A larger-than-life character and the author of such classics as The Prince of Tides and The Great Santini, Conroy was remembered by everybody for his energy, his exuberance, and his self-lacerating humor.Michael Mewshaw’s The Lost Prince is an intimate memoir of his friendship with Pat Conroy, one that involves their families and those days in Rome when they were both young—when Conroy went from being a popular regional writer to an international bestseller. Family snapshots beautifully illustrate that time. Shortly before his forty-ninth birthday, Conroy telephoned Mewshaw to ask a terrible favor. With great reluctance, Mewshaw did as he was asked—and never saw Pat Conroy again.Although they never managed to reconcile their differences completely, Conroy later urged Mewshaw to write about “me and you and what happened . . . i know it would cause much pain to both of us. but here is what that story has that none of your others have.” The Lost Prince is Mewshaw’s fulfillment of a promise.“In The Lost Prince Michael Mewshaw sets down one of the most gripping stories of friendship I’ve ever read.” —Daniel Menaker, author of My Mistake: A Memoir

    The Four covers everything from running themes within each book to more technical issues like the "synoptic problem." Written for high school students and beyond, this book includes review and thought questions throughout each chapter, as well as a bibliography and scripture index.

    Pound surveys the course of literature from the fall of the Roman Empire through the dawn of the Renaissance, paying special attention to the Provençal poets and to Dante. Now with an introduction by Richard Sieburth, this work illuminates a great period in European literature and one of America's greatest poetic minds.

    Nothing has been added in the interests of sensationalism. What happened in the small town of Watseka, Illinois, between the years 1865 and 1878 may strain credibility, as well as shock. But it did happen...Mary Roth, a gentle, unassuming 19 year old girl, died suddenly on the night of July 5th, 1865, in the town of Watseka, Illinois. Her death was strange, but her life had been stranger. For several years she had been subject to sudden, unaccountable "fits" - sometimes horrifically violent, sometimes so chilling in their effects her parents thought her insane: she would speak in German, or in a man's bass voice, as if possessed... But death brought to an end her sad and disturbing case...Thirteen years later, in 1878, Mary Roth reappeared - in the living body of Lurancy Vennum...

    Gradually he learns the violent history of the house's owner, the fierce, saturnine Heathcliff and the thwarted love that has led him to exact terrible revenge on the two families that have sought to oppose him.Since its original publication in 1847, Emily Bronte's only novel, whether repelling, captivating or intriguing different generations of readers, has never relaxed its powerful grip on the public, and the figure of the haunted, brutal Heathcliff has become part of Britain's cultural mythology.This edition also includes over sixty of Emily Bronte's poems, an introduction, notes, text summary, selected criticism and a chronology of Emily Bronte's life and times.(back cover)

    A squat nose stubbed like a plasticine afterthought on her face, a chin too long, and eyes straining to meet each other form a sad picture that dooms Amy to a life of solitude and lovelessness. Now in her fifties, Amy lives alone with her crippled brother, both prisoners of the hopes and aspirations of their youth. Then Amy makes a final bid for happiness, a last ditch attempt to meet someone who might love her. Suddenly her life takes on dizzying new dimensions as she explores untrodden paths of sexual awareness in an all-or-nothing gamble for dangerous and delicious success.

    Except when it comes to her love life. Unable to accept the woman she has become, she clings to her image of a street smart bad boy as the perfect example of a real man. Ashton Wentworth Allen III is the legal advisor to the mayor of Washington DC. And even after ten years of knowing him, Nikki can still barely tolerate him. Wealthy, preppy, straight laced. Ashton is the perfect example of the wrong man for her. Or so she thinks?.. After an explosive encounter, Ashton leaves Nikki wondering if bad boys do wear Brooks Brothers.

    Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

    But Robert Ferguson’s new biography tells a different tale; for where the novels are sexually explicit and brutally frank—woundingly so to those close to Miller—they are also the fantasies of a man escaping from his past, and from himself.

    And because reading is the thing I love most, it's only natural for me to hope it will become something they love, too...The trouble is that reading is a particularly slippery passion to want to pass along because it's a skill most parents would agree their children have to master, to one degree or another. ""--from Raising a Reader" Can passion be passed along from parent to child? Can you, in other words, make someone love baseball, ballet or books? Of course you can't - but that doesn't stop parents from trying. Jennie Nash was one of those parents - a parent so obsessed about getting her kids to read that her desire sometimes strayed into desperation; her hope often became an obsession; and instead of helping, her resolve got in the way. In the end, she found that, like so many of the things we do as parents, passing along a passion for reading happens in the push and pull of digging in and letting go, day in and day out, both because of and in spite of our efforts. Nash shares stories and misadventures from the years when her young daughters were learning what it meant to have a relationship with words--and she was learning to let them. She reminds us how the magic moments happen in their own sweet time, by being together in the presence of good books and seeing each child as unique. Each chapter of "Raising a Reader" ends with personal, practical tips and games that spring straight from the narrative. A comprehensive index discusses many of the books Nash has enjoyed with her children, providing a year's worth of titles for parents and their children to explore.

    These titillating stories cover the full spectrum of black experience and identity as they reveal sexuality and sensuality in all their varied and exotic forms. From the subtle to the graphic, Brown Sugar embraces the ardor and passion of black love and lust, and will appeal to both men and women. Featuring both well-established authors and promising new writers, this one-of-a-kind collection represents the past, present, and future of black literature at its pleasurable and outrageous best. It is a must-have for every lover, as well as every lover of first-rate fiction.

      On a cold December morning in 1768, thirty-one-year-old Ruth Blay approached the gallows for her execution. Standing on the high ground in the northwest corner of what is now Portsmouth’s old South Cemetery, she would have had a clear view across the pasture to the harbor and open sea.   The eighteenth-century hanging of a schoolteacher for concealing the birth of a child out of wedlock has appeared in local legend over the last few centuries, but the full account of Ruth’s story has never been told. Drawing on over two years of investigative research, author Carolyn Marvin brings to light the dramatic details of Ruth’s life and the cruel injustice of colonial Portsmouth’s moral code. As Marvin uncovers the real flesh-and-blood woman who suffered the ultimate punishment, her readers come to understand Ruth as an individual and a woman of her time.

    Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is.For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame.D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires.

    She’ll have to stand up for herself in order to stand up for the murder victim. It’s a risk, and so is reaching out to the mysterious young man who works with deadly birds of prey. But with danger all around, some risks are worth taking.

    The Second Edition newly includes “A Prisoner in the Caucasus,” “Father Sergius,” and “After the Ball,” in addition to Michael Katz’s new translation of “Alyosha Gorshok.” Together these stories represent the best of the author’s short fiction before War and Peace and after Anna Karenina.“Backgrounds and Sources” includes two Tolstoy memoirs, A History of Yesterday (1851) and The Memoirs of a Madman (1884), as well as entries—expanded in the Second Edition—from Tolstoy’s “Diary for 1855” and selected letters (1858–95) that shed light on the author’s creative process.“Criticism” collects twenty-three essays by Russian and western scholars, six of which are new to this Second Edition. Interpretations focus both on Tolstoy’s language and art and on specific themes and motifs in individual stories. Contributors include John M. Kopper, Gary Saul Morson, N. G. Chernyshevsky, Mikhail Bakhtin, Harsha Ram, John Bayley, Vladimir Nabokov, Ruth Rischin, Margaret Ziolkowski, and Donald Barthelme.A Chronology of Tolstoy’s life and work and an updated Selected Bibliography are also included.