Perhaps what you are facing is yourself.Sixteen-year-old Stephanie West has been dragged from Sydney to remote Maatsuyker Island off the coast of Tasmania by her parents, hoping to recapture a childhood idyll and come to terms with their grief over the death of Steph's twin brother. Cut off from friends and the comforts of home, exiled to a lonely fortress and a lighthouse that bears the brunt of savage storms, the months ahead look to be filled with ghosts of the past.Steph's saviour is Tom Forrest, a 19-year-old deckhand aboard a crayfishing boat. When the weather allows, Tom visits the island, and he and Steph soon form an attraction. But Tom must conceal at all costs the illegal fishing he takes part in, orchestrated by his tyrannical brother. And he dare not dwell on his fear of the sea or his deep-worn premonition that the ocean will one day take him.Wildlight is an exquisite, vividly detailed exploration of the wayward journey of adolescence, and how the intense experience of a place can change the course of even the most well-planned life.PRAISE FOR WILDLIGHT"There is much to admire in Wildlight: the skilful unravelling of the overriding mystery and the spectacular location given life. Mundy offers compelling answers to the dramatic tension she creates, even if she leaves us curious about why." The Australian"Wildlight could easily be devoured in a weekend and leaves one with a longing to escape the city and explore Australia's natural wilderness. It is a beautifully crafted story about love, human personas, remembering the past, and finding peace." NSW Writers' Centre

    Mrs Wigg has been gone a few years now and he thinks about her every day. He misses his daughter, too, and wonders when he'll see her again.He spends his time working in the orchard, cooking and preserving his produce and, when it's on, watching the cricket. It's a full life. Things are changing though, with Australia and England playing a one-day match, and his new neighbours planting grapes for wine. His son is on at him to move into town but Mr Wigg has his fruit trees and his chooks to look after. His grandchildren visit often: to cook, eat and hear his stories. And there's a special project he has to finish ...It's a lot of work for an old man with shaking hands, but he'll give it a go, as he always has.

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    When the bridge collapses one October morning, killing 35 of his workmates, his world crashes down on him.In 2009, Jo and her best friend, Ashleigh, are on the verge of finishing high school and flush with the possibilities for their future. But one terrible mistake sets Jo’s life on a radically different course.Drawing on true events of Australia’s worst industrial accident — a tragedy that still scars the city — The Bridge is a profoundly moving novel that examines class, guilt, and moral culpability. Yet it shows that even the most harrowing of situations can give way to forgiveness and redemption. Ultimately, it is a testament to survival and the resilience of the human spirit.

    And now she faces an uncomfortable truth. She wants her twin sister Libby's enviable life.Libby's closest friend Jess Dekic has been around the Hunter family for so long she might as well be blood. She's always considered herself a sister closer to Libby than Alice ever could be...Libby Hunter has all of life's boxes ticked: prominent small-town doctor, gorgeous husband and two young daughters. But when she is betrayed by those she loves most, it reveals how tenuous her world is...For Karen Hunter, her children are a double-edged sword of pain and pride. She's always tried to guide her girls through life's pitfalls, but how do you protect your children when they're adults?As the family implodes, the fallout for these four women will be inescapable...Bestselling Australian author Fiona Lowe wields a deft hand, creating utterly addictive storytelling that will have you questioning your own perceptions of what family is.

    She spends her days helping others find happiness, but her own family relationships are tense and frayed. Estranged from both her sister, April, and her ex-husband, Lawrence, Ester wants to fall in love again. Meanwhile, April is struggling through her own directionless life; Lawrence's reckless past decisions are catching up with him; and Ester and April's mother, Hilary, is about to make a choice that will profoundly affect them all.Taking place largely over one rainy day in Sydney, and rendered with the evocative and powerful prose Blain is known for, Between a Wolf and a Dog is a celebration of the best in all of us -- our capacity to live in the face of ordinary sorrows, and to draw strength from the transformative power of art. Ultimately, it is a joyous tribute to the beauty of being alive.

    Trapped in her grief, Erica retreats from Sydney to a sleepy hamlet on the south coast, near where Daniel is serving his sentence.There, in a rundown shack by the ocean, she obsesses over building a labyrinth. To create it—to navigate the path through her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.The Labyrinth is a story of guilt and denial, of the fraught relationship between parents and children. It is also an examination of how art can be ruthlessly destructive, and restorative. Mesmerising yet disquieting, it shows Amanda Lohrey to be at the peak of her powers.

    The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.

    The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.

    And what appears to be an ordinary night out is--through the prism of her singular perspective--extraordinary. As the evening unfolds, each encounter she has reveals the vast discrepancies between what she is thinking and feeling, and what she is able to say. And there's so much she'd like to say. So when she meets a man and a genuine connection occurs, it's nothing short of a miracle. However, it isn't until she invites him home that we come to appreciate the humanity beneath the labels we cling to, and we can grasp the pleasure of what it means to be alive.The debut novel from the inimitable Madeleine Ryan, A Room Called Earth is a humorous and heartwarming adventure inside the mind of a bright and dynamic woman. This hyper-saturated celebration of love and acceptance, from a neurodiverse writer, is a testament to moving through life without fear, and to opening ourselves up to a new way of relating to one another.

    This is the story of Dame Lena Gaunt: musician, octogenarian, junkie.Lena is Music’s Most Modern Musician; the first theremin player of the twentieth century.From the obscurity of a Perth boarding school to a glittering career on the world stage, Lena Gaunt’s life will be made and torn apart by those she gives her heart to.Through it all her relationship with music and with her extraordinary instrument – the theremin – endures, in this novel about how our lives are shaped by love, loss and the stories we tell.

    In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties.The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.

    While facing natural disasters and the caprices of the wool industry, Cindy battles to find her place in her new family and continues to feel like an outsider. As she adjusts to her new life, Cindy realises that the Parnells are haunted by a mystery that has never been solved. When she finally uncovers the shocking truth, her discovery leads to tragedy and Cindy finds herself fighting to save the land that she has grown to love as her own.

    The focus of the anthology is on Australian life as seen through each author’s unique, and seldom heard, perspective.With works by Ellen van Neerven, Graham Akhurst, Kyle Lynch, Ezekiel Kwaymullina, Olivia Muscat, Mimi Lee, Jessica Walton, Kelly Gardiner, Rafeif Ismail, Yvette Walker, Amra Pajalic, Melanie Rodriga, Omar Sakr, Wendy Chen, Jordi Kerr, Rebecca Lim, Michelle Aung Thin and Alice Pung, this anthology is designed to challenge the dominant, homogenous story of privilege and power that rarely admits ‘outsider’ voices.

    The stories explore the lives of Lebanese migrants who have settled in the area, circling around themes of isolation, family and community, and nostalgia for the home country. In particular, House of Youssef is about relationships, and the customs which complicate them: between parents and children, the dark secrets of marriage, the breakable bonds between friends. The stories are told with extreme minimalism — some are only two pages long — which heightens their emotional intensity.The collection is framed by two soliloquies. The first expresses the longing of an old man for the homeland he will never return to. The second is the monologue of a woman, who could be his wife, addressed to her daughter, about life and its disappointments. The two central sequences are composed of vignettes which focus on moments of domestic crisis, and which combine, in the title sequence, to chart the demise of a single family. Kassab portrays the lives of ordinary people — simple, unglamorous, down-to-earth. Her understated style isolates small details and the anxieties that lurk within them. The tiny shifts in a normal day are an entire world to the people at the centre of her stories.