But few know that those lists were made possible by a secret strategy designed by a young Polish Jew at the Płaszow concentration camp. Mietek Pemper’s compelling and moving memoir tells the true story of how Schindler’s list really came to pass.Pemper was born in 1920 into a lively and cultivated Jewish family for whom everything changed in 1939 when the Germans invaded Poland. Evicted from their home, they were forced into the Krakow ghetto and, later, into the nearby camp of Płaszow where Pemper’s knowledge of the German language was put to use by the sadistic camp commandant Amon Goth. Forced to work as Goth’s personal stenographer from March 1943 to September 1944—an exceptional job for a Jewish prisoner—Pemper soon realized that he could use his position as the commandant’s private secretary to familiarize himself with the inner workings of the Nazi bureaucracy and exploit the system to his fellow detainees’ advantage. Once he gained access to classified documents, Pemper was able to pass on secret information for Schindler to compile his famous lists. After the war, Pemper was the key witness of the prosecution in the 1946 trial against Goth and several other SS officers. The Road to Rescue stands as a historically authentic testimony of one man’s unparalleled courage, wit, defiance, and bittersweet victory over the Nazi regime.

    Anita Lobel was barely five when the war began and sixteen by the time she came to America from Sweden, where she had been sent to recover at the end of the war. This haunting book, illustrated with the author's archival photographs, is the remarkable account of her life during those years. Poised, forthright, and always ready to embrace life, Anita Lobel is the main character in the most personal story she will ever tell.Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Krakow, Poland, changing her life forever. She spent the days of her childhood in hiding with her brother--who was disguised as a girl--and their Catholic nanny in the countryside, the ghetto, and finally in a convent where the Nazis caught up with her. She was imprisoned in a succession of concentration camps until the end of the war. Sent by the Red Cross to recuperate in Sweden, she slowly blossomed as she discovered books and language and art. Since coming to the United States as a teenager, Anita Lobel has spent her life making pictures. She has never gone back. She has never looked back. Until now.

    It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after?So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light.It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed.The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.

    When the Germans invaded Poland on September 1, 1939, Thomas Toivi Blatt was twelve years old. He and his family lived in the largely Jewish town of Izbica in the Lublin district of Poland—the district that was to become the site of three major Nazi extermination camps: Belzec, Sobibor, and Majdanek. Blatt tells of the chilling events that led to his deportation to Sobibor, and of the six months he spent there before taking part in the now-famous uprising and mass breakout. Blatt's tale of escape, and of the five harrowing years spent eluding both the Nazis and anti-Semitic Polish nationalists, is gripping account of resilience and survival. This edition also includes the author's interview with Karl Frenzel, a former Nazi commandant at Sobibor.

    It is an unforgettable story of survival and a disarming look at the legacy of trauma.

    Among them was a little boy named Wolfgang Samuel, who left his home with his mother and sister and ended up in war-torn Strasbourg before being forced farther west into a disease-ridden refugee camp. German Boy is the vivid, true story of their fight for survival as the tables of power turned and, for reasons Wolfgang was too young to understand, his broken family suffered arbitrary arrest, rape, hunger, and constant fear. Because his father was off fighting the war as a Luftwaffe officer, young Wolfgang was forced to become the head of his household, scavenging for provisions and scraps with which to feed his family. Despite his best efforts, his mother still found herself forced to do the unthinkable to survive, and her sacrifices became Wolfgang's worst nightmares. Somehow, with the resilience only children can muster, he maintained his youth and innocence in little ways–making friends with other young refugees, playing games with shrapnel, delighting in the planes flown by the Americans and the candies the GIs brought. In the end, the Samuels begin life anew in America, and Wolfgang eventually goes on to a thirty-year career in the U.S. Air Force.Bringing fresh insight to the dark history of Nazi Germany and the horror left in its wake, German Boy records the valuable recollections of an innocent's incredible journey."I think German Boy has all the qualities of greatness. I love the book." -- from the Foreword by Stephen Ambrose

    The film, shot long ago by his grandfather on a sightseeing trip to Europe, includes shaky footage of Paris and the Swiss Alps, with someone inevitably waving at the camera. Astonishingly, David Kurtz also captured on color 16mm film the only known moving images of the thriving, predominantly Jewish town of Nasielsk, Poland, shortly before the community's destruction. "Blissfully unaware of the catastrophe that lay just ahead," he just happened to visit his birthplace in 1938, a year before the Nazi occupation. Of the town's three thousand Jewish inhabitants, fewer than one hundred would survive.Glenn Kurtz quickly recognizes the brief footage as a crucial link in a lost history. "The longer I spent with my grandfather's film," he writes, "the richer and more fragmentary its images became." Every image, every face, was a mystery that might be solved. Soon he is swept up in a remarkable journey to learn everything he can about these people. After restoring the film, which had shrunk and propelled across the United States; to Canada, England, Poland, and Israel; and into archives, basements, cemeteries, and even an irrigation ditch at an abandoned Luftwaffe airfield as he looks for shards of Nasielsk's Jewish history.One day, Kurtz hears from a young woman who had watched the video on the Holocaust Museum's website. As the camera panned across the faces of children, she recognized her grandfather as a thirteen-year-old boy. Moszek Tuchendler of Nasielsk was now eighty-six-year-old Maurice Chandler of Florida, and when Kurtz meets him, the lost history of Nasielsk comes into view. Chandler's laser-sharp recollections create a bridge between two worlds, and he helps Kurtz eventually locate six more survivors, including a ninety-six-year-old woman who also appears in the film, standing next to the man she would later marry.Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. "I began to catch fleeting glimpses of the living town," Kurtz writes, "a cruelly narrow sample of its relationships, contradictions, scandals." Originally a travel souvenir, David Kurtz's home movie became the most important record of a vibrant town on the brink of extinction. From this brief film, Glenn Kurtz creates a poignant yet unsentimental exploration of memory, loss, and improbable survival--a monument to a lost world.

    The name of the detention centre -- Auschwitz.It was only after arriving at the camp that he started to discover the Nazi’s terrifying designs. Over the next two and half years, Witold forged an underground army that smuggled evidence of Nazi atrocities to the West, culminating in the mass murder of over a million Jews. His reports from the camp were to shape the Allies response to the Holocaust - yet his story was all but forgotten for decades.This is the first major account of his amazing journey, drawing on exclusive family papers and recently declassified files as well as unpublished accounts from the camp’s fighters to show how he saved hundreds of thousands of lives.The result is a enthralling story of resistance and heroism against the most horrific circumstances, and one man’s attempt to change the course of history.

    It had been her ‘soul place’ as a child, she said – a holiday home for her and her family, but much more – a sanctuary, a refuge. In the 1930s, she had been forced to leave the house, fleeing to England as the Nazis swept to power. The trip, she said, was a chance to see it one last time, to remember it as it was. But the house had changed. Nearly twenty years later Thomas returned to the house. It was government property now, derelict, and soon to be demolished. It was his legacy, one that had been loved, abandoned, fought over – a house his grandmother had desired until her death. Could it be saved? And should it be saved?He began to make tentative enquiries – speaking to neighbours and villagers, visiting archives, unearthing secrets that had lain hidden for decades. Slowly he began to piece together the lives of the five families who had lived there – a wealthy landowner, a prosperous Jewish family, a renowned composer, a widower and her children, a Stasi informant. All had made the house their home, and all – bar one – had been forced out. The house had been the site of domestic bliss and of contentment, but also of terrible grief and tragedy. It had weathered storms, fires and abandonment, witnessed violence, betrayals and murders, had withstood the trauma of a world war, and the dividing of a nation.As the story of the house began to take shape, Thomas realized that there was a chance to save it – but in doing so, he would have to resolve his own family’s feelings towards their former homeland – and a hatred handed down through the generations.The House by the Lake is a groundbreaking and revelatory new history of Germany over a tumultuous century, told through the story of a small wooden house. Breathtaking in scope, intimate in its detail, it is the long-awaited new history from the author of the bestselling Hanns and Rudolf.

    Some of the lessons she imparts are surprising, as when she argues, against other historians, that the female camp guards were far more humane than their male counterparts, and when she admits that she has difficulty today queuing in line, a constant of camp life, "out of revulsion for the bovine activity of simply standing." Her memories of her youth are punctuated by sharp reflections on the meaning of the Shoah, and how it should best be memorialized in a time when ever fewer survivors are left to act as witnesses. Those reflections are often angry -- "Absolutely nothing good came out of the concentration camps," she writes, recalling an argument with a naive German graduate student, "and he expects catharsis, purgation, the sort of thing you go to the theatre for?"But they are constantly provocative, too. Though readers will doubtless take issue with some of her conclusions, Kluger's insistent memoir merits a wide audience. --Gregory McNamee

    Later, during three years of brutal captivity at the hands of the Japanese, they also demonstrated their ability to survive. Filled with the thoughts and impressions of the women who lived it, "every page of this history is fascinating" (The Washington Post). "We Band of Angels"In the fall of 1941, the Philippines was a gardenia-scented paradise for the American Army and Navy nurses stationed there. War was a distant rumor, life a routine of easy shifts and evenings of dinner and dancing under the stars. On December 8 all that changed, as Japanese bombs rained on American bases in Luzon, and the women's paradise became a fiery hell. Caught in the raging battle, the nurses set up field hospitals in the jungles of Bataan and the tunnels of Corregidor, where they saw the most devastating injuries of war, and suffered the terrors of shells and shrapnel.But the worst was yet to come. As Bataan and Corregidor fell, a few nurses escaped, but most were herded into internment camps enduring three years of fear and starvation. Once liberated, they returned to an America that at first celebrated them, but later refused to honor their leaders with the medals they clearly deserved. Here, in letters, diaries, and firsthand accounts, is the story of what really happened during those dark days, woven together in a compelling saga of women in war.

    Over the next few years, she endured starvation, brutality, and forced labor in three concentration camps. With courage and ingenuity, Susie's mother helped her to survive--by disguising her as an adult to fool the camp guards, finding food to add to their scarce rations, and giving her the will to endure. This harrowing memoir portrays the best and worst of humanity in heartbreaking scenes you will never forget.Winner of the Mildred L. Batchelder AwardAn ALA Notable BookAn NCSS-CBC Notable Children's Trade Book in the Field of Social Studies

    Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.

    In 1942 they made it onto the last boat to escape France before the Germans sealed its harbors. Then, barred from entering the United States, they lived in Cuba for almost two years before emigrating to New York. This sweeping account of one family’s escape from the turmoil of war-torn Europe hangs upon the intimate and deeply personal story of Maitland’s mother’s passionate romance with a Catholic Frenchman. Separated by war and her family’s disapproval, the young lovers—Janine and Roland—lose each other for fifty years. It is a testimony to both Maitland’s investigative skills and her devotion to her mother that she successfully traced the lost Roland and was able to reunite him with Janine. Unlike so many stories of love during wartime, theirs has a happy ending.

    But the times Anne lived in and wrote of in her diary made her simple life extraordinary. In over one hundred photographs, many which have never been published, this poignant memoir brings to life the harrowing story of one young Jewish woman's struggle to survive during a period of history which must never be forgotten.