, one with heartbreaking and far-reaching consequences.Readers will be gripped by this thrilling emotional roller-coaster ride as a web of family secrets is ripped apart, profoundly affecting lives on both sides of the Atlantic.

    And what starts out as an innocent joke spirals into a whirlwind adventure that could change both their lives—and their hearts—forever. But are fame and love worth the price?Told in alternating points of view, #famous captures the out-of-control thrill ride of falling for someone in front of everyone.

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    She's got secrets. She's got rheumatoid arthritis.But then she meets another sick kid.He's got a chronic illness Isabel's never heard of, something she can't even pronounce. He understands what it means to be sick. He understands her more than her healthy friends. He understands her more than her own father who's a doctor.He's gorgeous, fun, and foul-mouthed. And totally into her.Isabel has one rule: no dating.It's complicated--It's dangerous--It's never felt better----to consider breaking that rule for him.

    It's a book about loyalty and the choices that come with it. But above all it's a book about love.

    If given the opportunity, what sixteen-year-old wouldn't jump at the chance to move in with a friend and live parent-free? Although maybe "opportunity" isn't the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: "Lied to Our Parents"). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up "Skipping School" (#3), "Throwing a Crazy Party" (#8), "Buying a Hot Tub" (#4), and, um, "Harboring a Fugitive" (#7) at all is kind of a mystery to them. In this hilarious and bittersweet tale, Sarah Mlynowski mines the heart and mind of a girl on her own for the first time. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn't-have-done at a time.

    Sal used to know his place with his adoptive gay father, their loving Mexican American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he?

    But a majorly public breakup with the guy she's been dating causes some disastrous waves. It is right before prom and Avery no longer has the perfect date. She runs the prom committee, how could she not show up with somebody?Post-breakup, Avery gets to thinking about all of the guys that she has ever dated. How come none of those relationships ever worked out? Could it be her fault? Avery decides to investigate. In history class she's learning about this method of record-keeping called "oral history" and she has a report due. So Avery decides to go directly to the source. Avery tracks down all of the guys she's ever dated, and uses that information, along with thoughts from her friends, family, and teachers, to compile a total account of her dating history.Avery discovers some surprises about herself and the guys she's spent time with -- just in time for prom night!