Scott Fitzgerald's great American novel in a vivid new format. From the green light across the bay to the billboard with spectacled eyes, F. Scott Fitzgerald's 1925 American masterpiece roars to life in Katharine Woodman-Maynard's exquisite graphic novel--among the first adaptations of the book in this genre. Painted in lush watercolors, the inventive interpretation emphasizes both the extravagance and mystery of the characters, as well as the fluidity of Nick Carraway's unreliable narration. Excerpts from the original text wend through the illustrations, and imagery and metaphors are taken to literal, and often whimsical, extremes, such as when a beautiful partygoer blooms into an orchid and Daisy Buchanan pushes Gatsby across the sky on a cloud.This faithful yet modern adaptation will appeal to fans with deep knowledge of the classic, while the graphic novel format makes it an ideal teaching tool to engage students. With its timeless critique of class, power, and obsession, The Great Gatsby Graphic Novel captures the energy of an era and the enduring resonance of one of the world's most beloved books.

    Convalescing in bed, his world is confined to the four walls of his grand and gloomy room. His days are spent in wild imaginings, punctuated by the occasional visit from his mother and a legion of Aunties, who fuss and smother Eustace.But then his wicked uncle arrives in a cloud of pipe smoke, accompanied by a swelling cast of prostitutes, hoodlums, drunkards and assorted hangers-on. Suddenly Eustace finds himself transformed from invalid to the star of a glittering and decadent social scene, serving drinks and holding court from his enormous bed. That is, until his Uncle's past begins to catch up with him...Eustace is blackly comic, surreal and exquisitely rendered. It marks the debut of a brilliant new graphic novelist.

    But since she left for Dublin seven years earlier, the tomboy has become a refined young lady, engaged to be married to a dashing English gentleman.Cormac McGovern, now a stable hand on the estate, has missed his childhood friend. He and Bridget had once been thick as thieves, running wild around the countryside together.When Bridget and Cormac meet again their friendship begins to rekindle, but it’s different now that they are adults. Bridget’s overbearing mother, determined to enforce the employer-servant boundaries, conspires with Bridget’s fiancé to keep the pair apart.With the odds stacked against them, can Bridget and Cormac’s childhood attachment blossom into something more?A Class Apart is the first book in Susie Murphy's historical fiction series A Matter of Class. The story continues in the second book, A Class Entwined.Praise for A Class Apart:'Susie Murphy writes with intelligence and assurance and has a real talent for capturing an authentic sense of time and place. I look forward to reading more from this bright new voice in historical fiction.' Hazel Gaynor, New York Times bestselling author of The Girl Who Came Home'I am completely blown away by this series...Simply outstanding.' Book Reviews for U, book reviewer'Excellent characters and an interesting plot...The chemistry and romance between the two was well written and believable.' The Lit Bitch, book reviewer'Romance, drama, suspense, and beautiful scenery reign supreme in A Class Apart...The story encompasses the real truths that the people in Ireland had to face in their time, weaving a heartrending tale that's impossible not to read.' Ashley O'Melia, author and freelance writer'A richly detailed, historical tale of love against all odds...As you read this story you will fall deeper and deeper into the history of Ireland at the time, into the characters themselves, and into the emotions that are so vividly described that you cannot help but be caught up in it all too.' Books Of All Kinds, book reviewer'For those of you who like Historical Fiction, you are in for a real treat...I devoured this book.' Coffee, Books and China Cups, book reviewerWhat readers are saying:★★★★★ 'The Irish Downton Abbey! Fabulous.'★★★★★ 'If it was possible to give 100 stars to this book, I would!'★★★★★ 'An absolute page turner.'★★★★★ 'I loved the book from start to finish.'★★★★★ 'A brilliant love story.'★★★★★ 'A hugely satisfying read.'★★★★★ 'Get ready to fall in love!'★★★★★ 'This is going to be a fantastic series of novels.'★★★★★ 'Superbly written.'★★★★★ 'I am already itching to read the next book in the series!'

    It is easy to see why, with hardship, insanity, cruelty, frustrated love, and ghosts. This is the classic tale presented as a full-color library bound graphic novel, featuring beautiful hand-painted watercolor artwork.The traditional approach taken to the art creates a wonderful sensory experience to engage any reader, while staying true to the original prose novel by utilizing authentic text and dialogue.Designed to encourage readers to enjoy classical literature, titles in the Classical Comics range stay true to the original vision of the authors. They also offer alternative text versions to cater for different readership levels. This title has been moderately and sympathetically abridged from the original text to fit within the graphic novel format.

    Baking disasters. Puffed sleeves. Explore the violet vales and glorious green of Avonlea in this spirited adaptation.The magic of L.M. Montgomery’s treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike. When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage their family farm, they have no idea what delightful trouble awaits them. With flame-red hair and an unstoppable imagination, 11-year-old Anne Shirley takes Green Gables by storm.Anne’s misadventures bring a little romance to the lives of everyone she meets: her bosom friend, Diana Barry; the town gossip, Mrs. Lynde; and that infuriating tease, Gilbert Blythe. From triumphs and thrills to the depths of despair, Anne turns each everyday moment into something extraordinary.The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. — Brian Selznick, author/illustrator of “The Invention of Hugo Cabret” and “The Marvels”

    Mary, just nineteen years old at the time, had been living on her own for three years and had already lost a baby days after birth. She was deeply in love with famed poet Percy Bysshe Shelley, a mad man who both enthralled and terrified her, and her relationship with him was rife with scandal and ridicule. But rather than let it crush her, Mary fueled her grief, pain, and passion into a book that the world has still not forgotten 200 years later.Dark, intense, and beautiful, this free-verse novel with over 300 pages of gorgeous black-and-white watercolor illustrations is a unique and unforgettable depiction of one of the greatest authors of all time.

    These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin in America, Cigars of the Pharaoh, and The Blue Lotus.

    Reborn as a boy named Soupy, she hitches her star to Remy "Ramshackle" Smith, a hobo who takes her under his wing. Ramshackle's kindness and protection go a long way to help Soupy heal from her difficult past. But Ramshackle has his own demons to wrestle with, and he'll need Soupy just as much as she needs him."A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens." - from the Kirkus Starred Review"VERDICT A well-researched and richly illustrated runaway tale that will appeal to fans of escapist fiction and thoughtful readers."-Anna Murphy, �Berkeley Carroll School, Brooklyn, From the School Library Journal review, March 2017"Soupy Leaves Home tells the story of a time no longer familiar to us--a time of living the rails and simmering Mulligan Soup, a time of chosen names and secret languages--yet a tale that anyone with a longing heart and a restless spirit can relate to. It transports you magically to a place long gone, but its tale of poverty and survival are still as relevant as they ever were--the characters may be penniless, but they are so emotionally wealthy that this book leaves you filled with warmth, hope, and love."--Gerard Way"Castellucci's heartfelt odyssey is a reckoning with death and identity on the tracks, brought to life by Pimienta's patient, ever-evolving use of color. Soupy Leaves Home is for all restless souls hungry to start again."--Nate Powell (March, Swallow Me Whole)"A charming and optimistic slice of Americana."--Hope Larson (Wrinkle in Time, Batgirl)"I love Cecil Castellucci, she is crazy and cool and full of energy and heart, and so is all of her work. And Soupy Leaves Home may be one of her finest and most effecting works yet!"--Jeff Lemire

    Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.

    Disguising herself as a grieving widow, Enola sets out to the heart of London to uncover her mother’s whereabouts—but not even the last name Holmes can prepare her for what awaits. Suddenly involved in the kidnapping of the young Marquess of Basilwether, Enola must escape murderous villains, free the spoiled Marquess, and perhaps hardest of all, elude her shrewd older brother—all while collecting clues to her mother’s disappearance!

    She crafts whimsical lamps, in part to deal with her fear of the dark. As she wraps up another summer in her mountain town, she longs for unplugged adventures with her fellow creative friends, Autumn, Noel, and Reese. Little does she know that she will get her wish in the form of an arts carnival and a blackout, courtesy of a hurricane named Whitney, which forces Will to face her fear of darkness.

    Rochester.

    Suddenly forced to fend for himself, Russell struggles to survive in Marshfield, a dilapidated town haunted by a sadistic animal killer and a ring of malicious boys who bully Russell for being “queer.” Rescued from his booze-swilling father by Wen and Jian Mah, a Chinese immigrant couple who long for a child, Russell betrays their generosity by running away with their restaurant’s proceeds.

    Instead, he offends the sea god, Poseidon, who dooms him to years of shipwreck and wandering. Battling man-eating monsters, violent storms, and the supernatural seductions of sirens and sorceresses, Odysseus will need all his strength and cunning—and a little help from Mount Olympus—to make his way home and seize his kingdom from the schemers who seek to wed his queen and usurp his throne. Award-winning graphic artist Gareth Hinds masterfully reinterprets a story of heroism, adventure, and high action that has been told and retold for more than 2,500 years—though never quite like this.

    The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words "Another . . . More Beautiful . . . KILL." In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.