When the emotion drives out all common sense, we say they're chucking a big one. The telltale signs are: flaming cheeks, shortness of breath, bulging eyes, and a prolonged illogical outburst.Gemma Stone is convinced that it's always unseemly to chuck a birkett and that it's actually insane to chuck one in front of a complete stranger. But that was before she fell for a boy who barely knows she exists, before she auditioned for the school play, before she met the family of freaks her sister Debbie is marrying into, before the unpredictable Raven De Head took an interest in her, and before she realized that at the right time and for the right reason, a birkett could be a beautiful thing.

    The New York Times bestselling author of The Christmas Box and The Walk series returns with a holiday novel of hope, love, and redemption.She was my first kiss. My first love. She was a little match girl who could see the future in the flame of a candle. She was a runaway who taught me more about life than anyone has before or since. And when she was gone my innocence left with her. As I begin to write, a part of me feels as if I am awakening something best left dead and buried, or at least buried. We can bury the past, but it never really dies. The experience of that winter has grown on my soul like ivy climbing the outside of a home, growing until it begins to tear and tug at the brick and mortar. I pray I can still get the story right. My memory, like my eyesight, has waned with age. Still, there are things that become clearer to me as I grow older. This much I know: too many things were kept secret in those days. Things that never should have been hidden. And things that should have.

    On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been there cooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally. Bright and curious, Jubie takes note of the anti-integration signs they pass and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence.Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform us from child to adult, wounded to indomitable.

    It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country.Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

    Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother’s devout faith, his father’s practical wisdom, and his two other misfit friends.Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

    Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a sixty-year friendship between the brilliant and bookish Elena and the fiery, rebellious Lila with unmatched honesty and brilliance.

    For reasons Sam doesn’t entirely understand, he and Suzie keep their budding relationship hidden from their close knit group of friends. But as the summer ends, Sam’s world unexpectedly shatters twice: Suzie’s parents are moving to a new city to save their marriage, and his own mother has suddenly left the house, leaving Sam’s father alone to raise two sons.Watching as her parents’ marital troubles escalate, Suzie takes on the responsibility of raising her two younger brothers and plans an early escape to college and independence. Though she thinks of Sam, she deeply misses her closest friend Bella, but makes no attempt to reconnect, embarrassed by the destructive wake of her parents as they left the only place Suzie called home. Years later, a chance meeting with Sam’s older brother will reunite her with both Sam and Bella - and force her to confront her past and her friends.After losing Suzie, Bella finds her first real love in Sam. But Sam’s inability to commit to her or even his own future eventually drives them apart. In contrast, Bella’s old friend Suzie—and Sam’s older brother, Michael—seem to have worked it all out, leaving Bella to wonder where she went wrong.Spanning over a decade, told in alternating voices, The Grown Ups explores the indelible bonds between friends and family and the challenges that threaten to divide them.

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

    David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's Syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret. But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this story that unfolds over a quarter of a century - in which these two families, ignorant of each other, are yet bound by the fateful decision made that long-ago winter night. Norah Henry, who knows only that her daughter died at birth, remains inconsolable; her grief weighs heavily on their marriage. And Paul, their son, raises himself as best he can, in a house grown cold with mourning. Meanwhile, Phoebe, the lost daughter, grows from a sunny child to a vibrant young woman whose mother loves her as fiercely as if she were her own.

    When her mother disappears during a weekend trip, Florine Gilham's idyllic childhood is turned upside down. Until then she'd been blissfully insulated by the rhythms of family life in small town Maine; watching from the granite cliffs above the sea for her father's lobster boat to come into port, making bread with her grandmother, and infiltrating the summer tourist camps with her friends. But with her mother gone, the heart falls out of Florine's life and she and her father are isolated as they struggle to manage their loss. Both sustained and challenged by the advice and expectations of her family and neighbors, Florine grows up with her spirit intact. And when her father's past comes to call, she must accept that life won't ever be the same while keeping her mother vivid in her memories. With Fannie Flagg's humor and Elizabeth Stroud's sense of place, this debut is an extraordinary snapshot of a bygone America through the eyes of an inspiring girl blazing her own path to womanhood.

    Then she discovers a secret that makes her think again. Dougie would probably have broken up with her in the long run, and this way she can help one of the people she loves most in the world. Ten years later, though, when Lola meets Dougie again, her feelings for him are as strong as ever. But she broke Dougie’s heart and he’s about to discover that she was paid to do it. She can never tell him the truth, so can she get him back? Well, Lola’s very attractive and very persuasive. But even she’s got her work cut out this time…

    Disguising the more difficult truths of her life like the staggering degree of her poverty, the weight of her family’s future resting on her shoulders, or her secret love for a factory boy who shares none of her talent or ambition. Kimberly learns to constantly translate not just her language but herself back and forth between the worlds she straddles.Through Kimberly’s story, author Jean Kwok, who also emigrated from Hong Kong as a young girl, brings to the page the lives of countless immigrants who are caught between the pressure to succeed in America, their duty to their family, and their own personal desires, exposing a world that we rarely hear about. Written in an indelible voice that dramatizes the tensions of an immigrant girl growing up between two cultures, surrounded by a language and world only half understood, Girl in Translation is an unforgettable and classic novel of an American immigrant-a moving tale of hardship and triumph, heartbreak and love, and all that gets lost in translation.

    A place of shadow and light where thieves, whores, and dreamers mingle, where children play in the cobbled streets by day and a killer stalks at night, where bright hopes meet the darkest truths. Here, by the whispering waters of the Thames, Fiona Finnegan, a worker in a tea factory, hopes to own a shop one day, together with her lifelong love, Joe Bristow, a costermonger's son. With nothing but their faith in each other to spur them on, Fiona and Joe struggle, save, and sacrifice to achieve their dreams.But Fiona's life is shattered when the actions of a dark and brutal man take from her nearly everything-and everyone-she holds dear. Fearing her own death, she is forced to flee London for New York. There, her indomitable spirit propels her rise from a modest West Side shop-front to the top of Manhattan's tea trade. But Fiona's old ghosts do not rest quietly, and to silence them, she must venture back to the London of her childhood, where a deadly confrontation with her past becomes the key to her future.

    Her family owns the Hopewell, a small Art Deco hotel in the heart of New York City. When each of the Martins turns fifteen, they are expected to take over the care of a suite. For Scarlett's fifteenth birthday, she gets both a room called the Empire Suite and a permanent guest named Mrs. Amberson. Scarlett doesn't quite know what to make of this C-list starlet and world traveler.And when she meets Eric, an astonishingly gorgeous actor who has just moved to the city, her summer takes a second unexpected turn. Before the summer is over, Scarlett will have to survive a whirlwind of thievery and romantic missteps. But in the city where anything can happen, she just might be able to pull it off.