It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological.Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story.This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

    The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: ‘You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.’ Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II – whose commission he leaves unfinished – and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural master-work. Constructed from real historical fragments, Tell Them of Battles, Kings, and Elephants is a thrilling novella about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another.

    Unique, daring, and unforgettable, it tells the story of an ordinary family who accidentally threaten the security of a hidden civilization as intelligent as our own--a colony of ants determined to survive at any cost....Jonathan Wells and his young family have come to the Paris flat at 3, rue des Sybarites through the bequest of his eccentric late uncle Edmond. Inheriting the dusty apartment, the Wells family are left with only one warning: Never go down into the cellar.But when the family dog disappears down the basement steps, Jonathan follows--and soon his wife, his son, and various would-be rescuers vanish into its mysterious depths.Meanwhile, in a pine stump in a nearby park, a vast civilization is in turmoil. Here a young female from the russet ant nation of Bel-o-kan learns that a strange new weapon has been killing off her comrades. To find out why, she enlists the help of a warrior ant, and the two set off on separate journeys into a harsh and violent world. It is a world where death takes many forms--savage birds and voracious lizards, warlike dwarf ants and rapacious termites, poisonous beetles and, most bizarre of all, the swift, murderous, giant guardians of the edge of the world: cars.Yet the end of the female's desperate quest will be the eerie secret in the cellar at 3, rue des Sybarites--a mystery she must solve in order to fulfill her special destiny as the new queen of her own great empire. But to do so she must first make unthinkable communion with the most barbaric creatures of all. Empire of the Ants is a brilliant evocation of a hidden civilization as complex as our own and far more ancient. It is a fascinating realm where boats are built of leaves and greenflies are domesticated and milked like cows, where citizens lock antennae in "absolute communication" and fight wars with precisely coordinated armies using sprays of glue and acids that can dissolve a snail. Not since Watership Down has a novel so vividly captured the lives and struggles of a fellow species and the valuable lessons they have to teach us.From the Hardcover edition.

    Her adult son Malcolm is no help, mired in a permanent state of arrested development. And then there’s the Prices' aging cat, Small Frank, who Frances believes houses the spirit of her late husband, an infamously immoral litigator and world-class cad whose gruesome tabloid death rendered Frances and Malcolm social outcasts.Putting penury and pariahdom behind them, the family decides to cut their losses and head for the exit. One ocean voyage later, the curious trio land in their beloved Paris, the City of Light serving as a backdrop not for love or romance, but self destruction and economical ruin – to riotous effect. A number of singular characters serve to round out the cast: a bashful private investigator, an aimless psychic proposing a seance, a doctor who makes house calls with his wine merchant in tow, and the inimitable Mme. Reynard, aggressive houseguest and dementedly friendly American expat.Brimming with pathos and wit, French Exit is a one-of-a-kind ‘tragedy of manners,’ a riotous send-up of high society, as well as a moving mother/son caper which only Patrick deWitt could conceive and execute

    In this playful and perplexing book, we meet a young Parisian researcher who lives inside his bathroom. As he sits in his tub meditating on existence (and refusing to tell us his name), the people around him—his girlfriend, Edmondsson, the Polish painters in his kitchen—each in their own way further enables his peculiar lifestyle, supporting his eccentric quest for immobility. But an invitation to the Austrian embassy shakes up his stable world, prompting him to take a risk and leave his bathroom . . .

    Secure in the love of her beautiful mother, she is unaware that her father, Jack, is caught up in a web of secrets. When a very local murder intersects with global forces, Jack must decide where his loyalties lie, and Madeleine will be forced to learn a lesson about the ambiguity of human morality -- one she will only begin to understand when she carries her quest for the truth, and the killer, into adulthood twenty years later.

    Gothic, outrageous, yet tender and wise, Black Bird is as liberating as the dreams of its wayward characters, and as gripping as the insurgencies that split its heart.The Desouches have inhabited the same run-down house in working-class Montreal for years, much to the dismay of their landlord, and its ramshackle architecture perfectly mirrors that of the eccentric family living inside. Grandfather is a sour old grave-robber who relishes in the anguish he causes his wife and family. Uncle shares the same occupation, and otherwise spends much of his time drunk and alone. Neither is looking forward to the winter, which means lost work, due to the frozen ground. Father doesn’t share their gruesome job, but comes up with his own schemes anyway. Mother lies down to sleep away her grief when her father dies, and does not wake up for months. A plain French woman named Aline marries into the family, having been fooled by Grandfather’s smooth ways, only to find herself alienated in a household that chooses to speak English. Marie, the granddaughter and an FLQ terrorist, could share her language — she certainly resents that a part of her is English — but is too caught up in her politics and her anger to get involved. It falls to Marie’s twin brother, Jean-Baptiste, to play occasional translator, though as always he’d prefer to be upstairs in his attic room reading literature and writing awful poetry. Throw in a judgemental pet crow, a confused ghost, a mad doctor, peculiar neighbours, maverick policemen and the walking dead, and you’ve got the makings of the ultimate domestic drama, Montreal-style.When an FLQ bomb set by Marie kills not only the expected strangers but her anglo maternal grandfather (what was he doing out for a smoked-meat sandwich at that hour, anyway?) it sets the family off on a notably bad run of luck. Then again, not many stretches would stand out as stellar for this peculiar group. Which points to one of the wonderful truths that Basilières allows to guide his characters: that life is crummy and a struggle just as often as it’s not, but that doesn’t keep us from wanting to enjoy it in our own ways and hoping for a better tomorrow. As in life, there is a level of coincidence here that is too uncanny to not be believable. When the drunken premier runs down a man in the street, it is not only Marie’s boyfriend and fellow activist who is killed, but the crooked cops bring the fresh corpse to Grandfather’s door to be suitably dealt with. When some of Marie’s separatist pamphlets get mixed up with Jean-Baptiste’s poetry chapbooks, a prison term and a kidnapping are among the unexpected results. When Grandfather loses an eye, his vision improves. And as events spiral out of control, it seems that some of the Desouches are at their most content.With Black Bird, Michel Basilières has written a comic noir, a disturbing and hilarious study of how the October Crisis and the question of Canadian nationalism play out through the disjointed relationships within one family. And as with all of the best fiction, here the facts of our history do not get in the way of the truth, or of telling a good story. Compared to such disparate novels as One Hundred Years of Solitude, The Corrections, and Two Solitudes, Black Bird marks the fiction debut of a masterful and thoroughly entertaining storyteller.

    . . . It renders a complex and complete human world, which by the end we have learned to love."— The Boston Book ReviewChinatown, Vancouver, in the late 1930s and '40s provides the backdrop for this poignant first novel, told through the vivid reminiscences of the three younger children of an immigrant Chinese family. The siblings grapple with their individual identities in a changing world, wresting autonomy from the strictures of history, family, and poverty. Sister Jook-Liang dreams of becoming Shirley Temple and escaping the rigid, old ways of China. Adopted Second Brother Jung-Sum, struggling with his sexuality and the trauma of his childhood in China, finds his way through boxing. Third Brother Sekky, who never feels comfortable with the multitude of Chinese dialects swirling around him, becomes obsessed with war games, and learns a devastating lesson about what war really means when his 17-year-old babysitter dates a Japanese man.Mingling with life in Canada and the horror of war are the magic, ghosts, and family secrets of Poh-Poh, or Grandmother, who is the heart and pillar of the family. Side by side, her three grandchildren survive hardships and heartbreaks with grit and humor. Like the jade peony of the title, Choy's storytelling is at once delicate, powerful, and lovely.The Jade Peony was selected by the Literary Review of Canada as one of the "100 Most Important Books in Canadian History" in 2005. It was also an American Library Association Notable Book of the Year in 1998, and was winner of the 1995 Trillium Award (shared with Margaret Atwood).

    Soon the backwoods are transformed into a parish and Joseph Becker, a woodcarver, is brought together with his future wife. Decades later when an architect plans a memorial to the Canadian dead in France, their grandchild Klara must use her family skills - to carve, and to create.

    For twenty years, Edna escaped the world by devoting herself to the health and welfare of her husband and home, so when she learns he’s been having an affair, her sense of betrayal is devastating and literally maddening. And so she sits, silently filling notebooks, trying to find where and how her life went wrong. Dancing in the Dark is a tightly woven psychological novel, which explores the idea that madness is not necessarily self-destructive, and may lead to a kind of wisdom.

    Explosions are rocking Paris, at caf�s and the Bataclan theater, and when other bombs drive the stadium crowd to flee in his direction, near the Metro, his time has come. He presses his button, and . . . nothing. Fearing he has failed in his mission for Fraternel Solidarity (FS), an ISIS affiliate, Khalil has little choice but to blend in with his would-be victims and run. Back in Belgium, he must lie low and avoid his militant brethren and the authorities. He relies on his family and friends for places to stay, but he keeps the truth about himself secret. All the while, he contemplates what he almost did, and what he will do next--particularly when it comes to light that his vest accidently had been a harmless training unit all along, and FS has a new mission planned for him. In this daring, propulsive literary thriller, Yasmina Khadra takes readers to the margins of Europe's glittering capitals, through neighborhoods isolated by government neglect and popular apathy, if not outright racism. And he brings to life an unusual protagonist, a young man struggling with family, religion, and politics who makes fateful choices, and in doing so dramatizes powerful questions about society and human nature.

    It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion." This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

    . . . A very funny, intelligent book that can be read both for its politics and for its extraordinary depiction of a woman who revels in her bestial transformation."

    They’ve come home to Malagash, on the north shore of Nova Scotia, so he can die where he grew up. Her mother and her brother are both devastated. But devastated isn’t good enough. Devastated doesn’t fix anything. Sunday has a plan.She’s started recording everything her father says. His boring stories. His stupid jokes. Everything. She’s recording every single “I love you” right alongside every “Could we turn the heat up in here?” It’s all important.Because Sunday is writing a computer virus. A computer virus that will live secretly on the hard drives of millions of people all over the world. A computer virus that will think her father’s thoughts and say her father’s words. She has thousands of lines of code to write. Cryptography to understand. Exploits to test. She doesn’t have time to be sad. Her father is going to live forever.

    At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.