What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    When she's forced to leave everything behind and forge her own path, where—and with whom—will Hester choose to make her new home?Hester on the Run, Book 1: One April morning, an Amish couple finds a Native American infant, wrapped in deerskin and placed next to the spring where they gather water. Kate and Hans adopt the child and name her Hester, despite the criticism of certain community members. Hester glows as she grows, an unmistakable beauty both inside and out, but begins to realize she doesn't quite fit in. An encounter with a Lenape medicine woman gives her a glimpse of her undiscovered heritage. When her own father becomes a threat, Hester is forced to flee from the Amish community, the only home she has ever really known. Which Way Home?, Book 2: Twice rescued—first by matronly Native women who find her unconscious in the woods and then by a boy in downtown Lancaster where she'd been left for dead by the dreaded Paxton boys—Hester finds herself wondering if she will ever find a safe haven. When an Amish man from her past reappears, it seems like destiny, but William King is more in love with the way she looks than with her heart and mind. When a Native American man makes a proposal to Hester, she is perplexed more than ever. Where will her heart lead her?Hester Takes Charge, Book 3: Now widowed and living in downtown Lancaster, Pennsylvania, Hester is startled by the unexpected appearance of Noah, the firstborn son of her adoptive parents. Their father's misplaced love for Hester and utter neglect of Noah drove each of them away from their Amish family. When Noah suggests they return to their childhood home to see their ill father, Hester can no longer ignore her buried anger and bitterness. Can they possibly forgive Hans? Can Hester trust herself—and Noah—enough to marry again?Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    It covers all of Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the 'new wave' of emergent British dramatists in the 1990's, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.

    Skylight premiered at the National Theatre in 1995 and then went on to become one of the most internationally successful plays of recent years.This is the definitive edition of Skylight.

    How can this wildly diverse quartet—separated by cultural chasms and vastly different perspectives on history—navigate a complicated, hilarious thicket of privilege, representation, and of course school district regulations? The schools are waiting, and the pageant must go on!

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”