Minutes later her head was struck from her body with a single stroke of a heavy axe. Her death for high treason sent shockwaves through the Tudor world, and served as a gruesome reminder to all who aspired to a crown that the axe could fall at any time.Jane is known to history as "the Nine Days Queen," but her reign lasted, in fact, for thirteen days. The human and emotional aspects of her story have often been ignored, although she is remembered as one of the Tudor Era’s most tragic victims. While this is doubtlessly true, it is only part of the complex jigsaw of Jane’s story. She was a remarkable individual with a charismatic personality who earned the admiration and affection of many of those who knew her. All were impressed by her wit, passion, intelligence, and determined spirit. Furthermore, the recent trend of trying to highlight her achievements and her religious faith has, in fact, further obscured the real Jane, a young religious radical who saw herself as an advocate of the reformed faith—Protestantism—and ultimately became a martyr for it.Crown of Blood is an important and significant retelling of an often-misunderstood tale: set at the time of Jane’s downfall and following her journey through to her trial and execution, each chapter moves between the past and the “present,” using a rich abundance of primary source material (some of which has never been published) in order to paint a vivid picture of Jane’s short and turbulent life. This dramatic narrative traces the dangerous plots and web of deadly intrigue in which Jane became involuntarily tangled—and which ultimately led to a shocking and catastrophic conclusion.

    This definitive full biography of Anne Boleyn, based on the latest scholarly research, focusses on Anne’s life and legacy and establishes Anne as a figure of considerable importance and influence in her own right.

    Even under the Protestantism of the reformed Church, the spiritual and social dramas of birth, marriage, and death were graced with elaborate ceremony. Powerful and controversial protocols were in operation, shaped and altered by the influences of the Reformation, the Revolution, and the Restoration.Each of the major rituals was potentially an arena for argument, ambiguity, and dissent. Ideally, as classic rites of passage, these ceremonies worked to bring people together. But they also set up traps into which people could stumble, and tests which not everybody could pass. In practice, ritual performance revealed frictions and fractures that everyday local discourse attempted to hide or to heal. Using fascinating first-hand evidence, David Cressy shows how the making and remaking of ritual formed part of a continuing debate, sometimes strained and occasionally acrimonious, which exposed the raw nerves of society in the midst of great historical events. In doing so, he vividly brings to life the common experiences of living and dying in Tudor and Stuart England.

    The result is a superb work of history through which these six women become as memorable for their own achievements--and mistakes--as they have always been for their fateful link to Henry VIII. Illustrations.

    As seen in her two previous, highly acclaimed books-Restoration London and Dr. Johnson's London-she has immersed herself in contemporary sources of every kind. She begins with the River Thames, the lifeblood of Elizabethan London. The city, on the north bank of the river, was still largely confined within old Roman walls. Upriver at Westminster were the royal palaces, and between them and the crowded city the mansions of the great and the good commanded the river frontage. She shows us the interior décor of the rich and the not-so-rich, and what they were likely to be growing in their gardens. Then the Londoners of the time take the stage, in all their amazing finery. Plague, small-pox, and other diseases afflicted them. But food and drink, sex and marriage and family life provided comfort, a good education was always useful, and cares could be forgotten in a playhouse or the bear-baiting rings, or watching a good cockfight. Liza Picard's wonderfully skillful and vivid evocation of the London of four hundred years ago enables us to share the delights, as well as the horrors, of the everyday lives of sixteenth century Britain.

    But few books have brought to life more vividly the exquisite texture of two women's rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power.Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England's rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

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    But if you were a woman, it was also a time when death during childbirth was rife; when marriage was usually a legal contract, not a matter for love, and the education you could hope to receive was minimal at best.Yet the Tudor century was also dominated by powerful and dynamic women in a way that no era had been before. Historian Elizabeth Norton explores the life cycle of the Tudor woman, from childhood to old age, through the diverging examples of women such as Elizabeth Tudor, Henry VIII’s sister; Cecily Burbage, Elizabeth's wet nurse; Mary Howard, widowed but influential at court; Elizabeth Boleyn, mother of a controversial queen; and Elizabeth Barton, a peasant girl who would be lauded as a prophetess. Their stories are interwoven with studies of topics ranging from Tudor toys to contraception to witchcraft, painting a portrait of the lives of queens and serving maids, nuns and harlots, widows and chaperones. Norton brings this vibrant period to colorful life in an evocative and insightful social history.

    Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.

    A thousand eyes see all I do.' Elizabeth IThe Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior. They saw the tears shed by Henry VII upon the death of his son Arthur. They knew the tragic secret behind 'Bloody' Mary's phantom pregnancies. And they saw the 'crooked carcass' beneath Elizabeth I's carefully applied makeup, gowns and accessories. It is the accounts of these eyewitnesses, as well as a rich array of other contemporary sources that historian Tracy Borman has examined more closely than ever before. With new insights and discoveries, and in the same way that she brilliantly illuminated the real Thomas Cromwell - The Private Life of the Tudors will reveal previously unexamined details about the characters we think we know so well.

    Acknowledged as her heir by Elizabeth 1, Arbella's right to the English throne was equaled only by James. Raised under close supervision by her grandmother, but still surrounded by plots -- most of them Roman Catholic in origin -- she became an important pawn in the struggle for succession, particularly during the long, tense period when Elizabeth lay dying. The accession of her cousin James thrust her into the colourful world of his extravagant and licentious court, and briefly gave her the independence she craved at the heart of Jacobean society. At thirty-five, however, Arbella's fate was sealed when she risked everything to make a forbidden marriage, for which she was forced to flee England. She was intercepted off the coast of Calais and escorted to the Tower where she died some years later, alone and, most probably, from starvation.This is a powerful and vivid portrait of a woman forced to carve a precarious path through turbulent years. But more remarkably, the turmoil of Arbella's life never prevented her from claiming the right to love freely, to speak her wrongs loudly, and to control her own destiny. For fans of historical biography, Arbella is possibly the most romantic heroine of them all. Hers was a story just waiting to be told.Sarah Gristwood is a journalist and broadcaster, specializing in the arts and women's issues. She is the author of one previous book, Recording Angels, a study of women's diaries through the ages.

    Throughout the Tudor Age the Dudley family was never far from controversy. They were universally condemned as scheming, ruthless, overly ambitious charmers, with three family members even executed for treason. Yet at the opposite extreme of the spectrum, Edmund Dudley was instrumental in establishing the financial basis of the Tudor dynasty, while John Dudley, Duke of Northumberland, led victorious armies, laid the foundations of the Royal Navy, ruled as uncrowned king, and almost landed on the throne. Written by award-winning historian, Derek Wilson, The Uncrowned Kings of England charts the scandals and triumphs of this legendary clan. Foremost among the family, Robert Dudley, Earl of Leicester, was Queen Elizabeth's favorite for 30 years (and came the closest to marrying her), and governed the Netherlands in her name. His successor, Sir Robert Dudley, scholar, adventurer, and courtier, was one of the Queen's most audacious seadogs in the closing years of her reign, but fell foul of James I. The fortunes of this astonishing family rose and fell with those of the royal line they served faithfully through a tumultuous century.

    A political power in her own right, she was born into the powerful and ambitious Lorraine family, spending her formative years at the dazzling and licentious court of Francois I. Although briefly courted by Henry VIII, she instead married his nephew, James V of Scotland, in 1538.James' premature death four years later left their six day old daughter, Mary, as Queen and presented Marie with the formidable challenge of winning the support of the Scottish people and protecting her daughter s threatened birthright. Content until now to remain in the background and play the part of the obedient wife, Marie spent the next eighteen years effectively governing Scotland, devoting her considerable intellect, courage and energy to safeguarding her daughter s inheritance by using a deft mixture of cunning, charm, determination and tolerance.The last serious biography of Marie de Guise was published in 1977 and whereas plenty of attention has been paid to the mistakes of her daughter s eventful but brief reign, the time has come for a fresh assessment of this most fascinating and under appreciated of sixteenth century female rulers."

    'Death and the Virgin' is the story of a remarkable and frenetic period in Elizabeth's life: a tale of love, death and tragedy, exploring the dramatic early life of England's Virgin Queen.

    Lisa Hilton’s meticulously researched new work explores the lives of the 20 women crowned between 1066 and 1503. She reconsiders the fictions surrounding well-known figures like Eleanor of Aquitaine, illuminates the lives of forgotten queens such as Adeliza of Louvain, and shows why they all had to negotiate a role that combined tremendous influence with terrifying vulnerability. The result is a provocative and dramatic narrative that redefines English history.