From the tiny island nations of Comoros, Seychelles, and S�o Tom� and Pr�ncipe, to its largest country, Africa is the only continent with land in all four hemispheres. Unlike any other continent, it is divided into two almost equal lengths by the equator, and it is nearly as wide as it is long.Enter into the daily life of children in the many countries of modern Africa. Countering stereotypes, Africa Is Not a Country celebrates the extraordinary diversity of this vibrant continent as experienced by children at home, at school, at work, and at play.The title says it all. Instead of the 'vanishing tribes' view of one Africa with tourists from different countries photographing the animals and primitive people, this informative picture book celebrates the diversity of the 53 nations that make up the continent today. . . readers will want to go on from here to explore in depth particular countries that interest them. The essential differences and connections are here. --Booklist

    She is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly. She's puzzled by their behavior and their insistence on living in these strange concrete structures: there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?In her debut picture book, Hughes brings an uncanny humor to her painterly illustrations. Her work is awash with color, atmosphere, and a stunning visual splendor that will enchant children while indulging their wilder tendencies. Wild is a twenty-first-century answer to Maurice Sendak's children's classic—it has the same inventiveness, groundbreaking art, and unmissable quirkiness.Emily Hughes is a talented young illustrator. Her book Nana Shaped Like a Banana won second prize in the 2012 Macmillan Children's Book Awards.

    Years ago, before a great dam was built to fill the valley with water, there were farms and homesteads in that valley and musicians who livened their rooms with song. After the village was abandoned and before the waters rushed in, a father and daughter returned there. The girl began to play her fiddle, bringing her tune to one empty house after another -- for this was the last time that music would be heard in that place. With exquisite artwork by Levi Pinfold, David Almond's lyrical narrative -- inspired by a true tale -- pays homage to his friends Mike and Kathryn Tickell and all the musicians of Northumberland, to show that music is ancient and unstoppable, and that dams and lakes cannot overwhelm it.

    Beautiful paintings highlight a text depicting the ways various peoples from around the world welcome the sun and the start of a new day.Text first appeared in McCall Magazine, February, 1977.

    Oliver Jeffers offers a personal look inside his own hopes and wishes for his child--a missive about our world and those who call it home.

    . . .Red is an oak tree who is many rings old. Red is the neighborhood "wishtree"—people write their wishes on pieces of cloth and tie them to Red's branches. Along with her crow friend Bongo and other animals who seek refuge in Red's hollows, this "wishtree" watches over the neighborhood.You might say Red has seen it all. Until a new family moves in. Not everyone is welcoming, and Red's experiences as a wishtree are more important than ever.

    "Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.

    Inspired by the 5 million people (many of them children) in 82 countries who participated in the 2017 Women's March, Andrew Joyner has given us a book that celebrates girls and women and equal rights for all! With themes of empathy, equality, and solidarity, The Pink Hat is a timeless and timely story that will empower readers and promote strength in the diverse and active feminist community.

    and girls... and everyone! This timely and beautiful picture book rethinks and reframes the stereotypical blue/pink gender binary and empowers kids – and their grown-ups – to express themselves in every color of the rainbow. Featuring a diverse group of relatable characters, Pink Is for Boys invites and encourages girls and boys to enjoy what they love to do, whether it's racing cars and playing baseball, or loving unicorns and dressing up. Vibrant illustrations help children learn and identify the myriad colors that surround them every day, from the orange of a popsicle, to the green of a grassy field, all the way up to the wonder of a multicolored rainbow.Parents and kids will delight in Robb Pearlman's sweet, simple script, as well as its powerful message: life is not color-coded.

    A STEAM-centered, adorably illustrated picture book about Meg, a brilliant and creative boxitect who creates extraordinary things out of ordinary cardboard boxes.

    She feeds them, shelters them and loves them. Everywhere Sonya goes, her chicks are peeping at her heels. Under her care, the chicks grow into hens and even give Sonya a wonderful gift: an egg! One night, Sonya hears noises coming from the chicken coop and discovers that one of her hens has disappeared. Where did the hen go? What happened to her? When Sonya discovers the answers, she learns some important truths about the interconnectedness of nature and the true joys and sorrows of caring for another creature.

    Have you seen her?She's in New York. She's holding a torch. And she's in mid-stride, moving forward. But why?In this fascinating, fun take on nonfiction, Dave Eggers and Shawn Harris investigate a seemingly small trait of America's most emblematic statue. What they find is about more than history, more than art. What they find in the Statue of Liberty's right foot is the message of acceptance that is essential to an entire country's creation.

    Mom packed me a snack -- and had me bring my sweater in case I get cold." But Mom likely didn't imagine the adventure her little girl would have as she rides to her grandmother's house in this sweet picture book. While the bus is taking her down the streets, through a forest and into a pitch-black tunnel, the little girl encounters an assortment of animal characters who enliven her journey, including a goat who offers her a flower from a bouquet, a wolf child with whom she happily shares her cookies and a fox who attempts to pickpocket a bear. Adding to the fun are lots of running visual gags, such as the changing headlines on the newspaper that hides one passenger's face, a sleeping sloth who mysteriously appears in different seats without ever having woken up and a nervous-looking turtle whose head and arms pop in and out of its shell. The interior of the bus covers each two-page spread, and award-winning author-illustrator Marianne Dubuc uses subtle colors and tiny details to draw in youngsters to the activity happening there. This book offers a potentially multilayered classroom reading experience: there is the terrific main story of the girl's trip, but there are also any number of mini stories playing out at the same time with each of the other characters. It would work beautifully as a jumping-off point for children to do some imaginary storytelling of their own.

    At her home in Vietnam, a girl rescues ants from the sugar water set out to trap them. Later, when the girl’s family flees war-torn Vietnam, ants lead them through the moonlit jungle to the boat that will take them to safety. Before boarding, the girl folds a paper boat from a bun wrapper and drops it into the water, and the ants climb on. Their perilous journey, besieged by punishing weather, predatory birds, and dehydration, before reaching a new beginning, mirrors the family’s own. Impressionistic collages and a moving, Own Voices narrative make this a one-of-a-kind tale of courage, resilience, and hope.

    A fictional editor's note tells of an encounter with an author and illustrator named Harris Burdick, who provided the images and captions as samples, each from a different picture book he had written. He left with a promise to deliver the complete manuscripts if the editor chose to buy the books. Burdick was never seen again, and the samples are all that remain of his supposed books. Readers are challenged to imagine their own stories based on the images in the book.