Svidrigailov simply is the most memorable figure in the book, obscuring Raskolnikov, who after all is the protagonist, a hero-villain, and a kind of surrogate for Dostoevsky himself.

    Included are "Tevye the Dairyman, " his masterpiece and the basis for Fiddler on the Roof, and all 21 Railroad Stories, in which human nature and the various shocks of modernity are perceived by men and women riding the trains from shtetl to shtetl.

    The book is composed of short miniatures: strange, funny, dream-like fragments ? many of which the author called ?incidents? ? that tend to feature accidents, falling, chance violence and sudden death. An outlaw classic banned by Soviet censors until the 1980s, Incidences vividly conveys the precarious nature of life in Stalin?s Russia. Writing in the 1920s as one of a group called the Society for Real Art, Kharms was first arrested in 1931, and told that he could only publish writing for children. Irrepressible, he was sent to the gulag in 1941 and died of starvation in a prison hospital a year later. With this new edition of Incidences we can rediscover a Russian writer whose bold writing and tragic death are an urgent reminder of the deranged spirit of his times.

    

    Kennedy in Dallas forty years ago remains, and will always remain, indelible in the minds of those old enough to recall it. The youngest elected leader in American history, a charming man leading what seemed a charmed life, by general consensus a president whose administration, having survived its early crises, was now at last hitting its stride, was shot and killed by a sniper firing a mail-order rifle from the southeast corner of the sixth floor of the Texas School Book Depository. So great was the shock that time seemed to freeze in the squinting glare of late-November sun. For four days in November 1963, the business of the nation ground to a halt. The coverage provided by The New York Times is still generally considered the most complete of its day. Almost miraculously, Times reporters, writers, and editors produced 250 columns, or about 200,000 words, on and about the very first day. The other three days were no less exhaustive. Through the combined efforts of, among many others, Tom Wicker, James Reston, Max Frankel, Anthony Lewis, Harrison Salisbury, A. M. Rosenthal, and Arthur Gelb, The Times covered history as it was happening, from the assassination to the funeral. Here were the first portraits of Lee Harvey Oswald and Jack Ruby, the earliest speculation regarding the prospects of Lyndon Johnson's administration, the immediate reaction from world leaders, and, perhaps most of all, the pulse of a populace reeling from an event that surpassed both understanding and belief.This commemorative volume provides a haunting, firsthand, and detailed chronology of the events that took place in Dallas and Washington from November 22 to November 25, 1963. Here is history being recorded in the moment---a recitation not just of facts but of emotions and reactions as they were being experienced. The clarity of the writing is matched only by the almost desperate intensity of its occasion. Getting all the news that's fit to print seemed the only way of keeping the world from spinning further into chaos; The Times's coverage provided not just information but a sense of balance. Though no one would ultimately explain to everyone's satisfaction the why, the who, what, and how were brought with amazing speed and accuracy within our grasp. f0With an introduction by Tom Wicker and edited by Robert B. Semple Jr., Four Days in November is an extraordinary book. It will serve as an invaluable resource for anyone wanting to remember, to understand, and most of all to feel what it was like, minute by minute, detail by detail, while one of the most traumatic events in recent American history unfolded.

    Tracing the lives and aspirations of Russians living in Moscow and Brooklyn, these poignant, sad and funny stories create a luminous new literary world. In the title story, set during the Second World War, Galina, a gentile, offers refuge to a Jewish friend and her daughter, only to find herself increasingly resentful of their presence in her home. In Mistress, a nine-year-old boy, new to America, escorts his grandmother to her weekly doctors’ appointments to interpret her myriad complaints. At the same time, he becomes aware that his grandfather may be involved with another woman. And in Love Lessons–Mondays, 9 A.M. a young math teacher assigned to teach a sex education class becomes all too aware that her students are more experienced than she is.

    During his journey he learns through example and suffering that in indigenous peoples of all cultures there is dignity that must be recognized and built upon as a foundation for Christian conversion. Includes appendix, 7 line drawings.

    With its lively style and psychological insight, this memoir about Sergei Esenin has abiding value for scholar and general reader alike.

    An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun.       After the  Soviet Government confiscated—or, as Grossman always put it, “arrested”—Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there.       This is by far the most personal and intimate of Grossman’s works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia—its mountains, its ancient churches, its people—while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.

    Valuable as a historical document for its first-hand account of the events during the period of 1917-1922, A Sentimental Journey is also an important experimental literary work—a memoir in the form of a novel.At times lyrical, disturbing, ironic, and erudite, A Sentimental Journey is a singular book from one of the most recognizable and influential voices of twentieth-century Russian literature.

    The Birth of the Russian IntelligentsiaII. German Romanticism in Petersburg and MoscowIII. Vissarion BelinskyIV. Alexander Herzen- Russian Populism- Tolstoy and Enlightenment- Fathers and ChildrenIndex

    They begin with the fearsome figure of Joseph Stalin, who was driven by the dual dream of a Communist revolution and a global empire. They reveal the scope and limits of Stalin's ambitions by taking us into the world of his closest subordinates, the ruthless and unimaginative foreign minister Molotov and the Party's chief propagandist, Zhdanov, a man brimming with hubris and missionary zeal. The authors expose the machinations of the much-feared secret police chief Beria and the party cadre manager Malenkov, who tried but failed to set Soviet policies on a different course after Stalin's death. Finally, they document the motives and actions of the self-made and self-confident Nikita Khrushchev, full of Russian pride and party dogma, who overturned many of Stalin's policies with bold strategizing on a global scale. The authors show how, despite such attempts to change Soviet diplomacy, Stalin's legacy continued to divide Germany and Europe, and led the Soviets to the split with Maoist China and to the Cuban missile crisis.Zubok and Pleshakov's groundbreaking work reveals how Soviet statesmen conceived and conducted their rivalry with the West within the context of their own domestic and global concerns and aspirations. The authors persuasively demonstrate that the Soviet leaders did not seek a conflict with the United States, yet failed to prevent it or bring it to conclusion. They also document why and how Kremlin policy-makers, cautious and scheming as they were, triggered the gravest crises of the Cold War in Korea, Berlin, and Cuba. Taking us into the corridors of the Kremlin and the minds of its leaders, Zubok and Pleshakov present intimate portraits of the men who made the West fear, to reveal why and how they acted as they did.

    A man of great natural dignity, imbued with respect for tradition and love of the land, he is also despotic and virtually illiterate. Into the family comes his son's new wife, a spirited, intelligent girl from the town. Her eyes see a different world--one tainted by grossness, cruelty, and squalor--and she suffers from the hostility of jealous sisters-in-law and the shortcomings of a husband whom she loves but cannot respect. Her relationship with Stepan Mikhailovich is the heart of a story in which Aksakov celebrates the old feudal way of life without concealing its darker, repressive side.

    With the collapse of the Soviet Union, the country had an opportunity to face its tortured past. In Inside the Stalin Archives, Jonathan Brent asks, why didn't this happen? Why are the anti-Semitic Protocols of Zion sold openly in the lobby of the State Duma? Why are archivists under surveillance and phones still tapped? Why does Stalin, a man responsible for the deaths of millions of his own people, remain popular enough to appear on boxes of chocolate sold in Moscow's airport?Brent draws on fifteen years of unprecedented access to high-level Soviet Archives to answer these questions. He shows us a Russia where, in 1992, used toothbrushes were sold on the sidewalks, while now shops are filled with luxury goods and the streets are jammed with Mercedes. Stalin's specter hovers throughout, and in the book's crescendo Brent takes us deep into the dictator's personal papers to glimpse the dark heart of the new Russia. Both cultural history and personal memoir, Inside the Stalin Archives is a deeply felt and vivid portrait of Russia in the twenty-first century.

    Shirer's new book - written in his ninth decade - explores the passionate, highly charged, and extraordinary lives of Leo and Sonya Tolstoy. It is a compelling illumination both of the nature of genius and of the universal problems of love, sex, and marriage - themes that Tolstoy played out in his great fiction and that haunted him in his tangled domestic life. Rich in anecdotes, wise, full of sweeping history, and imbued with Shirer's profound knowledge of literature and life, Love and Hatred ranks beside such works as Robert Massie's Nicholas and Alexandra and Nigel Nicolson's Portrait of a Marriage as a masterly, intuitive, and sympathetic exploration of the love/hate relationship between two famous, bigger-than-life people. Beginning in 1862, when Tolstoy committed the blunder of asking his young bride to read his diaries of his bachelor life so there should be no secrets between them, and ending with his tragic flight from home (and marriage) in 1910 while the whole world waited for news of him, Love and Hatred tells the story of a great romance between two people who could live neither together nor apart - a romance that exhausted and obsessed them both, and that forms the basis for much of Tolstoy's work. The final book of William L. Shirer's long and brilliant career, it is - appropriately - a masterly re-creation of a time, of two extraordinary people, and of the very nature of love, marriage, and old age.