Mesmer’s mysterious powers in a whimsical look at a true moment in history.The day Ben Franklin first set foot in Paris, France, he found the city all abuzz. Everyone was talking about something new. Remarkable. Thrilling. Strange. Something called Science!But soon the straightforward American inventor Benjamin Franklin is upstaged by a compelling and enigmatic figure: Dr. Mesmer. In elaborately staged shows, Mesmer, wearing a fancy coat of purple silk and carrying an iron wand, convinces the people of Paris that he controls a magic force that can make water taste like a hundred different things, cure illness, and control thoughts! But Ben Franklin is not convinced. Will his practical approach of observing, hypothesizing, and testing get to the bottom of the mysterious Mesmer’s tricks? A rip-roaring, lavishly illustrated peek into a fascinating moment in history shows the development and practice of the scientific method—and reveals the amazing power of the human mind.

    But then again, 11-year-old Turtle is no Shirley Temple.She's smart and tough and has seen enough of the world not to expect a Hollywood ending. After all, it's 1935 and jobs and money and sometimes even dreams are scarce. So when Turtle's mama gets a job housekeeping for a lady who doesn't like kids, Turtle says goodbye without a tear and heads off to Key West, Florida, to live with relatives she's never met. Florida's like nothing Turtle's ever seen before though. It's hot and strange, full of ragtag boy cousins, family secrets, scams, and even buried pirate treasure! Before she knows what's happened, Turtle finds herself coming out of the shell she's spent her life building, and as she does, her world opens up in the most unexpected ways. Filled with adventure, humor and heart, Turtle in Paradise is an instant classic both boys and girls will love.

    Having conducted extensive interviews with Sachiko Yasui, Caren Stelson chronicles Sachiko’s trauma and loss as well as her long journey to find peace. This book offers readers a remarkable new perspective on the final moments of World War II and their aftermath.

    The Ride would last twelve days. Despite the fact that segregation on buses crossing state lines was ruled unconstitutional by the Supreme Court in 1946, and segregation in interstate transportation facilities was ruled unconstitutional in 1960, these rulings were routinely ignored in the South. The thirteen Freedom Riders intended to test the laws and draw attention to the lack of enforcement with their peaceful protest. As the Riders traveled deeper into the South, they encountered increasing violence and opposition. Noted civil rights author Larry Dane Brimner relies on archival documents and rarely seen images to tell the riveting story of the little-known first days of the Freedom Ride. With author's note, source notes, bibliography, and index.

    The lighter-skinned children have been promised a chance to escape into white society, but what does this mean for the children who look more like their mother? As each child grows up, their questions about slavery and freedom become tougher, calling into question the real meaning of "life, liberty, and the pursuit of happiness."Told in three parts from the points of view of three of Jefferson's slaves - Beverly, Madison, and a third boy close to the Hemings family - these engaging and poignant voices shed light on what life was like as one of Jefferson's invisible offspring.

    . . John [Hancock], Paul [Revere], George [Washington], and Ben [Franklin]. Oh yes, there was also Tom [Jefferson], but he was annoyingly independent and hardly ever around. These lads were always getting into trouble for one reason or another. In other words, they took a few . . . liberties. And to be honest, they were not always appreciated. Until one day, they all played a part in securing America's freedom."Deftly drawn, witty, and instantly appealing, the illustrations creatively blend period elements such as wood-grain and crackle-glaze texturing, woodcut lines, and formal compositions typical of the era, with gaping mouths and stylized, spiraling eyes typical of modern cartoons," wrote Booklist, and School Library Journal declared, "Exercise your freedom to scoop up this one."

    Mama and Daddy leaving home, coming to the city, with their hopes and their courage, their dreams and their children, to make a better life. In this beautiful collection of poems and collage artwork, award winners Eloise Greenfield and Jan Spivey Gilchrist gracefully depict the experiences of families like their own, who found the courage to leave their homes behind during the Great Migration and make new lives for themselves elsewhere. When Eloise Greenfield was four months old, her family moved from their home in Parmele, North Carolina, to Washington, D.C. Before Jan Spivey Gilchrist was born, her mother moved from Arkansas and her father moved from Mississippi. Both settled in Chicago, Illinois. Though none of them knew it at the time, they had all become part of the Great Migration.The Great Migration concludes with a bibliography.

    She highlights the artists behind the broadcast, the broadcast itself, the aftermath, and the repercussions which remain relevant today.On the night of October 30, 1938, thousands of Americans panicked when they believed that Martians had invaded Earth. What appeared to be breaking news about an alien invasion was, in fact, a radio drama based on H. G. Wells’ War of the Worlds, performed by Orson Welles and his Mercury Theatre players. Some listeners became angry once they realized they had been tricked, and the reaction to the broadcast sparked a national discussion about fake news, propaganda, and the role of radio.

    It shows how a common interest in justice created the convergent path that enabled these young men to meet as Freedom Riders on a bus journey south. No other book on the Freedom Riders has used such a personal perspective. These two young men, empowered by their successes in the Nashville student movement, were among those who volunteered to continue the Freedom Rides after violence in Anniston, Alabama, left the original bus in flames with the riders injured and in retreat. Lewis and Zwerg joined the cause knowing their own fate could be equally harsh, if not worse. The journey they shared as freedom riders through the Deep South changed not only their own lives but our nation's history.National Geographic supports K-12 educators with ELA Common Core Resources.Visit www.natgeoed.org/commoncore for more information.

    And then the dizzy spells start. Soon gravely ill with leukemia, the "atom bomb disease," Sadako faces her future with spirit and bravery. Recalling a Japanese legend, Sadako sets to work folding paper cranes. For the legend holds that if a sick person folds one thousand cranes, the gods will grant her wish and make her healthy again. Based on a true story, Sadako and the Thousand Paper Cranes celebrates the extraordinary courage that made one young woman a heroine in Japan.

    D. Nelson   Sitting Bull (c. 1831–1890) was one of the greatest Lakota/Sioux warriors and chiefs who ever lived. He was eventually named war chief, leader of the entire Sioux nation—a title never before bestowed on anyone. As a leader, Sitting Bull resisted the United States government’s attempt to move the Lakota/Sioux to reservations for more than twenty-five years.   From Sitting Bull’s childhood—killing his first buffalo at age ten—to being named war chief, to leading his people against the U.S. Army, and to his surrender, Sitting Bull: Lakota Warrior and Defender of His People brings the story of the great chief to light. Sitting Bull was instrumental in the war against the invasive wasichus (White Man) and was at the forefront of the combat, including the Battles of Killdeer Mountain and the Little Bighorn. He and Crazy Horse were the last Lakota/Sioux to surrender their people to the U.S. government and resort to living on a reservation.   Award-winning author and member of the Standing Rock Sioux tribe S. D. Nelson intersperses archival images with his own artwork, inspired by the ledger-art drawings of the nineteenth-century Lakota. Through the art and riveting story, Nelson conveys how Sitting Bull clung to his belief that the Lakota were a free people meant to live, hunt, and die on the Great Plains.

    George is updated with current facts and new illustrations to include our forty-second president, George W. Bush. There are now three Georges in the catalog of presidential names, a Bush alongside the presidential family tree, and a new face on the endpaper portraiture. Hilariously illustrated by Small, this celebration by St. George shows us the foibles, quirks and humanity of forty-two men who have risen to one of the most powerful positions in the world. Perfect for this election year--and every year!

    This isn't one of them." What it is, instead, is utterly interesting, antedotes (John Hancock fixates on salmon), from the inside out (at the Battle of Eutaw Springs, hundreds of soldiers plunged into battle "naked as they were born") close-up narrative filled with little-known details, lots of quotes that capture the spirit and voices of the principals ("If need be, I will raise one thousand men, subsist them at my own expense, and march myself at their head for the relief of Boston" -- George Washington), and action, It's the story of the birth of our nation, complete with soldiers, spies, salmon sandwiches, and real facts you can't help but want to tell to everyone you know.King George: What Was His Problem? is a 2009 Bank Street - Best Children's Book of the Year.

    Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.

    Then one day she was told she could never come back. She didn't belong. The Otis School was for white children only.Sarah deserved an equal education, and the Roberts family fought for change. They made history. Roberts v. City of Boston was the first case challenging our legal system to outlaw segregated schools. It was the first time an African American lawyer argued in a supreme court.These first steps set in motion changes that ultimately led to equality under the law in the United States. Sarah's cause was won when people--black and white--stood together and said, No more. Now, right now, it is time for change!With gorgeous art from award-winning illustrator E. B. Lewis, The First Step is an inspiring look at the first lawsuit to demand desegregation--long before the American Civil Rights movement, even before the Civil War.Backmatter includes: integration timeline, bios on key people in the book, list of resources, and author's note.