It is also an extraordinary love story that lasted half a century.The first major biography with access to family letters and archives. Mordecai Richler was an outsized and outrageous novelist whose life reads like fiction.Mordecai Richler won multiple Governor General's Literary Awards, the Giller Prize, the Commonwealth Writers' Prize, among others, as well as many awards for his children's books. He also wrote Oscar-nominated screenplays. His influence was larger than life in Canada and abroad. In Mordecai, award-winning novelist and journalist Charlie Foran brings to the page the richness of Mordecai's life as young bohemian, irreverent writer, passionate and controversial Canadian, loyal friend and deeply romantic lover. He explores Mordecai's distraught childhood, and gives us the "portrait of a marriage" — the lifelong love affair with Florence, with Mordecai as beloved father of five. The portrait is alive and intimate — warts and all.

    A seemingly cold and dour spinster, her heart eventually softens to the loveable orphan girl. But for over a century readers have wondered, who was Marilla before Anne? In Louise Michalos's remarkable debut novel, readers are introduced to a spirited eighteen-year-old Marilla Cuthbert—a girl not unlike Anne herself—who is desperately in love, and whose whole life is spread before her. But when a moment of defiance brings life-changing consequences, a new Marilla begins to take shape, one who would learn to bear tragedy like a birthright, and loss as an inevitability, and who would hold steadfast to the secrets that could shatter the lives of everyone around her. Weaving its way from Marilla's early life in Avonlea to her coming-of-age in Halifax, Nova Scotia, and back, Marilla Before Anne is the story readers of Anne of Green Gables have longed for. Told with a refreshingly original East Coast voice, this exquisite, heartbreaking work of historical fiction takes readers on a journey back in time, to the Green Gables where Marilla Cuthbert lived, loved, and learned, long before Anne.

    By the end of the first chapter, Sophie Hippolyte’s husband Pierre will have been gone for three days, and the suspense, as a lone horseman approaches their homesteader cabin in the southwest Saskatchewan of the 1880s, is palpable.Wild Rose, an epic story of The West, now long gone, charts Sophie’s journey from underloved child in religion-bound rural Quebec, to headstrong young woman to exhausted homesteader to deserted bride and mother to independent businesswoman finding her way in a hostile, if beautiful, landscape. In language that is haunting, elegiac and rich with detail, Butala casts an unblinking eye on a merciless West that has become obscured behind headlines about wheat and oil prices. Sophie’s West – filled with sodbusters and cowboys, fallen women and proper ladies, settlers and Indians – comes vividly alive in the pages of Wild Rose, Butala’s most unforgettable novel.

    Carl is determined to get justice for Kate, whatever it takes. But with few allies, he finds himself incurring the wrath of powerful enemies as he attempts to uncover the truth.

    Everything was going so well in Kat and Philippe’s life together. Then suddenly it wasn’t. Roman ruins delayed the work on the Villa des Violettes. The Russian drug gang might be back in the neighbourhood. On top of that, Kat had worked herself into what Molly classified as a full blown “Christmas conundrum.” Kat wanted the holidays to work perfectly as she blended a Canadian Christmas with a Provençal Fête de Noêl for the first time in their new home. Now she’d lost her confidence and, with it, the holiday spirit. Philippe hoped a weekend trip to the famous Christmas markets of Strasbourg would solve everything. As it happened, things were about to get worse.

    Following the death of his domineering father, a middle-aged man tries to uncover a truth about their sometimes difficult relationship. When a grade-six teacher tyrannizes a student without apparent reason, the boy learns an unexpected lesson and his young life is changed irrevocably. An elderly widow falls prey to a con artist, revealing what we are capable of sacrificing to appease what we dread the most. A twelve-year-old boy is shunted off to his grandmother's farm and becomes part of an adult world he scarcely understands. A group of high-school students play on a classmate's self-delusions and set up what promises to be the most loaded boxing match ever staged. Whether writing from the point of view of a child, an adolescent, or a man in his seventies, Guy Vanderhaeghe takes us into the lives of his characters with razor-sharp insights laced with gentle humour.

    In the aftermath of Hurricane Hazel, a young cop, Ray Townes, emerges as a hero. There are numerous accounts of his bravery, of the way he battled all night to save those who were trapped in houses swept away by the raging Humber River. His story is featured prominently in the newspapers, thrusting him into the spotlight as a local celebrity. His wife performs her own small miracles that night. Mary is a nurse at St. Joseph’s Hospital and she treats many of the survivors. The emergency room is overrun; the hallways are slick with river mud: of course, her feats go almost unnoticed. But among the victims she treats there is a woman, disoriented and near death, who reveals mad-seeming details of her ordeal — details that lead Mary to doubt her husband’s heroism. The officer and the nurse (with a new house, new friends, and plans for a family) try to normalize their life together in a shell-shocked city, but Mary also searches for the truth about her husband. Is he simply the tired hero who stares out at her from the cover of the Globe and Mail, or is it a much darker figure who sits across the table from her at breakfast? Definitive answers are elusive . . . Fifty years later, when a reporter comes knocking, wanting to revisit that violent night, the missing details finally surface — and threaten to destroy them.

    Searching for work, sex and big-city life is Ted Owen, who quickly finds himself swept into the complicated lives of the young and the jaded, people who thrive in a strange world of hip fashion and surreal night-clubs.

    They are not coping well. In response to their looming domestic breakdown, Vero and Shane get live-in help with their sons―a woman from the Philippines named Ligaya (which means happiness), whom the boys call LiLi. Vero justifies LiLi's role in their home by insisting that she is part of their family, and she goes to great lengths in order to ease her conscience. But differences persist; Vero grapples with her overextended role as a mother and struggles to keep her marriage passionate, while LiLi silently bears the burden of a secret she left behind at home.Between offers readers an intriguing, searing portrait of two women from two different cultures. At the same time, it satirizes contemporary love, marriage, and parenthood by exposing the sense of entitlement and superiority at the heart of upper-middle-class North American existence through a ubiquitous presence in it: the foreign nanny. Angie Abdou comically and tragically tackles the issue of international nannies by providing a window on motherhood where it is tangled up with class, career, labour, and desire

    The move fulfilled a Tory campaign promise to deliver greater government transparency and accountability. He was later denounced by the same people who appointed him to scrutinize their spending. When he challenged the government on several issues--most notably about the true costs of the F-35 fighter planes--and publicly claimed the government was misleading Canadians, Page was vilified. He was called "unbelievable, unreliable and incredible" by then-Finance Minister Jim Flaherty. Page's term was not extended and he retired from the civil service.     Page's assessment of the F-35 procurement was proven right, a major embarrassment to the Harper government. But Page's overriding concern is that Parliament does not get the information and analysis it needs to hold the executive (the prime minister and cabinet) to account. Parliament, he argues, is broken, with power centralized in the PMO. The civil service appears cowed, and members of parliament almost never see enough financial analysis to support the policy decisions they make. That was true at various times on the tough-on-crime legislation, new military procurement as well as changes to the Canada Health Transfer and Old Age Security.      In this shocking insider's account, Page argues that democracy is being undermined by an increasingly autocratic government that does not respect facts that run counter to its political agenda. Elected officials need accurate, independently verified data to support the implementation of policies and programs. In Unaccountable, Page tells all Canadians why we should be concerned.

    As the hours drain away, the chaplain must decide if the prisoner’s story is an off-the-cuff confession or a last bid for salvation. As the chaplain listens he realizes a life has many stories, and he has his own story to tell – a last ditch plea for forgiveness told to someone who will never be able to repeat it. Each man is guilty in his own way, and their stories have led them to the same room, a room that only one of them will leave alive. If you had only twelve hours left to live, what would you have to say?

    In 1987, writer Merilyn Simonds found a cache of letters, albums, clippings and other memorabilia in the attic of her Kingston, Ontario, home, the bits and pieces of an unknown woman's life. Among the overflowing boxes and stuffed sugar sacks was a tin box that held one complete, brief collection of letters from the months immediately after the First World War in 1919, a one-way correspondence written in pencil on flimsy paper, undated and without postmarks. From this careless jumble of pages, remarkable individuals and events emerged: a convict, a penitentiary, a village girl, a life in small town Canada at the end of the Great War. Merilyn Simonds was drawn irresistibly to the lives of Joe "Daddy Long Legs," a thief and con artist incarcerated inside the stone fortress that was the country's most notorious prison, and of Phyllis Halliday, a seventeen-year-old schoolgirl whose family home bordered the prison quarry and who fell under the spell of a man she could never meet or touch, except through their clandestine correspondence. Around them swirled a cast of equally compelling characters, chief among them William St. Pierre Hughes, superintendent of the nations' prisons, whose fate, like those of Joe and Phyllis, was bound to the conspiracies and intrigues inside Kingston Penitentiary. All three are caught in prisons of their own devising; only one truly escapes. In the year after its publication, families of all the major characters in the book contacted author Merilyn Sinonds to share their stories and find out more about these little known relations. As a result, she learned that Joseph Cleroux had been part of the Cleroux gang that burgled Ottawa Valley businesses in the first decades of the 1900s. The story of Josie Cleroux's early years and what is now known about where he ended up is told in the epilogue of the paperback edition of "The Convict Lover" "From the Hardcover edition."

    But in the days after hisfather has a startling accident, Toby makes a series of terrible, wincing choices. As a result, he is fired from his job as an etiquette commentator and loses his superb condo, his beautiful girlfriend and his beloved BMW. Worse still, he must move back to the grey Montreal suburb of Dollard-des-Ormeaux and live in his parents’ basement.With his silent BlackBerry and a sudden absence of friends or saviours, Toby feels he has reached the limits of misery and humiliation. But his father’s increasingly frightening behaviour is where the real trouble—and risk—lies. Who is this man? What can Toby do? Then, in a moment of misplaced gallantry, Toby encounters an unstable francophone mother who disappears and abandons her two-year-old son, Hugo, to his care. Trapped with a toddler and forced to deal with his father’s tragedies, Toby emerges from the basement bungalow of his life—muddy, broke, bruised, heartbroken—but, finally, a man.

    When Phoebe Summers moves to an idyllic Cornish cottage, dark deeds from the past quickly begin to cast sinister shadows across the present...

    She’s been dining out too long, literally and figuratively, on a culture of celebrity worship and empty punditry. She seeks refuge from her better judgment in endless parties, ritual substance abuse, and half-hearted attempts to get herself fired, but in a libertarian newsroom where outrageous spin is the easiest way to sell papers, her bad-girl behaviour just wins her more accolades.Along this path of self-destruction, Max’s past, comic and poignant, keeps intruding: memories of her mother’s brutal death and her hippie father’s crippling breakdown; the reappearance of an aging vegan idealist who briefly played her stepmom on the West Coast commune where she came of age; tender realizations about the bad artist she was supposed to marry and a long-lost boyfriend who seems exotically sane. When a host of prior indiscretions finally catches up with her, Maxime realizes that any chance at happiness depends on uncovering, at last, her one true story.Set during the madness of the Toronto International Film Festival and weaving back and forth between Max’s commune past and her newsroom present, How Happy to Be portrays with razor-sharp insight and bittersweet wit a modern woman’s descent into — and eventual escape from — the deafening pop culture noise of the early twenty-first century. Intelligent, savvy, this novel marks the arrival of a remarkable new fiction talent.