By chance all of their names contained a colour. The two boys were called Akamatsu, meaning ‘red pine’, and Oumi, ‘blue sea’, while the girls’ names were Shirane, ‘white root’, and Kurono, ‘black field’. Tazaki was the only last name with no colour in it.One day Tsukuru Tazaki’s friends announced that they didn't want to see him, or talk to him, ever again.Since that day Tsukuru has been floating through life, unable to form intimate connections with anyone. But then he meets Sara, who tells him that the time has come to find out what happened all those years ago.

    Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city's great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown's punk scene; an obsessive magazine reporter, Richard, and his idealistic neighbor, Jenny, - and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year's Eve.The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives with be changed forever.City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock 'n' roll, about what people need from each other in order to live... and about what makes the living worth doing in the first place.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

    Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced. As the summer shimmers endlessly on, the girls decide to take matters into their own hands. Inspired by the local vicar, they go looking for God—they believe that if they find Him they might also find Mrs. Creasy and bring her home.Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover much more than ever imagined. As they try to make sense of what they’ve seen and heard, a complicated history of deception begins to emerge. Everyone on the Avenue has something to hide, a reason for not fitting in.In the suffocating heat of the summer, the ability to guard these differences becomes impossible. Along with the parched lawns and the melting pavement, the lives of all the neighbors begin to unravel. What the girls don’t realize is that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was beginning to peel back just before she disappeared.

    A National Book Award finalist, Eat the Document is a riveting portrait of two eras and one of the most provocative and compelling novels of recent years.

    That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.

    Leo’s bad behaviour, culminating in a car crash while under the influence—a nineteen-year-old waitress beside him—has endangered the Plumbs’ joint trust fund, or “the Nest,” as they’ve taken to calling it. The four siblings are at very different places in their lives, but all believe that this money will solve a host of self-inflicted problems and their consequences. And until Leo’s accident, they’d been mere months away from receiving it.Can Leo get the Plumbs out of this mess, as he’s always been able to do for himself before? Or will the Plumb siblings have to do without the money and the future lives they’ve envisioned? As the siblings grapple with family tensions, old histories and the significant emotional and financial cost of the accident, Sweeney introduces an unforgettable cast of supporting characters: Leo’s stalwart ex-girlfriend who now thinks that maybe, just maybe, he is capable of change; the waitress whose life was shattered in the accident and the Iraqi war veteran who falls in love with her; and a retired, grieving firefighter with a very big secret.Tender, funny and deftly written, The Nest explores what money does to relationships, what happens to our ambitions over the course of our lives, and the fraught but unbreakable ties we have with our families.

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

    For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin.Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

    Which is why it’s so unnerving that she’s arrived at middle age with nothing to show for her hard work and dedication but a stack of unpaid bills and an inherited brick home in Vineland, New Jersey, that is literally falling apart. The magazine where she worked has folded, and the college where her husband had tenure has closed. The dilapidated house is also home to her ailing and cantankerous Greek father-in-law and her two grown children: her stubborn, free-spirited daughter, Tig, and her dutiful debt-ridden, ivy educated son, Zeke, who has arrived with his unplanned baby in the wake of a life-shattering development.In an act of desperation, Willa begins to investigate the history of her home, hoping that the local historical preservation society might take an interest and provide funding for its direly needed repairs. Through her research into Vineland’s past and its creation as a Utopian community, she discovers a kindred spirit from the 1880s, Thatcher Greenwood.A science teacher with a lifelong passion for honest investigation, Thatcher finds himself under siege in his community for telling the truth: his employer forbids him to speak of the exciting new theory recently published by Charles Darwin. Thatcher’s friendships with a brilliant woman scientist and a renegade newspaper editor draw him into a vendetta with the town’s most powerful men. At home, his new wife and status-conscious mother-in-law bristle at the risk of scandal, and dismiss his financial worries and the news that their elegant house is structurally unsound.Unsheltered is the story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts. In this mesmerizing story told in alternating chapters, Willa and Thatcher come to realize that though the future is uncertain, even unnerving, shelter can be found in the bonds of kindred—whether family or friends—and in the strength of the human spirit.

    He makes a deal with a crusty old Scot, Angus McLintock — an engineering professor who will do anything, anything, to avoid teaching English to engineers — to let his name stand in the election. No need to campaign, certain to lose - or is he?

    Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    A young man is just a college freshman when he meets Emily. They share a passion for Edward Albee and ecstasy and fall hard and fast in love. But soon Emily has to move home to Elba, New York, and he flunks out of school and joins the army. Desperate to keep their relationship alive, they marry before he ships out to Iraq. But as an army medic, he is unprepared for the grisly reality that awaits him. His fellow soldiers smoke; they huff computer duster; they take painkillers; they watch porn. And many of them die. He and Emily try to make their long-distance marriage work, but when he returns from Iraq, his PTSD is profound, and the drugs on the street have changed. The opioid crisis is beginning to swallow up the Midwest. Soon he is hooked on heroin, and so is Emily. They attempt a normal life, but with their money drying up, he turns to the one thing he thinks he could be really good at – robbing banks.Hammered out on a prison typewriter, Cherry marks the arrival of a raw, bleakly hilarious, and surprisingly poignant voice straight from the dark heart of America.

    The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed.The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him. Travelling first to Liverpool, then London, he eventually makes a home—of sorts—for himself in New York, where he finds shelter and the possibility of forging a new life.But the secrets—the unspoken longings and regrets that have come to haunt those left behind—will not be silenced. Before long, Connor will have to confront his past.A powerful and timely novel of emigration and return, Home Stretch demonstrates Norton’s keen understanding of the power of stigma and secrecy—and their devastating effect on ordinary lives.