Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their “thoughts and prayers” will protect them from the world’s violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. “The Great Escape” tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she’s hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.

    

    Compulsively readable and always accessible, each story takes the reader into the mind and heart of its central character, whether a young boy suffering from Lawrence Welk damage and teetering precariously on the edge of puberty ("The Music of Your Life") or a not-so-young-anymore man for whom fantasy and reality have become a terrifying blur and who finds himself slipping over the edge toward total meltdown ("Wildlife of Coastal Carolina"). Nostalgia plays a part in these stories as a somewhat jaded New York film critic looks back on his life and the movies that shaped him ("Spectators in Love"), and an aging flower-shop owner ruefully assesses the love he found and lost when, as an eighteen-year-old, he embarked on a Hollywood career that never soared but did include one particularly memorable appearance on the I Love Lucy television show ("Who Loves You?") These stories all create entire worlds within which the characters live and struggle to find their way. Funny, touching, serious, and tender, the tales within The Music of Your Life are sure to appeal to anyone who has ever known the awkwardness of being "different," and while life is often harsh for the stories' characters, the bold determination with which they persevere offers inspiration to all.

    It is said that even the Czarina Anastasia Romanova had received one in her trousseau. The workers come from the three neighboring villages on the border of Romania and Ukraine. Nourished, dressed and educated, they are the envy of all at a time when a famine programmed by Stalin sweeps the countryside and cannibalism rages from city to town to farm. But what is the secret of this factory and why does the Grazyn family protect its employees so scrupulously?The Bone Mother revives the great figures of Slavic mythology on the eve of the Second World War, from rusalka and Baba Yaga--The Bone Mother herself--to the golem. The existence of mortals is intimately linked to that of witches and vampires, in a universe where strigois rub shoulders with mermaids, ghosts and seers...and all are in peril from the Nichni Politsiyi, the Night Police, which wish to eradicate them.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    They range from the tragically funny opening story “Emergency Contact” to the audacious, drug-fuelled rush of “Goodbye Porkpie Hat” to the deranged and thrilling extreme of “King Me.”The Beggar’s Garden is a powerful and affecting debut, written with an exceptional eye and ear and heart.

    . . Cambridge on the morning of a day in April, the year of Our Lord 1569.And Christopher Radcliff, Doctor of Civil Laws at Pembroke Hall and recruiter of clever young men to the service of the Earl of Leicester, is amongst a crowd of excited townsfolk and university scholars gathered on a field to watch a game of foot ball. It is to be played between the apprentices of the town and pupils of the colleges and it is hoped it will reconcile differences between town and gown. Bets are placed, wagers made. On the field long-standing animosities surface and violence breaks out but not before the college team is victorious, thanks to the skill of a Pembroke Hall man, John Groom.Later that day, Radcliff is summoned to the senior tutor’s rooms. It transpires that John Groom has been locked up on a serious charge of assault – he’d nearly caused a cobbler’s apprentice to drown. If found guilty, Groom would be expelled from college and face imprisonment. But Christopher smells a rat. He believes the charge to be the fabrication of someone with a serious grudge against the young man, and yet it does seem as if Groom is hiding something. Enlisting the help of his friend Edward Allington and his wife Katherine, Dr Radcliff knows the truth lies somewhere within the infamous den that is Slegge’s gaming house…

    In the aftermath of Hurricane Hazel, a young cop, Ray Townes, emerges as a hero. There are numerous accounts of his bravery, of the way he battled all night to save those who were trapped in houses swept away by the raging Humber River. His story is featured prominently in the newspapers, thrusting him into the spotlight as a local celebrity. His wife performs her own small miracles that night. Mary is a nurse at St. Joseph’s Hospital and she treats many of the survivors. The emergency room is overrun; the hallways are slick with river mud: of course, her feats go almost unnoticed. But among the victims she treats there is a woman, disoriented and near death, who reveals mad-seeming details of her ordeal — details that lead Mary to doubt her husband’s heroism. The officer and the nurse (with a new house, new friends, and plans for a family) try to normalize their life together in a shell-shocked city, but Mary also searches for the truth about her husband. Is he simply the tired hero who stares out at her from the cover of the Globe and Mail, or is it a much darker figure who sits across the table from her at breakfast? Definitive answers are elusive . . . Fifty years later, when a reporter comes knocking, wanting to revisit that violent night, the missing details finally surface — and threaten to destroy them.

    These are stories about friendships and relationships confused by unsettling tensions bubbling beneath the surface. A woman who plans to conceive ends up in the arms of her husband's best friend; a man who baby-sits a neglected four-year-old ends up questioning his own dysfunctional relationship; a chance encounter at a gala event causes a woman to remember when she volunteered for a nightmarish drug-testing clinic; another woman discovers that her best friend who is about to get married has just had an affair; a young teenager tries to escape from her controlling father and finds an unexpected lover on a bus ride home; a wife tries to overcome her dying mother-in-law's resistance to her marriage by revealing to her own strange aural stigmata; a friend tries to talk another friend out of dating her cheating ex-boyfriend; and a superstitious candle-maker confesses to a tempestuous relationship that implodes spectacularly. Sarah Selecky is a talented young writer who evokes a generation teetering on the shoals of consumerism and ambiguous mores. Reminiscent of early Atwood, with echoes of Lisa Moore and Barbara Gowdy, these absorbing stories are about love and longing, stories that touch us in a myriad of subtle and affecting ways."

    . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape . . . A company outsources grief for profit, their tagline: "Don't feel like having a bad day? Let someone else have it for you."

    Aspiring painter Masha C. is blindly devoted to Antosha, her famous writer-brother. Through the years Antosha takes up with numerous women from Masha’s circle of friends, yet none of these relationships threaten the siblings’ close ties until the winter he falls into a depression. Then Masha invites into their Moscow home a young woman who teaches with her—the beautiful, vivacious and deeply vulnerable Lika Mizanova—with the express hope she might help Antosha recover.The appearance of Lika sets off a convolution of unrequited love, jealousy and scandal that lasts for seven years. If the famously unattainable writer has lost his heart to Lika as everyone claims, why does he undertake a life-threatening voyage to Sakhalin Island? And what will happen to Masha if she is demoted from “woman of the house” to “spinster sister”? While Antosha and Lika push and pull, Masha falls in love herself—with a man and with a mongoose—only to have her dreams crushed twice. From her own heartbreak Masha comes to recognize the harm that she has done to her friends by encouraging their involvement with Antosha, but it is too late for Lika, who will both sacrifice herself for love and be immortalized as the model for Nina in Chekhov’s The Seagull.A Russian Sister offers a clever commentary on the role of women as prey for male needs and inspiration, a role they continue to play today. At the same time the novel is a plea for sisterhood, both familial and friendly. Chekhov’s The Seagull changed the theatre. A Russian Sister gives the reader a glimpse behind the curtain to the fascinating real-life people who inspired it and the tragedy that followed its premiere.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"

    Now, in her most intimate and seamlessly crafted work to date, Adichie turns her penetrating eye on not only Nigeria but America, in twelve dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States.In "A Private Experience," a medical student hides from a violent riot with a poor Muslim woman whose dignity and faith force her to confront the realities and fears she's been pushing away. In "Tomorrow is Too Far," a woman unlocks the devastating secret that surrounds her brother's death. The young mother at the center of "Imitation" finds her comfortable life in Philadelphia threatened when she learns that her husband has moved his mistress into their Lagos home. And the title story depicts the choking loneliness of a Nigerian girl who moves to an America that turns out to be nothing like the country she expected; though falling in love brings her desires nearly within reach, a death in her homeland forces her to reexamine them.Searing and profound, suffused with beauty, sorrow, and longing, these stories map, with Adichie's signature emotional wisdom, the collision of two cultures and the deeply human struggle to reconcile them. The Thing Around Your Neck is a resounding confirmation of the prodigious literary powers of one of our most essential writers.

    Readers have come to these stories over the years through word of mouth, posting glowing reviews to their Goodreads pages and on their blogs—unanimously agreeing that this collection is a modern classic that deserves to be in print. Crafted in graceful, honest prose, Vaughn’s stories go straight to the heart of how people live, grow and survive.

    In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things--a stray cat or a second-hand coat--with an intensity that made them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In "The Ugly Ducklings," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "Dear Piglet," a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood--fairy tales, storybooks, Bible stories--to uncover the deepest truths of family life.