Young, beautiful and successful, they have the world at their feet. Then a cigarette box and an ill-considered remark spark off a relentless series of revelations and other more dangerous secrets are painfully exposed. Priestley wrote this play to prove that a novelist could write an effective play using the strict economy of the stage. It was first produced at the Lyric Theatre in May 1932, with Flora Robson in the role of Olwen Peel, Richard Bird as Robert Caplan and Marie Ney as Freda Caplan. In his biography of Priestley, Vincent Brome wrote of Dangerous Corner: "Directed by Tyrone Guthrie, it ran for just five performances, then the backers withdrew their support. Priestley took a cold hard look at the situation, made some swift calculations with his agent A.D. Peters, and plunged in daringly to rescue it. He was by now a relatively rich man and he drew on the accumulatuion of royalties to keep the play running at a loss. In the end his audacity paid off. The destructive notices in the daily press were followed by favourable reviews by Ivor Brown in the Observer and James Agate in the Sunday Times. It became one of the most popular plays Priestley ever wrote."

    "Who will even know that they should be so read?" he complained. Solving this problem in particularly splendid fashion, Oxford is now reissuing the Palliser Novels in an elegantly crafted hard-bound set--with acid-free papers and durable binding--that include the wealth of illustrations that first appeared in the Oxford Illustrated Trollope years ago. Now, a whole new generation of readers can enjoy one of nineteenth-century literature's greatest achievements. While the novels center around the stately politician Plantagenet Palliser, the interest is less in politics than in the lively social scene Trollope creates against a Parliamentary backdrop. His keen eye for the subtleties of character and "great apprehension of the real" impressed contemporary writers from Nathaniel Hawthorne to Henry James, and in the Palliser Novels we find him at his very best. Between the covers of these books we meet a wonderfully rich variety of men and women, among them Alice Vavasor, whose waverings between suitors--and the resulting mess--prompted Trollope to ask Can Your Forgive Her?; the handsome Irish MP Phineas Finn, who grows to maturity as the novels progress; the beautiful enchantress Lizzie Eustace, whose scandalous diamonds are the talk of London high society; Ferdinand Lopez, the unctuous social climber; the elegant and witty Lady Glencora, Plantagenet's wife; and Palliser himself--first as a cabinet aspirant, later as Prime Minister--who is the connecting thread that holds the series together. Along the way we are also introduced to a host of amusing and sharply-drawn characters of less social status who, much like the bumpkins of Shakespeare, offer a distorting yet insightful fun-house mirror to the main action. Nowhere else did Trollope bring to life in such compelling fashion the teeming world of Victorian society and politics, and nowhere else did he create more memorable and living characters than those who populate these six volumes. As a group the Palliser Novels provide us with the most extensive and telling expose of British life during the period of its greatest prestige.

    It is time to return from Dublin, London and New York to Rossmore and the old stone house overlooking the Irish Sea where they grew up. But ancient jealousies surface as each sister confronts the past and the decisions they have made.For work-driven Kate it is time to take stock of her role as a high-flying ambitious lawyer and single parent; life is a battle between work and looking after Molly with little time for a proper relationship. Even Patrick, the man she once fell for, has ended up marrying her sister. Beautiful and intense Moya must take a hard look at her marriage to the charming but unfaithful Patrick and consider her own worth. For wild child Romy who has travelled the world and hasn't put a foot on Irish soil for years, it is time to finally stop running and find the courage to confront her family.A good and caring mother, Maeve Dillon has somehow over the years labelled each of her three daughters: Moya the beautiful, Kate the brains, and Romy, the bold and wild one. Now it is finally time for all three to break out of the box.

    But, awaiting his arrival, slowly Beatie realizes he will never come and her famous final speech exults that Ronnie has taught her independence and how to free herself from him.4 women, 5 men

    It is not what we do; it is what we are that is decisive. People with weak, trivial natures will be unhappy, no matter who they are with, or what they are doing. Instead of improving their character, they will always long for that someone or something or some place to make it all better. Those with stronger characters have a greater chance of happiness no matter what their choices have been.

    George Treet is happy with his life as part of a family of travelling actors. But George's world turns upside down when he discovers that Mr Treet is not his real father, and that he must go and live with his real family.Where someone, somewhere out in the fog, is waiting for him...Leon Garfield was one of the most celebrated children's authors of the twentieth century, and won the Guardian Award, The Whitbread Award, and the Carnegie medal. This is a fast-moving, exciting read and is accompanied by atmospheric black and white line drawings by acclaimed artist Jason Cockcroft

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    As the Cazalet households prepare for their summer pilgrimage to the family estate in Sussex, readers meet Edward, in love with but by no means faithful to his wife Villy; Hugh, wounded in the Great War; Rupert, who worships his lovely child-bride Zoe; and Rachel, the spinster sister.

    Yet just a hundred years ago is was the ancestral pile of the Fitzwilliams - an aristocratic clan whose home and life were fuelled by coal mining. Black Diamonds tells of the Fitzwilliams' spectacular decline: of inheritance fights; rumours of a changeling and of lunacy; philandering earls; illicit love; war heroism; a tragic connection to the Kennedys; violent death; mining poverty and squalor; and a class war that literally ripped apart the local landscape. The demise of Wentworth and the Fitzwilliams is a riveting account of aristocratic decline and fall, set in the grandest house in England.

    Can she save them from her past?Sarah Calhoun is a regular Sydney soccer mum, but she's keeping terrifying secrets from everyone she loves . . . and her past is about to catch up with her.When two men from Northern Ireland hunt her down, she's forced to return to Belfast to testify at a murder trial. Caught in the crossfire of an obsessive policeman, driven by a disturbing past, and a brutal IRA executioner, Sarah faces an impossible choice: lie and allow a killer to run free, or tell the truth and place her children in the line of fire.With her family and innocent people at risk, Sarah must find the courage to fight for the truth. But righting the wrongs of the past just might cost her everything . . .This taut, plot-fuelled thriller will keep you on the edge of your seat to its gripping finale.'Show me a soldier who would fight harder than a mother to save her son.'PRAISE'This story wouldn't let me go' Michael Robotham'Past and present collide on and off the page in this explosive debut . . . a pacy, plot-driven thriller that stands up against some of the best in the genre.' Sunday Telegraph

    Her neighbour, David Price, was blamed by the village elders for her disappearance and swiftly dealt with.A hundred years later, Promised Land Lane is steeped in mystery. The ghost of Maisie Whitmore, now an urban legend, is said to haunt the grounds of her former home.Twenty years prior, Sandra Miller's sister mysteriously disappeared. Now a prominent reporter, she is assigned to investigate the murder of a twelve-year-old boy and returns to the last place on Earth she wants to be...the last house on the lane.

    In 1957, sitting in his lodgings in Accra, he urgently sets out to write his story. He feels he cannot take one step further, or even hardly a breath, without looking back at all that has befallen him.He is an ordinary man, both petty and heroic, but he has seen extraordinary things. He has worked and wandered around the world - as a soldier, an engineer, a UN observer - trying to follow his childhood ambition to better himself. And he has had a strange and tumultuous marriage. Mai Kirwan was a great beauty of Sligo in the 1920s, a vivid mind, but an elusive and mysterious figure too. Jack married her, and shared his life with her, but in time she slipped from his grasp.A heart-breaking portrait of one man's life - of his demons and his lost love - The Temporary Gentleman is, ultimately, a novel about Jack's last bid for freedom, from the savage realities of the past and from himself.

    Each morning, he exits the prison gates and begins the short walk to a local charity shop, where he spends the day in the backroom sorting through other people's discarded belongings. All he needs to do is keep his nose out of trouble and in just a few months' time, he'll be out for good.One morning in the bustle of commuters on Brixton Hill, Rob notices a well-dressed woman trip over. He helps her up and they exchange a few words before parting ways, but she's made a lasting impression on him. From that day on, Rob keeps an eye out for her - and always seems to get lucky with a sighting. Despite coming from very different worlds, the pair slowly become acquainted and Rob gets increasingly desperate to hide his current residence from her.But who exactly is this woman who seems to have a growing interest in him? Rob must be very careful - one false step and it could set him back years . . .Brixton Hill is a teasing study of desperate lives delivered in a series of charged encounters on the streets of south London. Nail-biting in its execution, award-winning author Lottie Moggach ratchets up the tension, taking us behind the prison walls and into a world in which no one is quite who they seem.

    Winner of the Time Out Live Award for Best Play In 18th-century Gloucestershire, the evil Otis Gardner preys on unmarried mothers, promising to take their babies (and their money) to Thomas Coram's hospital for foundling children. Instead, he buries the babies and pockets the loot. But Otis's downfall is set in train when his half-witted son Meshak falls in love with a young girl, Melissa, and rescues the unwanted son she has had with a disgraced aristocrat. The child is brought up in Coram's hospital, and proves to have inherited the startling musical gifts of his father - gifts that ultimately bring about his father's redemption and a heartbreaking family reunion. 'a rich and almost Gothic drama' - Philip Pullman 'a triumph... can still make your heart soar' - The Times 'the story has a gripping intensity... there is a tremendous sense of momentum' - Independent 'Family shows don't come much more harrowing than this - but nor do they come any finer... as gripping, terrifying, beautiful and moving as anything you will see in the theatre this year... Helen Edmundson's adaptation does full justice to the dark power of the original, while also transforming it into a thrilling piece of theatre' - Daily Telegraph 'a highly superior show that should appeal to adults and children alike' - Guardian

    The trials and tribulations of his youth and early adulthood are received by his father with humour, understanding and a touch of resignation, making them the perfect reminder of when letters were common, but always special.A racing journalist himself, Roger Mortimer wrote for a living, yet still wrote more than 150 letters to his son as he left school, and lived in places such as South America, Africa, Weston-super-Mare and eventually London. These letters form a memoir of their relationship, and an affectionate portrait of a time gone by.