The film was directed by Blake Edwards and released by Paramount Pictures. It was based on the novella of the same name by Truman Capote.

    So this edition is currently unavailable. You can find this story in a newer edition combined into one story. Look for a Tucker's Way edition that includes this (about 350 pages).Our heroine returns in book two to face new crises.Her daughter, Maisy, decides to try and extort money from the father of her daughter, April. Maisy miscalculates how he will react to her demands. When she threatens a paternity suit against him, he murders Maisy and unwittingly disposes of her body in the same area that Tucker disposed of her murdered father over thirty years ago.Tucker’s limited life skills are put to the test as she experiences grief for the very first time and tries to help her grandchildren deal with the death of their mother. The only friend Tucker has ever had, Ella, reaches out to comfort Tucker in her grief.While Tucker is searching through Maisy's effects, she finds an envelope with the words "For Tucker" on the outside. Inside she finds a letter naming the fathers of Maisy’s children.But the murderer seems to have an airtight alibi.

    She tells us of the ancient and misunderstood disease of leprosy, exploring the themes of stigma, shame and the treatment of those who are different, which are as relevant for children as adults. Gill Smith's rich, full-colour illustrations will transport the reader to the timeless and beautiful Greek landscape and Mediterranean seascape.

    It is a story of of redemption, as she overcomes the challenges of living with her fragile mother in Rotney, a brutal, East End slum where she attends the notorious comprehensive school, Rotney High, with all its perils and ugliness. Antonia’s life changes when she meets an American war hero and performance magician, who restores her confidence and gives her a stone with magical properties to protect her at the cost of his own safety. The Sunshine Stone looks at how, despite the worst circumstances, there is always hope if you are prepared to fight for your future and to accept help from any quarter it might present itself, however unlikely.

    Bigotry, poverty, social injustice, and sexual squalor in the Deep South—hallmarks of one of the most daring and phenomenally popular bestselling novelists of the twentieth-century. Here, in one volume, are three of his best-known works. “None of [his] characters would be caught dead in a novel by John Steinbeck, Carson McCullers, or Eudora Welty” (The Daily Beast).  Tobacco Road: The Great Depression compromises the morals of a poor farming family in Georgia. This classic, a Modern Library 100 Best Novels selection, was adapted for the stage in 1933 and made into a 1941 film directed by John Ford.  God’s Little Acre: Desperation takes its toll on a deluded Southern farmer obsessed with sex, violence, and the promise of gold. Banned in Boston, censored in Georgia, and prosecuted by the New York Society for the Suppression of Vice, this international bestseller was adapted into a film in 1958.  A Place Called Estherville: In the pre-civil-rights-era South, a biracial brother and sister move to a small segregated town to care for their aunt, only to be subjected to systematic racism, sexual violence, and prejudice.   “What William Faulkner implies, Erskine Caldwell records,” said the Chicago Tribune of the author who earned his reputation by writing about sex, racism, and religious hypocrisy when no one else was. Caldwell remains one of the most widely translated American authors of all time.  This ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library.

    From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poet’s own brand of love, what he calls “one / strange alone / heart’s wish / to help all / hearts.” Poetry is indeed Wright’s help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynette’s on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.”Here, in Wheeling Motel, Wright’s poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.

    Barrie, starring such timeless characters as Peter Pan, Tinker Bell, Captain Hook, Wendy, and the Lost Boys. Included in Peter Pan: The Complete Adventures are: • All three Peter Pan books written by J.M. Barrie. • Both Peter Pan and Peter Pan in Kensington Gardens are illustrated with the classic artwork by F.D. Bedford and Arthur Rackham. • Links to free, full-length audio recordings of the Peter Pan books in this collection, as well as other childhood favorites. • An individual, active Table of Contents for each book accessible from the Kindle "go to" feature. • Perfect formatting in rich text compatible with Kindle's Text-to-Speech features. • A low, can't-say-no price! The Complete Adventures All three of J.M. Barrie's Peter Pan books, complete and unabridged. Books included: • Peter Pan (also known as Peter and Wendy) [1911]* Includes original illustrations by F. D. Bedford! • Peter Pan in Kensington Gardens [1906]* Includes original illustrations by Arthur Rackham! • The Little White Bird [1902] A Little Bit of Pixie Dust Also included are special features for any Peter Pan enthusiast, including: • A comprehensive list of the many film, television, and media adaptations of the Boy Who Would Not Grow Up. • Links to free, full-length audio recordings of the books included in this collection, as well as other childhood favorites.

    Colin is a sick boy who can't get out of bed. But everything changes when they find each other - and the magic of The Secret Garden!

    “I’ll be back soon, my darling,” her mother, Sage, said the day she left. “Don't you worry. I just need to go find myself.”Do you have to run away in order to find yourself? Maeve wondered. When, exactly, do you know when that self you were so desperately looking for is found?Now Maeve is sixteen-years-old and Sage still hasn’t returned.Fiercely independent and disillusioned, Maeve has grown up with her mother’s ex-boyfriend as her only companion. Giving up all hope of Sage’s return, she convinces herself that mothers—and people—are unnecessary. When she meets Ky and Levi, she is adamant about keeping them at arms length. But Ky, the only true friend Maeve knows, and Levi, the boy with the startling blue eyes, crash through Maeve’s walls.Then one of them is wrenched away—permanently. And Maeve is left dangling with the final words they left behind: go find Sage Parker.

    1928, Latin-American novelist from Columbia.

    A man sits on a bench in front of his old school remembering the place where one particular day changed his life and those of many others dramatically years earlier.

    It's simple to read and simple to follow. Written by experienced English teachers who know how to deal with exams. Buy it! Follow it! Walk into the exam with confidence! A small price for big results. From the 'Annoying Younger Brothers' people.

    Then she hits on a brilliant idea – a kids’ clothing shop with a twist – and is thrilled when it really takes off. When husband Lee offers to quit his job to look after the family while her business grows, it seems a godsend – but will their marriage stand the test of reversing their roles?Jo soon recruits Holly and Mel to help her in the shop. Designer Holly’s high-flying career has come crashing down and she’s moved back home – but is she ready to manage a major family crisis? Meanwhile, Mel worries her teenage daughter Serena is going off the rails. Is finding out more worth risking her daughter’s trust?At the crossroads of their lives, friendship could be the only the thing keeping these wonder women strong.

    They present a wide spectrum of comic and serious themes and a variety of techniques. (His short novels, available in another Norton volume, Seven Short Novels by Chekhov, have been omitted.) Two of the stories have been translated for this edition by Professor Matlaw; the other translations, by Constance Garnett, Ivy Litvinov, and Marian Fell, have been revised in accordance with contemporary usage. Footnotes have been supplied wherever necessary to explain peculiarities of Russian life and the historical era in which Chekhov lived and wrote."Backgrounds" includes a rich selection of Chekhov's letters, in new translations by Professor Matlaw, and Gorky's celebrated essay on Chekhov, translated by Ivy Litvinov. The critical essays offer general views of Chekhov's art and achievement and detailed analyses of particular stories. The critics are D. S. Mirsky, A. B. Derman (whose essay has been translated from the Russian especially for this edition), Renato Poggioli, Gleb Struve, Donald Rayfield, Karl Kramer, Virginia Llewellyn Smith, and Nils Ake Nilsson.A Selected Bibliography directs readers to resources for further study.Chameleon (1884) --Oysters (1884) --A living chronology (1885) --The huntsman (1885) --Misery (1886) --The requiem (1886) --Anyuta (1886) --Agatha (1886) --Grisha (1886) --A gentleman friend (1886) --The chorus girl (1886)--Dreams (1886) --Vanka (1886)--At home (1887) --The siren's song (1887) --Sleepy (1888) --The grasshopper (1892) --In exile --Rothschild's fiddle (1894) --The student (1894) --The teacher of literature (1889-94) --Whitebrow (1895) --Anna on the neck (1895) --The house with the mansard (1896) --The pecheneg (1898)--A journey by cart (1897) --The man in a case (1898) --Gooseberries (1898) --About love (1898) --A doctor's visit (1902) --The darling (1899) --The lady with the dog (1899) --The bishop (1902) --The betrothed (1903).

    His collection, which he has protected and enlarged through both World War II and Czechoslovakia's years of Stalinism, numbers more than 1,000 pieces, all crammed into his two-room Prague flat. Utz is allowed to leave the country each year, and although he has considered defection, he always returns. He cannot take his precious collection with him, but he cannot leave it, either. And so Utz is as much owned by his porcelain as it is owned by him, as much of a prisoner of the collection as of the Communist state.A fascinating, enigmatic man, Kaspar Utz is one of Bruce Chatwin's finest creations. And his story, as delicately cast as one of Utz's porcelain figures, is unforgettable.