The next day they proceed to destroy each other. Amid vitriolic insults, cruelty and warring egos, their sexual adventure turns into a savage power game. This intense, erotic cult novel by one of Brazil's most infamous modernist writers explores alienation, the desire to dominate and the wish to be dominated.

    His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

    He believes he is dying and in his feverish delirium various characters, both real and imaginary, appear to him as icy monsters.

    He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

    When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is heartbroken, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

    In 1988, she introduced the world to Eva Luna in a novel of the same name that recounted the adventurous life of a young Latin American woman whose powers as a storyteller bring her friendship and love. Returning to this tale, Allende presents The Stories of Eva Luna, a treasure trove of brilliantly crafted stories. Lying in bed with her European lover, refugee and journalist Rolf Carlé, Eva answers his request for a story "you have never told anyone before" with these twenty-three samples of her vibrant artistry. Interweaving the real and the magical, she explores love, vengeance, compassion, and the strengths of women, creating a world that is at once poignantly familiar and intriguingly new. Two words --Wicked girl --Clarisa --Toad's mouth --The gold of Tomás Vargas --If you touched my heart --Gift for a sweetheart --Tosca --Walimai --Ester Lucero --Simple María --Our secret --The little Heidelberg --The judge's wife --The road north --The schoolteacher's guest --The proper respect --Interminable life --A discreet miracle --Revenge --Letters of betrayed love --Phantom palace --And of clay are we created

    Inspired by a real episode in Brazilian history, Mario Vargas Llosa tells the unforgettable story of an apocalyptic movement, led by a mysterious prophet, in which prostitutes, beggars and bandits establish Canudos, a new republic, a libertarian paradise.~publisher's web site

    Macunaima, first published in Portuguese in 1928, and one of the masterworks of Brazilian literature, is a comic folkloric rhapsody (call it a novel if you really want) about the adventures of a popular hero whose fate is intended to define the national character of Brazil."Inventive, blessedly unsentimental," as Kirkus Reviews has it, and incorporating and interpreting the rich exotic myths and legends of Brazil, Macunaima traces the hero's quest for a magic charm, a gift from the gods, that he lost by transgressing the mores of his culture. Born in the heart of the darkness of the jungle, Macunaima is a complex of contradictory traits (he is, of course, "a hero without a character"), and can at will magically change his age, his race, his geographic location, to suit his purposes and overcome obstacles. Dramatizing aspects of Brazil in transition (multiracial, Indian versus European, rural versus urban life), Macunaima undergoes sometimes hilarious, sometimes grotesque transformations until his final annihilation and apotheosis as the Great Bear constellation in the heavens.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.The book is highly influenced by Henry Miller’s reckless and relentless search for truth in post-decadent Paris and Daisetz Teitaro Suzuki’s modal teachings on Zen Buddhism.Cortázar's employment of interior monologue, punning, slang, and his use of different languages is reminiscent of Modernist writers like Joyce, although his main influences were Surrealism and the French New Novel, as well as the "riffing" aesthetic of jazz and New Wave Cinema.In 1966, Gregory Rabassa won the first National Book Award to recognize the work of a translator, for his English-language edition of Hopscotch. Julio Cortázar was so pleased with Rabassa's translation of Hopscotch that he recommended the translator to Gabriel García Márquez when García Márquez was looking for someone to translate his novel One Hundred Years of Solitude into English. "Rabassa's One Hundred Years of Solitude improved the original," according to García Márquez.

    Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is.Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape.Named one of 2016’s most influential people by TIME Magazine and frequently touted as a future Nobel Prize-winner, Elena Ferrante has become one of the world’s most read and beloved writers. With this new novel about the transition from childhood to adolescence to adulthood, Ferrante proves once again that she deserves her many accolades. In The Lying Life of Adults,/i>, readers will discover another gripping, highly addictive, and totally unforgettable Neapolitan story.

    Set on a mysterious island, Bioy’s novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.Inspired by Bioy Casares’s fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction’s now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet’s Last Year at Marienbad, it also changed the history of film.

    Most difficult of all are his struggles to express what has happened to him, for a man more accustomed to numbers than words. He calls it "the clearcut unhoped-for," and it's a vision that will drive him to madness and, eventually, death. Written in a fragmented style that echoes the character's increasingly fragile hold on reality, With My Dog-Eyes is intensely vivid, summoning up Amos's childhood and young adulthood—when, like Richard Feynman, he used to bring his math books to brothels to study—and his life at the university, with its "meetings, asskissers, pointless rivalries, gratuitous resentments, jealous talk, meglomanias." Hilst, whose father was diagnosed with paranoid schizophrenia, has created a lacerating, and yet oddly hopeful, portrayal of a descent into hell--Amos never makes sense of the new way he sees things, but he does find an avenue of escape, retreating to his mother's house and, farther, towards the animal world. A deeply metaphysical, formally radical one-of-a-kind book from a great Brazilian writer.

    This family’s downfall, peppered by stories of decadence, adultery, incest, and madness, is related through a variety of narrative devices, including letters, diaries, memoirs, statements, confessions, and accounts penned by the various characters.Lúcio Cardoso (1912–1968) turned away from the social realism fashionable in 1930s Brazil and opened the doors of Brazilian literature to introspective works such as those of Clarice Lispector—his greatest follower and admirer.Margaret Jull Costa has translated dozens of works from both Spanish and Portuguese, including books by Javier Marías and José Saramago. Her translations have received numerous awards, including the International IMPAC Dublin Literary Award. In 2014 she was made an Officer of the Order of the British Empire.Robin Patterson was mentored by Margaret Jull Costa, and has translated Our Musseque by José Luandino Vieira.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.