In the wake of the war, Audrey Clarkson leaves her manor house in England for a fresh start in America with her young son. As a widowed war bride, Audrey needs the support of her American in-laws, whom she has never met. But she arrives to find that her longtime friend Eve Dawson has been impersonating her for the past four years. Unraveling this deception will force Audrey and Eve's secrets--and the complicated history of their friendship--to the surface.1940. Eve and Audrey have been as different as two friends can be since the day they met at Wellingford Hall, where Eve's mother served as a lady's maid for Audrey's mother. As young women, those differences become a polarizing force . . . until a greater threat--Nazi invasion--reunites them. With London facing relentless bombardment, Audrey and Eve join the fight as ambulance drivers, battling constant danger together. An American stationed in England brings dreams of a brighter future for Audrey, and the collapse of the class system gives Eve hope for a future with Audrey's brother. But in the wake of devastating loss, both women must make life-altering decisions that will set in motion a web of lies and push them both to the breaking point long after the last bomb has fallen.This sweeping story transports readers to one of the most challenging eras of history to explore the deep, abiding power of faith and friendship to overcome more than we ever thought possible

    She lost her mother some years before, and her beloved grandmother has just passed away. And now her father has left town to work on a top-secret military project at Oak Ridge during the final months of World War II. Helen is wise beyond her years, but a ten-year-old cannot be left on her own to fend for herself. Her father arranges a summer guardian, Flora, her late mother's twenty-two-year-old first cousin who cries at the drop of a hat. A fiercely imaginative child, Helen is desperate to keep her house intact, with all its ghosts and stories. Flora is the good-hearted, modest cousin who wants to do her best for Helen. Their relationship and its fallout, played out against a backdrop of a lost America, will haunt Helen for the rest of her life.

    The balcony of one of his beautiful music halls collapsed during a packed performance, killing dozens. Layton knows the flaw was not in his design; someone else must have caused the dreadful catastrophe. But with no proof and a hoard of furious Londoners screaming for blood, someone has to take the fall-and Layton finds himself facing a five-year prison sentence.When he is finally freed, Layton is determined to start over. With a new name and identity, he takes a job as a set painter. But as Layton begins to discover dead bodies hidden within theatre halls across London, it soon becomes clear that something darker is chasing him. When he unearths a clue that ties the bodies to the disaster that ruined him, he knows that redemption is within his reach…unless the culprit gets to him first.

    Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940 amid personal and political turmoil. No one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie’s auction house uncovers enigmatic paintings hidden behind recently found works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of today’s New York art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism. B.A. Shapiro is a master at telling a gripping story while exploring provocative themes. In Alizée and Danielle she has created two unforgettable women, artists both, who compel us to ask, What happens when luminous talent collides with inexorable historical forces? Does great art have the power to change the world? And to what lengths should a person go to thwart evil?