Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    Mamitu Gashe was close to death and horrifically injured during childbirth after an arranged marriage - at the age of just fourteen to a man she'd never met - in a remote mountain village.The Hamlins' Addis Ababa Fistula Hospital saved her and, in return, Mamitu dedicated her life to Catherine's mission. Under the iconic doctor's guidance, Mamitu went from mopping floors and comforting her fellow patients, to becoming one of the most acclaimed fistula surgeons in the world, despite never having had a day's schooling.This is the moving story of the friendship that saved the lives of over 60,000 of the poorest women on earth.

    Two shopping centres, rows of estates and a thematic design scheme.Twenty-four-year-old Leen is going to open an ear-cleaning and massage salon in the Topic Heights Shopping Centre, taking her mother's Chinese ritual to the West to bring people back to their bodies.But something is not quite right in Par Mars. Managers are being attacked, and when Leen befriends Jean Paul, a pharmacist who is obsessed with a cryptic online forum, she finds herself involved in a community that is intent on disrupting the routines of capitalism in increasingly troubling ways.In nonstop prose, Gunk Baby takes aim at consumerism and class, orientalism and the Zen movement, violence, fashion and middle-class boredom. Daring and original, from a voice younger, newer and more critical than most.

    But wealth and position could not shield Adeline from a childhood of appalling emotional abuse at the hands of a cruel and manipulative Eurasian stepmother. Determined to survive through her enduring faith in family unity, Adeline struggled for independence as she moved from Hong Kong to England and eventually to the United States to become a physician and writer.A compelling, painful, and ultimately triumphant story of a girl's journey into adulthood, Adeline's story is a testament to the most basic of human needs: acceptance, love, and understanding. With a powerful voice that speaks of the harsh realities of growing up female in a family and society that kept girls in emotional chains, Falling Leaves is a work of heartfelt intimacy and a rare authentic portrait of twentieth-century China.

    But there was no 'big house' here - Toni did not grow up in a large homestead. She lived in a shack that had no electricity and no running water. The oppressive climate of the Territory - either wet or dry - tested everyone. Fish were known to rain from the sky and sometimes good men drank too much and drowned trying to cross swollen rivers.Toni grew up with the Aboriginal people who lived and worked on the station, and got into scrapes with her ever-increasing number of siblings. She loved where she grew up - she was happy on the land with her friends and family, observing the many characters who made up the community on Killarney. When she was sent to boarding school all she wanted to do was go back to the land she loved, despite the fact that her parents' marriage was struggling as Bill Tapp succumbed to drink and June Tapp refused to go under with him.Toni's love of the natural world and of people alike has resulted in a tender portrait of a life that many people would consider tough. She brings vividly to the page a story seldom seen: a Territory childhood, with all its colour, characters and contradictions.

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    She made headlines again when she was stripped of her citizenship and resigned from the Dutch Parliament.Infidel shows the coming of age of this distinguished political superstar and champion of free speech as well as the development of her beliefs, iron will, and extraordinary determination to fight injustice. Raised in a strict Muslim family, Hirsi Ali survived civil war, female mutilation, brutal beatings, adolescence as a devout believer during the rise of the Muslim Brotherhood, and life in four troubled, unstable countries ruled largely by despots. She escaped from a forced marriage and sought asylum in the Netherlands, where she earned a college degree in political science, tried to help her tragically depressed sister adjust to the West, and fought for the rights of Muslim women and the reform of Islam as a member of Parliament. Under constant threat, demonized by reactionary Islamists and politicians, disowned by her father, and expelled from family and clan, she refuses to be silenced.Ultimately a celebration of triumph over adversity, Hirsi Ali’s story tells how a bright little girl evolves out of dutiful obedience to become an outspoken, pioneering freedom fighter. As Western governments struggle to balance democratic ideals with religious pressures, no other book could be more timely or more significant.

    In this country, he's more important than Ned Kelly.' Jack ThompsonIt's been almost fifty years since a teenage David Gulpilil illuminated screens worldwide with his breakout role in Walkabout. It was one of the first times we'd seen an Aboriginal person cast in a significant role and only four years after Holt's referendum to alter the constitution and give Indigenous people citizenship and, subsequently, the right to vote.Gulpilil quickly became the face of the Indigenous world to white Australian audiences. Charisma. Good looks. A competent, strong, mysterious man starring in films ranging from Crocodile Dundee to Rabbit-Proof Fence.But what has marked Gulpilil, despite his fame and popularity, is the feeling that he's been forever stuck between two worlds: a Yolngu man, a hunter, a tracker, who grew up in the bush in Arnhem Land outside any white influence; and a movie star flitting from movie sets to festivals.Able to exist in both worlds, but never truly home.From the author of the bestselling Wednesdays with Bob , Derek Rielly builds a narrative around his attempt to encapsulate the most beguiling and unconventional of Australian entertainers, observing Gulpilil's own attempt to find a place in the world. With interviews from notable icons and friends - such as Jack Thompson, Paul Hogan, Phillip Noyce, Craig Ruddy, George Gittoes, Gary Sweet and Damon Gameau - this book unriddles a famous enigma at last.'He has an extraordinary presence, what ever that word means. It's very real. Some people have it and some people don't. And David has it - he knows how to feed the camera.' Jack Thompson

    When a childhood friend is murdered, a sense of guilt and a determination to prove his own innocence sends Caleb on a hunt for the killer. But he can’t do it alone. Caleb and his troubled friend Frankie, an ex-cop, start with one clue: Scott, the last word the murder victim texted to Caleb. But Scott is always one step ahead.This gripping, original and fast-paced crime thriller is set between a big city and a small coastal town, Resurrection Bay, where Caleb is forced to confront painful memories. Caleb is a memorable protagonist who refuses to let his deafness limit his opportunities, or his participation in the investigation. But does his persistence border on stubbornness? And at what cost? As he delves deeper into the investigation Caleb uncovers unwelcome truths about his murdered friend – and himself.

    What it contained - and why - would prove to be explosive.The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis.Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades.

    A year later, he heard that the man had been murdered – and what was more, the killer was black.At first the murder seemed a twist on the old Deep South race crimes. But then more news rolled in. Maybe it was a dispute over money, or most intriguingly, over sex. Could the infamous racist actually have been secretly gay, with a thing for black men? Did Safran have the last footage of him alive? Could this be the story of a lifetime? Seizing his Truman Capote moment, he jumped on a plane to cover the trial.Over six months, Safran got deeper and deeper into the South, becoming entwined in the lives of those connected with the murder – white separatists, black campaigners, lawyers, investigators, neighbours, even the killer himself. And the more he talked with them, the less simple the crime, and the world, seemed.Murder in Mississippi is a brilliantly innovative true-crime story. Taking us places only he can, Safran paints an engrossing, revealing portrait of a dead man, his murderer, the place they lived and the process of trying to find out the truth about anything.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    He is the voice of ABC Radio’s leading current affairs program PM; he was a founding broadcaster for the groundbreaking youth station Double J; he initiated The World Today program; and he’s one of the most popular and influential journalists in the twittersphere. Mark has been covering local and global events for more than four decades. He has reported on wars, royal weddings and everything in between. In the midst of all this he discovered that his father was an MI6 spy. Light and Shadow is the incredible story of a father waging a secret war against communism during the Cold War, while his son comes of age as a journalist during the tumultuous Whitlam and Fraser years and embarks on the risky career of a foreign correspondent. Mark was witness to some of the most world-changing events, including the Iranian hostage crisis, the buildup to the first Gulf War in Iraq and the direct aftermath of the shocking genocide in Rwanda. But when he contracted a life-threatening illness while working in the field, his life changed forever. Mark Colvin’s engrossing memoir takes you inside the coverage of major news events and gently navigates the complexity of his father’s double life.

    He's also the only one who has been able to see and hear her since the accident. But now she's got a mystery to solve, a mystery that will hopefully remind her detective father that he is still alive, that there is a life after Beth that is still worth living.Who is Isobel Catching, and why is she able to see Beth, too? What is her connection to the crime Beth's father has been sent to investigate--a gruesome fire at a home for troubled youth that left an unidentifiable body behind? What happened to the people who haven't been seen since the fire?As Beth and her father unravel the mystery, they find a shocking and heartbreaking story lurking beneath the surface of a small town, and a friendship that lasts beyond one life and into another...

    Not many have lived as many lives as Archie Roach – stolen child, seeker, teenage alcoholic, lover, father, musical and lyrical genius, and leader – but it took him almost a lifetime to find out who he really was. Roach was only two years old when he was forcibly removed from his family. Brought up by a series of foster parents until his early teens, his world imploded when he received a letter that spoke of a life he had no memory of. In this intimate, moving and often shocking memoir, Archie’s story is an extraordinary odyssey through love and heartbreak, family and community, survival and renewal – and the healing power of music. Overcoming enormous odds to find his story and his people, Archie voices the joy, pain and hope he found on his path through song to become the legendary singer-songwriter and storyteller that he is today – beloved by fans worldwide. Tell Me Why is a stunning account of resilience and the strength of spirit – and of a great love story.Shortlisted for the Victorian Premier’s Literary Awards, Non-FictionShortlisted for the 2020 Indie Book Awards, Non-FictionArchie Roach is the 2020 VIC Australian of the Year  ‘Just like his early songs, Tell Me Why was written with empathy as its impetus and that intent shines through on every page. This is a phenomenal work by one of the most articulate and recognisable members of the Stolen Generations. It will be read, studied and discussed for many years to come.’ The Australian ‘Beautiful, gut-wrenching and compelling memoir’ Sydney Morning Herald ‘Archie’s deeply resonant voice sings out – of a broken country and a life renewed. The voice of Australia.’ Daniel Browning, ABC journalist and producer ‘Roach is honest and humble in his oft-heartbreaking retelling of his search for identity, belonging and purpose’ Courier Mail ‘Best book of 2019: Tell Me Why by Archie Roach, a beautifully written autobiography that captures one of the most remarkable lives in Australian music’ Weekend Australian