The basis for many film and opera adaptations, and still a story traditionally read aloud to children on Christmas Eve in Ukraine and Russia, The Night Before Christmas is the best holiday tale by the man whom Vladimir Nabokov called 'the greatest writer Russia has yet produced'.Nikolai Gogol (1809-1852) was the son of a Ukrainian gentleman farmer. He attended a variety of boarding schools, where he proved an indifferent student but was admired for his theatrical abilities. In 1828 he moved to St. Petersburg and began to publish stories, and by the mid-1830s he had established himself in the literary world and been warmly praised by Pushkin. In 1836, his play The Inspector-General was attacked as immoral, and he left Russia, remaining abroad for most of the next dozen years. During that time he wrote two of his best-known stories, The Nose and The Overcoat and in 1842 he published the first section of his masterpiece Dead Souls. Gogol became increasingly religious as the years passed, and in 1847 he became the disciple of an Orthodox priest who influenced him to burn the second part of Dead Souls and then abandon writing altogether. After undertaking an extreme fast, he died at the age of forty-two.

    It´s the story about Moominmamma and Moomintroll´s search for the missing Moominpappa and how they found their way to the Moominvalley.

    He takes them into the caves of Fundindelve, where he watches over the enchanted sleep of one hundred and forty knights. But the heart of the magic that binds them - Firefrost, also known as the Weirdstone of Brisingamen - has been lost. The Wizard has been searching for the stone for more than 100 years, but the forces of evil are closing in, determined to possess and destroy its special power. Colin and Susan realise at last that they are the key to the Weirdstone's return. But how can two children defeat the Morrigan and her deadly brood?

    With help from the community, they have a Christmas they will never forget.

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton