Ghosts is a scathing indictment of Victorian society in which Ibsen refutes the notion that if one simply fulfills one's duty rather than following one's desires then a good and noble life will be achieved. Scandalous in its day for its frank discussion of venereal disease and marriage infidelity, Ghosts remains to this day an intense psychological drama and sharp social criticism.Ghosts was written during the autumn of 1881 and was published in December of the same year. It was not performed in the theatre until May 1882, when a Danish touring company produced it in the Aurora Turner Hall in Chicago. Ibsen disliked the translator William Archer's use of the word 'Ghosts' as the play's title, whereas the Norwegian Gengangere would be more accurately translated as The Revenants, which literally means The Ones who Return.

    And now the novel that introduced Chief Inspector Van Veeteren is available for the first time in English. The swift conviction left Van Veeteren uneasy: Janek Mitter woke one morning with a brutal hangover and his wife dead in the bathtub. With only the flimsiest defense, he is found guilty and imprisoned in a mental institution. But when Mitter is murdered in his bed, Van Veeteren regrets not following his gut and launches an investigation into the two murders. As the chief inspector delves deeper, the twisted root of these violent murders will shock even him.From the Trade Paperback edition.

    Set in a maternity ward for difficult cases, her novel is unique in focusing on the weeks immediately before and after delivery. While December gives way to the new year the women encounter the private anxieties and mysteries of motherhood, sharing a profound sense of solidarity and warmth in the midst of winter.Joan Tate's superb translation of the European best-seller introduces Dea Trier Morch to American readers. Morch, the author of five other books and the mother of three children, has illustrated her novel with striking block prints.

    Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

    Every evening after dinner he entrances his fellow travellers with the tale of how he sailed with the fabled vessel the Argo on the Argonauts’ quest to retrieve the Golden Fleece.A master storyteller, Sjón seamlessly blends seafaring yarns of the ancient world with the manners of the modern age.

    On a July afternoon, a young woman's body is dredged from Sweden's beautiful Lake Vattern. With no clues Beck begins an investigation not only to uncover a murderer but also to discover who the victim was. Three months later, all Beck knows is that her name was Roseanna and that she could have been strangled by any one of eighty-five people on a cruise. As the melancholic Beck narrows the list of suspects, he is drawn increasingly to the enigma of the victim, a free-spirited traveler with a penchant for casual sex, and to the psychopathology of a murderer with a distinctive--indeed, terrifying--sense of propriety..

    He is a physician and she is a teacher, and they have three grown daughters and a comfortable home. Yet what binds them together isn’t only affection and solidarity but also the painful facts of their respective histories, which they keep hidden even from their own children. But after the abrupt dismissal of their housekeeper and Simon’s increasing withdrawal into himself, the past can no longer be repressed.

    He takes her to St. Petersburg against her will to make her a jester in his court. Her brilliance and sarcastic wit help her forge an existence amidst the squalor and lice-ridden world of dwarves in early 18th-century Russia. After finally succumbing to the repeated sexual advances of the Tsar's favorite dwarf Lukas, she develops sincere feelings for him and her life seems bearable - at least until she is banished to live as an exhibit in the Tsar's Curiosity Cabinet, a twisted museum of human deformity.

    Beautiful, eccentric, and tempestuous, Dina carries a terrible burden: at the age of five she accidentally causes her mother's death. Blamed by her father and banished to a farm, she grows up untamed and untaught. Nobody leads the child through her grief, and the accident remains a gruesome riddle of death. Her guilt becomes her obsession: her unforgiving mother haunts her every day.After several years of exile, and at the insistence of the local pastor, her father takes Dina back. By now she has become like a wolf cub. Her father has remarried, to a younger woman whom she detests, and a strict discipline begins. A tutor is brought in; coarse language is replaced by polite conversation, climbing to the top of the trees by music. But the efforts have little effect. Private and closely guarded, Dina nonetheless is able to manipulate those around her, while her unconventional behavior and erotic power both enchant and ensnare.At sixteen Dina is married off to wealthy fifty-year-old landowner Jacob, a friend of her father who has fallen completely under her spell. Jacob dies under mysterious circumstances, and Dina becomes mute. When finally she emerges from her trauma, she runs Jacob's estate with an iron hand. But still Dina wrestles with her two unappeased ghosts: Jacob and her mother. Until one day a mysterious stranger, the Russian wanderer Leo, enters her life and changes it forever.

    Their distance has fatal consequences.Love is the story of Vibeke and Jon, a mother and son who have just moved to a small place in the north of Norway. It's the day before Jon's birthday, and a travelling carnival has come to the village. Jon goes out to sell lottery tickets for his sports club, and Vibeke is going to the library. From here on we follow the two individuals on their separate journeys through a cold winter's night - while a sense of uneasiness grows. Love illustrates how language builds its own reality, and thus how mother and son can live in completely separate worlds. This distance is found not only between human beings, but also within each individual. This novel shows how such distance may have fatal consequences.

    These people reminisce, dream, reflect, observe, and talk to themselves; each stuck in their respective traps, each fantasizing about how their lives might have turned out differently. A masterpiece of compression and confession, Replacement dramatizes the tension between the concrete realities we think we cannot alter, and our interior lives, where we feel anything might still be possible.

    Silas and his friend Ben-Godik spend a year traveling by horseback and encountering many strange individuals and harrowing adventures.

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    A 1940s #1 Bestseller and a Historic Novel All-Time Favorite A historic novel all-time favorite, after its translation in English from Swedish, The Egyptian topped the bestseller charts in 1949 and the years following. The protagonist of the novel is the fictional character Sinuhe, the royal physician, who tells the story in exile after Akhenaten's fall and death. Apart from incidents in Egypt, the novel charts Sinuhe's travels in then Egyptian-dominated Syria, in Mitanni, Babylon, Minoan Crete, Mitanni, and among the Hittites.The main character of the novel is named after a character in an ancient Egyptian text commonly known as The Story of Sinuhe. The original story dates to a time long before that of Akhenaten: texts are known from as early as the 12th Dynasty.Much concerned about the historical accuracy of his detailed description of ancient Egyptian life forced the author to carry out considerable research into the subject. The result has been praised not only by readers but also by Egyptologists.Waltari had long been interested in Akhenaten and wrote a play about him which was staged in Helsinki in 1938. World War II provided the final impulse for exploring the subject in a novel which, although depicting events that took place over 3,300 years ago

    Ever since, it is said, anyone who stays at the cabin is possessed by Gruvik's spirit and driven to drown themselves in the lake. What's more, Gruvik's restless ghost has been seen by many of the local people, prowling the woods by moonlight.Bjørn Werner, a young writer from Oslo, ignored the old superstitions and rented Dead Man's Cabin as a quiet spot to finish his book. Now he has disappeared, and the evidence suggests he threw himself in the lake in a fit of madness. The police write it off as a suicide, but his friends are not so sure. Kai Bugge, Bjørn's psychiatrist, believes in the suicide explanation, while private detective Harald Gran thinks it's a case of murder, and Gabriel Mørk, an expert in the occult, is certain that darker and otherworldly forces are at play. They travel to unravel the mystery of their friend's terrible fate, but not all of them will return alive from their stay at the Lake of the Dead ...André Bjerke's The Lake of the Dead (1942) was voted the all-time best Norwegian crime novel, and its atmospheric 1958 film adaptation is regarded as one of Norway's best films. This new translation is the first-ever American publication of Bjerke's classic, which features an unusual mixture of murder mystery and supernatural horror that will keep readers guessing until the thrilling conclusion.