Beginning at the end of the Weimar Republic, Allen examines the entire period of the Nazi Revolution within a single locality.Tackling one of the 20th century's greatest dilemmas, Allen demonstrates how this dictatorship subtly surmounted democracy and how the Nazi seizure of power encroached from below. Relying upon legal records and interviews with primary sources, Allen dissects Northeim, Germany with microscopic precision to depict the transformation of a sleepy town to a Nazi stronghold. In this cogent analysis, Allen argues that Hitler rose to power primarily through democratic tactics that incited localized support rather than through violent means.Allen's detailed, analysis has indisputably become a classic. Revised on the basis of newly discovered Nazi documents, The Nazi Seizure of Power: The Experience of a Single German Town, 1922-1945 continues to significantly contribute to the understanding of this prominent political and moral dispute of the 1900s.

    In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

    The Rote Kapelle, or Red Orchestra, was the Gestapo’s name for an intrepid band of German artists, intellectuals, and bureaucrats (almost half of them women) who battled treacherous odds to unveil the brutal secrets of their fascist employers and oppressors.Based on years of research, featuring new information, and culled from exclusive interviews, Red Orchestra documents this riveting story through the eyes of Greta Kuckhoff, a German working mother. Fighting for an education in 1920s Berlin but frustrated by her country’s economic instability and academic sexism, Kuckhoff ventured to America, where she immersed herself in jazz, Walt Disney movies, and the first stirrings of the New Deal. When she returned to her homeland, she watched with anguish as it descended into a totalitarian society that relegated her friends to exile and detention, an environment in which political extremism evoked an extreme response.Greta and others in her circle were appalled by Nazi anti-Semitism and took action on many fronts to support their Jewish friends and neighbors. As the war raged and Nazi abuses grew in ferocity and reach, resistance was the only possible avenue for Greta and her compatriots. These included Arvid Harnack–the German friend she met in Wisconsin–who collected anti-Nazi intelligence while working for their Economic Ministry; Arvid’s wife, Mildred, who emigrated to her husband’s native country to become the only American woman executed by Hitler; Harro Schulze-Boysen, the glamorous Luftwaffe intelligence officer who smuggled anti-Nazi information to allies abroad; his wife, Libertas, a social butterfly who coaxed favors from an unsuspecting Göring; John Sieg, a railroad worker from Detroit who publicized Nazi atrocities from a Communist underground printing press; and Greta Kuckhoff’s husband, Adam, a theatrical colleague of Brecht’s who found employment in Goebbels’s propaganda unit in order to undermine the regime.For many members of the Red Orchestra, these audacious acts of courage resulted in their tragic and untimely end. These unsung individuals are portrayed here with startling and sympathetic power. As suspenseful as a thriller, Red Orchestra is a brilliant account of ordinary yet bold citizens who were willing to sacrifice everything to topple the Third Reich.

    It ended with the surrender of 76,000 Filipinos and Americans, the single largest defeat in American military history. The defeat, though, was only the beginning, as Michael and Elizabeth M. Norman make dramatically clear in this powerfully original book. From then until the Japanese surrendered in August 1945, the prisoners of war suffered an ordeal of unparalleled cruelty and savagery: forty-one months of captivity, starvation rations, dehydration, hard labor, deadly disease, and torture--far from the machinations of General Douglas MacArthur. The Normans bring to the story remarkable feats of reportage and literary empathy. Their protagonist, Ben Steele, is a figure out of Hemingway: a young cowboy turned sketch artist from Montana who joined the army to see the world. Juxtaposed against Steele's story and the sobering tale of the Death March and its aftermath is the story of a number of Japanese soldiers. The result is an altogether new and original World War II book: it exposes the myths of military heroism as shallow and inadequate; it makes clear, with great literary and human power, that war causes suffering for people on all sides.