During the 1948 War of Independence--a time when pigeons are still used to deliver battlefield messages--a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon. The bird is carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guide specializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend. His growing passion for her, along with a gift from his mother on her deathbed, becomes the key to a life he thought no longer possible. Unforgettable in both its particulars and its sweep, A Pigeon and A Boy is a tale of lovers then and now--of how deeply we love, of what home is, and why we, like pigeons trained to fly in one direction only, must eventually return to it. In a voice that is at once playful, wise, and altogether beguiling, Meir Shalev tells a story as universal as war and as intimate as a winged declaration of love. From the Hardcover edition.

    Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion.Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man.Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderline) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.”

    In the dance between comic and audience, with barbs flying back and forth, a deeper story begins to take shape--one that will alter the lives of many of those in attendance. In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of stand-up. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as an awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, as it teeters between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood: we meet his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring, and his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth--where Lazar witnessed what would become the central event of Dov's childhood--Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival. Continuing his investigations into how people confront life's capricious battering, and how art may blossom from it, Grossman delivers a stunning performance in this memorable one-night engagement (jokes in questionable taste included).

    As the years pass and Hannah’s tempestuous fantasy life encroaches upon reality, she feels increasingly estranged from him and the marriage gradually disintegrates. Gorgeously written, profoundly moving, this extraordinary novel is at once a haunting love story, and a rich reflective portrait of a place.

    Eitan Green is a good man. He saves lives. Then, speeding along a deserted moonlit road in his SUV, he hits someone. Seeing that the man, an African migrant, is beyond help, he flees the scene. It is a decision that changes everything. Because the dead man’s wife knows what happened. When she knocks at Eitan’s door the next day, tall and beautiful, he discovers that her price is not money. It is something else entirely, something that will shatter Eitan’s safe existence and take him into a world of secrets and lies. Waking Lions is a gripping, suspenseful and morally devastating drama of guilt and survival, shame and desire.

    While Mandy's husband Irad, a self-proclaimed genius, is off in America researching new innovations in flak jackets, and her son Dael, a sniper for the Israeli Army, returns to war, Mandy schedules yet another cosmetic surgery. This time she's getting new shoulder blades. But when the surgery goes awry, her rebellious daughter Lirit must take over the family business--and the family may never be the same.From the acclaimed author of Dolly City, Textile details the gradual disintegration of a family strained by distance and the corrosive effects of consumerism and militarism."With understated flair and stoic wit, Castel-Bloom uses the Gruber family to explore the themes of globalization, materialism, superficiality, and longevity, anchoring her story in a neighborhood and attempting to 'connect all this beauty and luxury to some kind of posterity beyond [the family's] grasp.'" --Publishers Weekly"Internationally acclaimed Castel-Bloom--whose Dolly City is listed by UNESCO's Collection of Representative Works--deftly weaves a web of intertwining character studies, each rich with detail and nuance. Against the backdrop of war and unrest, the strivings of a woman for independence gain international depth." --Kirkus

    Yonatan is a marginal writer, a fifty-year-old widower left to raise his child alone. When he meets Shira, a bestselling author paralyzed by stage fright, the thaw begins as man, woman, and girl enter a halting romance, alternately tender and belligerent, generous and withdrawn. To the accompaniment of a full chorus of voices-of friends, neighbors, ex-lovers, parents-speaking from the past as well as the present, this family in the making gropes its way toward the comfort of love while navigating through ordinary pains: a dying father, angry children, wounding moments, and a distressing difference in the writers' levels of success which they wish would vanish even as it grows. An ensemble story marked by Yael Hedaya's exquisite sensitivity, "Accidents" follows its cast through fragility, vulnerability, and joy, accruing the small events of unremarkable days to produce a grand vision of the shared life. Rarely has the fictional world of family been plumbed with such knowingness, humor, and love.

    Mani is a deeply affecting six-generation family saga, extending from nineteenth century Greece and Poland to British-occupied Palestine to German-occupied Crete and ultimately to modern Israel. The narrative moves through time and is told in five conversations about the Mani family. It ends in Athens in 1848 with Avraham Mani’s powerful tale about the death of his young son in Jerusalem.　A profoundly human novel, rich in drama, irony, and wit.

    The Girl on the Fridge contains the best of Keret's first collections, the ones that made him a household name in Israel and the major discovery of this last decade.

    Published just months after the end of the 1948 war (in which the author fought) the book as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars. An absolute must for anyone interested in Middle Eastern literature and history.

    Set in Israel between the Six Day War and the assassination of Yitzhak Rabin, 'If You Awaken Love' is an intensely moving story of a stormy and spiritual young girl and her love-hate relationships with her childhood sweetheart, with her father, and with God.

    Ever since Gabriela can remember, she and Luna have struggled to connect. But when tragedy strikes, Gabriela senses there's more to her mother than painted nails and lips.Desperate to understand their relationship, Gabriela pieces together the stories of her family's previous generations—from Great-Grandmother Mercada the renowned healer, to Grandma Rosa who cleaned houses for the English, to Luna who had the nicest legs in Jerusalem. But as she uncovers shocking secrets, forbidden romances, and the family curse that links the women together, Gabriela must face a past and present far more complex than she ever imagined.Set against the Golden Age of Hollywood, the dark days of World War II, and the swingin' '70s, The Beauty Queen of Jerusalem follows generations of unforgettable women as they forge their own paths through times of dramatic change. With great humor and heart, Sarit Yishai-Levi has given us a powerful story of love and forgiveness—and the unexpected and enchanting places we find each.

    A retired investment advisor, he lives alone (his first wife and baby daughter were killed by the Nazis; he divorced his shrewish second wife several years ago) and spends his time laboring over his unpublished novels. Irena is the unmarried thirty-six-year-old daughter of Holocaust survivors who has been taking care of Ernst since his surgery two years ago; she arrives every morning promptly at eight and leaves every afternoon precisely at three. Quiet and shy, Irena is in awe of Ernst's intellect. And as the months pass, Ernst comes to depend on the gentle young woman who runs his house, listens to him read from his work, and occasionally offers a spirited commentary on it. But Ernst's writing gives him no satisfaction, and he is haunted by his godless, communist past; his health, already poor, begins to deteriorate even more. As he becomes mired in depression, Ernst seems to lose the will to live. But he has reckoned without the devoted Irena. As she becomes an increasingly important part of his life--moving into his home, encouraging him in his work, easing his pain--Ernst not only regains his sense of self but realizes, to his amazement, that Irena is in love with him. And, even more astonishing, he discovers that he is in love with her.

    What begins as a story of a young married woman's turbulent affair with an older man rapidly devolves into a feverish, lyrical crash course in the anatomy of obsession. When Yaara meets Aryeh, her father's boyhood friend, she is instantly drawn to his impassive and archly assured presence. It is not long before she forsakes her devoted and well-meaning husband for the powerful, mysterious older man who seems to embody all that she lacks: will, strength, and the key to her parents' inaccessible pasts. They embark on a heated affair that soon spirals toward the destructive as Yaara finds that the things in Aryeh that attract her also repel her with equal intensity. With shocking immediacy, Shalev lays bare Yaara's struggle to navigate extreme terrain ranging from the sublime to the grotesque, the sacred to the profane, the liberating to the all-consuming. Love Life is cerebral, seductive, provocative, and profound.

    According to the government it doesn’t exist; according to the military it must be defended. On this contested land, Othniel Assis—under the wary gaze of the neighboring Palestinian village—plants asparagus, arugula, and cherry tomatoes, and he installs goats—and his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and, amid a hodge-podge of shipping containers and mobile homes, the outpost takes root. One of the settlement’s steadfast residents is Gabi Kupper, a one-time free spirit and kibbutz-dweller, who undergoes a religious awakening. The delicate routines of Gabi’s new life are thrown into turmoil with the sudden arrival of Roni, his prodigal brother, who, years after venturing to America in search of fortune, arrives at Gabi’s door, penniless. To the settlement’s dismay, Roni soon hatches a plan to sell the “artisanal” olive oil from the Palestinian village to Tel Aviv yuppies. When a curious Washington Post correspondent stumbles into their midst, Ma’aleh Hermesh C becomes the focus of an international diplomatic scandal and faces its greatest test yet. By turns serious and satirical, The Hilltop brilliantly skewers the complex, often absurd reality of life in Israel, the West Bank settlers, and the nation's relationship to the United States, and makes a startling parallel between today’s settlements and the kibbutz movement of Gabi and Roni’s youth. Rich with humor and insight, Assaf Gavron’s novel is the first fiction to grapple with one of the most charged geo-political issues of our time, and he has written a masterpiece.