Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    And though she's prepared to fight her way into an elitist boys' club, or duck the occasional errant football, she quickly realizes she's in over her head when she's relegated to a kiddie-size folding chair with her new moniker—Girlie—inscribed in Wite-Out across the back.No matter. She's determined to make it in bond sales at Cromwell Pierce, one of the Street's most esteemed brokerage firms. Keeping her eyes on the prize, the low Girlie on the totem pole will endure whatever comes her way—whether trekking to the Bronx for a $1,000 wheel of Parmesan cheese; discovering a secretary's secret Friday night slumber/dance party in the conference room; fielding a constant barrage of "friendly" practical jokes; learning the ropes from Chick, her unpredictable, slightly scary, loyalty-demanding boss; babysitting a colleague while he consumes the contents of a vending machine on a $28,000 bet; or eluding the advances of a corporate stalker who's also one of the firm's biggest clients.Ignoring her friends' pleas to quit, Alex excels (while learning how to roll with the punches and laugh at herself) and soon advances from lowly analyst to slightly-less-lowly associate. Suddenly, she's addressed by her real name, and the impenetrable boys' club has transformed into forty older brothers and one possible boyfriend. Then the apocalypse hits, and Alex is forced to choose between sticking with Cromwell Pierce as it teeters on the brink of disaster or kicking off her Jimmy Choos and running for higher ground.

    A curse. A dangerous summer.Leo has invited Kate and a few friends to spend the summer at his inheritance, Darkmere Castle: as wild and remote as it is beautiful. Kate thinks it will be the perfect place for her and Leo to get together - but instead, she's drawn into the dark story of a young nineteenth-century bride who haunts the tunnels and towers of the house. And whose curse now hangs over them all.

    Now the video of that performance has been forwarded to mothers and daughters (and fathers and sons) all over the world. Originally written in 2007, "B" is a thank you note, a love letter, a wish, a promise, a confession, and a secret. With beautiful illustrations by Sophia Janowitz, "B" is finally available in this whimsical, magical book.

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

    A great woman poet in second half of American century, she broke barriers of race-class identity, delivered a major body of verse brilliant in its particularity." – Allen Ginsberg"With di Prima's selected poems, Pieces of a Song . . . we have a chance to examine the powerful gifts this deeply imaginative poet has to offer us . . . ." —Jack Foley, Poetry Previews (website)"A prolific writer generally associated with the Beat Generation, di Prima deserves wider recognition." —Library Journal"She is not about to be regarded merely as a literary figurehead, but as an ongoing contributor to the arts—a presence whose voice continues to positively impact those who listen, as it has for the last half-century." —Verbicide MagazineFeminist Beat poet Diane di Prima was born in Brooklyn, New York. She attended Swarthmore College for two years before moving to Greenwich Village in Manhattan and becoming a writer in the emerging Beat movement. There, she developed friendships with poets Amiri Baraka, Allen Ginsberg, Jack Kerouac, Frank O'Hara, and Audre Lorde. After joining Timothy Leary's intentional community in upstate New York, she moved to San Francisco in 1968. One of her collections of poetry, The Poetry Deal, is also published by City Lights Publishers. Di Prima was named Poet Laureate of San Francisco in 2009. She has been awarded the National Poetry Association’s Lifetime Service Award and the Fred Cody Award for Lifetime Achievement and has also received grants from the National Endowment for the Arts, the Committee on Poetry, the Lapis Foundation, and the Institute for Aesthetic Development. St. Lawrence University granted her an honorary doctorate.

    Hidden just beneath the surface are the STONES - green and still polished smooth - placed long ago by the Guardians. Still pulsating with power, they are about to bear witness to a great battle between light and darkness. Claire Drummond is in danger, her very life depends on the actions and help of her husband and family, as well as the man she thought had left her life for good, Tony Benning. Caught up once more in the heavy turmoil of good vs evil, Claire has much more to fight for than just a cluster of stones in the highlands of Scotland. This time it’s personal. This time Marcus Ryder has her daughter.

    The unexplored doubts of a marriage. And the redemptive power of literature...Julie Buxbaum, the acclaimed author of The Opposite of Love, delivers a haunting, gloriously written novel about love, family, and the secrets we hide from each other—and ourselves.It happened on a tree-lined street in Notting Hill to a woman who seemed to have the perfect life. Ellie Lerner’s best friend, Lucy, was murdered in front of her young daughter. And, as best friends do, Ellie dropped everything—her marriage, her job, her life in the Boston suburbs—to travel to London and pick up the pieces of Lucy’s life. While Lucy’s husband, Greg, copes with his grief by retreating into himself, eight-year-old Sophie has simply stopped speaking.Desperate to help Sophie, Ellie turns to a book that gave her comfort as a child, The Secret Garden. As the two spend hours exploring the novel’s winding passageways, its story of hurt, magic, and healing blooms around them. But so, too, do Lucy’s secrets—some big, some small—secrets Lucy kept hidden, even from her best friend. Over a summer in London, as Ellie peels back the layers of her friend’s life, she’s forced to confront her own as well: the marriage she left behind, the loss she’d hoped to escape. And suddenly Ellie’s carefully constructed existence is spinning out of control in a chain of events that will transform her life—and those around her— forever. A novel that will resonate in the heart of anyone who’s had a best friend, a love lost, or a past full of regrets, After You proves once again the unique and compelling talent of Julie Buxbaum.

    These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    If she hadn't been so distracted at the thought of having to witness the one true love of her life get married, she would have seen the car coming and there would have been no need for elderly spinster Esme Silcox and local property developer Adam Strong to rush to her aid. If she hadn't met them she would never have had the courage to agree to attend Seb's wedding in Lake Como. For Esme, Lake Como awakens memories of when she stayed at the lake as a 19-year-old girl and fell in love for the first time. So often she's wondered what happened to the man who stole her heart all those years ago, a man who changed the course of her life.

    Through the letters, the book traces a year in the life and thoughts of an unnamed narrator obsessed not only by Biggies and Frosties, but also by consumerism, pornography, and mortality.

    She is a true metaphysical poet...(At times) her dialectical fire produces poems of transcendent beauty.'-Carol Muske, New York Times Book Review

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    Brave in its nakedness, her work like a lucid stream enjoys itself as it keeps its surefooted course. Written with the precision only passion can ensure, the poems commend us to the gay gravity of angels. This is a collection to be indeed relished and prized.' - Theodore Weiss

    From Hurricane Sandy to the murder of Sandra Bland to the massacre at Sandy Hook, from the sand in the gizzards of birds to the desertified mountains of Haiti, from Attar's Conference of the Birds to Chaucer's Parliament of Fowls to Twitter, a sand book is about change and quantification, the relationship between catastrophe and cultural transmission. It moves among houses of worship and grocery stores, flitters between geological upheaval and the weird weather of the Internet. In her long-awaited follow-up to Mercury, Reines has written her most ambitious work to date, but also her most visceral and satisfying.