As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild Bill Hickok and survived the Battle of Little Bighorn. Part-farcical, part-historical, the picaresque adventures of this witty, wily mythomaniac claimed the Wild West as the stuff of serious literature.

    Theirs was a suicide mission, to hold the pass against the invading millions of the mighty Persian army.Day after bloody day they withstood the terrible onslaught, buying time for the Greeks to rally their forces. Born into a cult of spiritual courage, physical endurance, and unmatched battle skill, the Spartans would be remembered for the greatest military stand in history—one that would not end until the rocks were awash with blood, leaving only one gravely injured Spartan squire to tell the tale. . . .“A novel that is intricate and arresting and, once begun, almost impossible to put down.”—Daily News “A timeless epic of man and war . . . Pressfield has created a new classic deserving a place beside the very best of the old.”—Stephen Coonts

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24 Dodge House.Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because “that’s where the money is.” And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins—before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology—when neither man wanted fame or deserved notoriety.Authentic, moving, and witty, Maria Doria Russell’s fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday’s unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday’s story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

    When war arrives, the master of Beauvais, Anthony Levallios, foresees that mastery in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see.Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of the interstate highway system through Richmond, Virginia, and recognizing that his days on earth are coming to an end, he travels south to try to fill in that void. With the help of a young woman, he goes in search of his beginnings, all the while remembering the life that witnessed so much change during the 20th century, and so much that didn't. As the narrative finds that young woman farther in the future, now in her middle age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy?Written with the same emotional intensity, harrowing realism, and poetic precision that made THE YELLOW BIRDS one of the most celebrated novels of the past decade, A SHOUT IN THE RUINS cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.

    Seward, Salmon P. Chase, Edward Bates, and Abraham Lincoln waited in their hometowns for the results from the Republican National Convention in Chicago. When Lincoln emerged as the victor, his rivals were dismayed and angry.Throughout the turbulent 1850s, each had energetically sought the presidency as the conflict over slavery was leading inexorably to secession and civil war. That Lincoln succeeded, Goodwin demonstrates, was the result of a character that had been forged by experiences that raised him above his more privileged and accomplished rivals. He won because he possessed an extraordinary ability to put himself in the place of other men, to experience what they were feeling, to understand their motives and desires.It was this capacity that enabled Lincoln as president to bring his disgruntled opponents together, create the most unusual cabinet in history, and marshal their talents to the task of preserving the Union and winning the war.We view the long, horrifying struggle from the vantage of the White House as Lincoln copes with incompetent generals, hostile congressmen, and his raucous cabinet. He overcomes these obstacles by winning the respect of his former competitors, and in the case of Seward, finds a loyal and crucial friend to see him through.This brilliant multiple biography is centered on Lincoln's mastery of men and how it shaped the most significant presidency in the nation's history.

    He was 15. He didn't know what a "shooting war" meant or what he was fighting for. But he didn't want to miss out on a great adventure. The "shooting war" turned out to be the horror of combat and the wild luck of survival; how it feels to cross a field toward the enemy, waiting for fire. When he entered the service he was a boy. When he came back he was different; he was only 19, but he was a man with "soldier's heart," later known as "battle fatigue."

    When Garrigan tends to Amin, the dictator, in his obsession for all things Scottish, appoints him as his personal physician. And so begins a fateful dalliance with the central African leader whose Emperor Jones-style autocracy would transform into a reign of terror.In The Last King of Scotland Foden's Amin is as ridiculous as he is abhorrent: a grown man who must be burped like an infant, a self-proclaimed cannibalist who, at the end of his 8 years in power, would be responsible for 300,000 deaths. And as Garrigan awakens to his patient's baroque barbarism--and his own complicity in it--we enter a venturesome meditation on conscience, charisma, and the slow corruption of the human heart. Brilliantly written, comic and profound, The Last King of Scotland announces a major new talent.

    Stricken by cancer as his family faced financial ruin, Ulysses S. Grant wrote his Personal Memoirs to secure their future, and in doing so won for himself a unique place in American letters. Acclaimed by readers as diverse as Mark Twain, Matthew Arnold, Gertrude Stein, and Edmund Wilson, the Personal Memoirs demonstrates the intelligence, intense determination, and laconic modesty that made Grant the Union’s foremost commander. This Library of America volume also includes 174 letters written by Grant from 1839 to 1865. Many of them are to his wife, Julia, and offer an intimate view of their affectionate and enduring marriage; others, addressed to fellow generals, government officials, and his congressional patron Elihu B. Washburne, provide a fascinating contemporary perspective on the events that would later figure in the Memoirs.Grant’s autobiography is devoted almost entirely to his life as a soldier: his years at West Point, his service in the peacetime army, and his education in war during conflicts foreign and domestic. Grant considered the Mexican War “one of the most unjust ever waged by a stronger against a weaker nation” and thought that the Civil War was our punishment for it; but his retrospective disapproval did not prevent him from becoming enchanted by Mexico or from learning about his own capacity for leadership amid the confusion and carnage of battle.His account of the Civil War combines a lucid treatment of its political causes and its military actions, along with the story of his own growing strength as a commander. At the end of an inconsequential advance in Missouri in 1861 he realized that his opponent “had been as much afraid of me as I had been of him.” Fort Donelson and Shiloh taught him to seize the initiative, while his success in living off the land during the Vicksburg campaign inspired William T. Sherman to undertake his marches through the interior of the South.By 1864 Grant knew that the rebellion could be suppressed only by maintaining relentless pressure against its armies and methodically destroying its resources. As the Union’s final general-in-chief, he acted with the resolve that had eluded his predecessors, directing battles whose drawn-out ferocity had no precedent in Western warfare. His narrative of the war’s final year culminates in his meeting with Lee at Appomattox, a scene of quiet pride, sadness, and humanity.Grant’s writing is spare, telling, and quick, superbly evocative of the imperatives of decision, motion, and action that govern those who try to shape the course of war. Grant wrote about the most destructive war in American history with a clarity and directness unequaled in our literature.

    It saw Lincoln's assassination just five days later and a near-successful plot to decapitate the Union government, followed by chaos and coup fears in the North, collapsed negotiations and continued bloodshed in the South, and finally, the start of national reconciliation.In the end, April 1865 emerged as not just the tale of the war's denouement, but the story of the making of our nation.Jay Winik offers a brilliant new look at the Civil War's final days that will forever change the way we see the war's end and the nation's new beginning. Uniquely set within the larger sweep of history and filled with rich profiles of outsize figures, fresh iconoclastic scholarship, and a gripping narrative, this is a masterful account of the thirty most pivotal days in the life of the United States.

    The first president’s wife to be called First Lady, she was a political strategist, a supporter of emancipation, and a mother who survived the loss of three children and the assassination of her beloved husband. Yet she also ran her family into debt, held seances in the White House, and was committed to an insane asylum. In Janis Cooke Newman’s debut novel, Mary Todd Lincoln shares the story of her life in her own words. Writing from Bellevue Place asylum, she takes readers from her tempestuous childhood in a slaveholding Southern family through the years after her husband’s death. A dramatic tale filled with passion and depression, poverty and ridicule, infidelity and redemption, Mary allows us entry into the inner, intimate world of this brave and fascinating woman.

    The first part of the book deals with his childhood and youth and his longing to become a successful farmer and hard-hitting fighter like his father.The tough life of cattle-farming is brusquely interrupted by the Zulu Wars, when Sean and his brother see fighting for the first time. Wilbur Smith vividly recreates the excitement of the war for the young men-their hope of winning their own cattle, the horror of the massacre at Isandhlwana, the heroism of the defence at Rorkes Drift.'Witwatersrand' is the name of the second part of this book and it tells the story of Sean's fabulous success in the gold rush and his rich life with Duff Charleywood and the beautiful Candy in the new town of Johannesburg, where huge fortunes were made and lost in a morning's dealing on the Exchange.The atmosphere of this feverish, violent time is brilliantly drawn: the heavy drinking, the elaborate houses, the ruthless abandonment of the failure. Sean and Duff are caught at last in a trap laid by their rival, the sinister and clever Hradsky, and leave Johannesburg for the wilderness to seek their fortunes once more.And now the book moves to its climax. At last it seems as though Sean will settle to a quiet married life – but fate has other plans for him. They return to Johannesburg and tragedy strikes quickly. Sean finds himself alone once more...Filled with action scenes in war and the early heady days of the gold rush, and adventure among the vast game herds of the African wilderness, this novel is dominated by the towering compelling personality of Sean, whose life story is continued in The Sound of Thunder and A Sparrow Falls.

    Grant's life has typically been misunderstood. All too often he is caricatured as a chronic loser and inept businessman, fond of drinking to excess; or as the triumphant but brutal Union general of the Civil War; or as a credulous and hapless president whose tenure came to symbolize the worst excesses of the Gilded Age. These stereotypes don't come close to capturing adequately his spirit and the sheer magnitude of his monumental accomplishments. A biographer at the height of his powers, Chernow has produced a portrait of Grant that is a masterpiece, the first to provide a complete understanding of the general and president whose fortunes rose and fell with dizzying speed and frequency. Before the Civil War, Grant was flailing. His business ventures had been dismal, and despite distinguished service in the Mexican War, he ended up resigning from the army in disgrace amid recurring accusations of drunkenness. But in the Civil War, Grant began to realize his remarkable potential, soaring through the ranks of the Union army, prevailing at the Battle of Shiloh and in the Vicksburg campaign and ultimately defeating the legendary Confederate general Robert E. Lee after a series of unbelievably bloody battles in Virginia. Along the way Grant endeared himself to President Lincoln and became his most trusted general and the strategic genius of the war effort. His military fame translated into a two-term presidency, but one plagued by corruption scandals involving his closest staff. All the while Grant himself remained more or less above reproach. But, more importantly, he never failed to seek freedom and justice for black Americans, working to crush the Ku Klux Klan and earning the admiration of Frederick Douglass, who called him 'the vigilant, firm, impartial, and wise protector of my race." After his presidency, he was again brought low by a trusted colleague, this time a dashing young swindler on Wall Street, but he resuscitated his image by working with Mark Twain to publish his memoirs, which are recognized as a masterpiece of the genre. With his famous lucidity, breadth, and meticulousness, Chernow finds the threads that bind these disparate stories together, shedding new light on the man whom Walt Whitman described as "nothing heroic... and yet the greatest hero." His probing portrait of Grant's lifelong struggle with alcoholism transforms our understanding of the man at the deepest level. This is America's greatest biographer, bringing movingly to life one of America's finest but most underappreciated presidents. The definitive biography, Grant is a grand synthesis of painstaking research and literary brilliance that makes sense of all sides of Grant's life, explaining how this simple Midwesterner could at once be so ordinary and so extraordinary.

    The most popular and beloved American historical novel ever written, Margaret Mitchell's Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves. Now bestselling writer Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, Scarlett. As the classic story, first told over half a century ago, moves forward, the greatest love affair in all fiction is reignited; amidst heartbreak and joy, the endless, consuming passion between Scarlett O'Hara and Rhett Butler reaches its startling culmination. Rich with surprises at every turn and new emotional, breathtaking adventures, Scarlett satisfies our longing to reenter the world of Gone With the Wind, and like its predecessor, Scarlett will find an eternal place in our hearts.

    Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history--and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul's client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country? The case affords Paul entry to the heady world of high society--the glittering parties in Gramercy Park mansions, and the more insidious dealings done behind closed doors. The task facing him is beyond daunting. Edison is a wily, dangerous opponent with vast resources at his disposal--private spies, newspapers in his pocket, and the backing of J. P. Morgan himself. Yet this unknown lawyer shares with his famous adversary a compulsion to win at all costs. How will he do it?In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater risks, he'll find that everyone in his path is playing their own game, and no one is quite who they seem.