The rocker settled in Berlin, where he would make his “Berlin Trilogy”—the albums Low, Heroes, and Lodger, which are now considered some of the most critically acclaimed and innovative of the late twentieth century. But Bowie’s time in Berlin was about more than producing new music. As Tobias Rüther describes in this fascinating tale of Bowie’s Berlin years, the musician traveled to West Berlin—the capital of his childhood dreams and the city of Expressionism—to repair his body and mind from the devastation of drug addiction, delusions, and mania.             Painting a vivid picture of Bowie’s life in the Schöneberg area of the city, Rüther describes the artist’s friendships and collaborations with his roommate, Iggy Pop, as well as Brian Eno and Tony Visconti. Rüther illustrates Bowie’s return to painting, days cycling to the Die Brücke museum, and his exploration of the city’s nightlife, both the wild side and the gay scene. In West Berlin, Bowie also met singer and actress Romy Haag; came to know Hansa Studios, where he would record Low and Heroes; and even landed the part of a Prussian aristocrat in Just a Gigolo, starring alongside Marlene Dietrich. Eventually Rüther uses Bowie and his explorations of the cultural and historical undercurrents of West Berlin to examine the city itself: divided, caught in the Cold War, and how it began to redefine itself as a cultural metropolis, turning to the arts to start a new history. Tying in with an exhibition at the Museum of Contemporary Art, Chicago, in September, 2014, Heroes tells the fascinating story of how the music of the future arose from the spirit of the past. It is an unforgettable look at one of the world’s most renowned musicians in one of its most inspiring cities.

    Heinlein• Defending the Third Industrial Revolution • by G. Harry Stine• Interior artwork by David Egge• Old Woman by the Road • (1978) • by Gregory Benford• Encased in the Amber of Eternity • poem by Robert Frazier• Moon Rocks • (1973) • by Tom Purdom• Lasers, Grasers, and Marxists • (1976) • by Jerry Pournelle• Fixed Price War • (1978) • by Charles Sheffield• Marius • (1957) • by Poul Anderson• Weapons in Future Warfare • essay by Roger A. Beaumont and R. Snowden Ficks• Scenario for the Fall of Night • by Roger A. Beaumont• The Spell of War • [Lord Darcy] • (1978) • by Randall Garrett• Military Vehicles: Into the Third Millennium • essay by Dean Ing• Interior artwork by Stephen Fabian• The Man in the Gray Weapons Suit • by Paul J. Nahin• Just an Old-Fashioned War Story • (1977) • by Michael G. Coney• The Private War of Private Jacob • (1974) • by Joe Haldeman• One Foot in the Grave: Medicine in Future Warfare • essay by Alan E. Nourse• Shark • (1973) • by Edward Bryant• Training • by David Langford• Final Muster • (1961) • by Rick Rubin

    This year, guest editor Denise Duhamel brings her wit and enthusiasm and her commitment to poetry in all its wide variety to bear on her choices for The Best American Poetry 2013. These acts of imagination—from known stars and exciting newcomers—testify to the vitality of an art form that continues to endure and flourish, defying dour predictions of its demise, in the digital age. This edition of the most important poetry anthology in the United States opens with David Lehman’s incisive “state of the art” essay and Denise Duhamel’s engagingly candid discussion of the seventy-five poems that made her final cut.

    Celebrated poet McHugh and renowned editor Lehman present the 20th edition of the popular and comprehensive Best American Poetry series.

    Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.Editor Kevin Sampsell is a bookstore employee and writer. He is the author of a short story collection, Creamy Bullets (Chiasmus Press), and the upcoming memoir The Suitcase (HarperPerennial, summer 2009). He is also the editor of The Insomniac Reader (Manic D Press) and the publisher of the micropress Future Tense Books.