For decades, Ed and Lorraine Warren hunted down the truth behind the most terrifying supernatural occurrences across the nation… and brought back astonishing evidence of their encounters with the unquiet dead. From the notorious house immortalized in The Amityville Horror to the bone-chilling events that inspired the hit film The Conjuring, the Warrens fearlessly probed the darkness of the world beyond our own, and documented the all-too-real experiences of the haunted and the possessed, the lingering deceased and the vengeful damned. Graveyard chronicles a host of their most harrowing, fact-based cases of ghostly visitations, demonic stalking, heart-wrenching otherworldly encounters, and horrifying comeuppance from the spirit world. If you don’t believe, you will. And whether you read it alone in the dead of night or in the middle of a sunny day, you’ll be forever haunted by its gallery of specters eager to feed on your darkest dread.

    Father was consumed by his medical practice and an analytical approach to life. But he understood the sensual hunger growing inside his children's young bodies. He knew they could help each other answer "The Need". Father had Science. Father had Reason. And he had Pin.

    After a period of depression following his resounding failure as a concert pianist, Myles had decided, with Paula's encouragement to turn to a career in writing. Now the free-lance assignments that would finance his work on a novel were beginning to come in, among them a journalist's dream - the chance to interview the internationally celebrated pianist Duncan Ely. Astonishingly, the notoriously difficult Duncan warms toward him, sensing perhaps in Myles' love for music - and in his extraordinary pianist's hands - a kindred soul. The Mephisto Waltz is a spellbinder of a novel - a novel that makes Rosemary's Baby look like child play." The book was made into a major motion picture released in 1971 starring Alan Alda, Jacqueline Bisset and Curt Jurgens

    Among them are Ghost, who sees what others do not. Ann, longing for love, and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself.Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds - Molochai, Twig, and the seductive Zillah (whose eyes are as green as limes) are on their own lost journey; slaking their ancient thirst for blood, looking for supple young flesh.They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself...

    Tourists and New Agers all talk about the strange energy coming from Eternity’s greatest attraction: a mountain called Icehouse. But the locals talk about something else.The seemingly quiet town has been haunted by strange deaths, grisly murders, unspeakable mutilations, all the work of a serial killer who some say is the same serial killer for over a century. Now as the first snow starts to fall, terror grips Eternity as an undying evil begins its hunt once again…

    . . They were wrong. The House on Cold Hill is a chilling and suspenseful ghost story from the multi-million copy bestselling author of Dead Simple, Peter James.Moving from the heart of Brighton and Hove to the Sussex countryside is a big undertaking for Ollie and Caro Harcourt and their 12-year-old daughter Jade. But when they view Cold Hill House—a huge, dilapidated Georgian mansion—Ollie is filled with excitement. Despite the financial strain of the move, he has dreamed of living in the country since he was a child, and he sees Cold Hill House as a paradise for his animal-loving daughter, the perfect base for his web-design business, and a terrific long-term investment. Caro is less certain, and Jade is grumpy about being separated from her friends.Within days of moving in, it becomes apparent that the Harcourt family aren't the only residents of the house. A friend of Jade's is the first to see the spectral woman, standing behind her as the girls talk on FaceTime. Then there are more sightings, as well as increasingly disturbing occurrences in the house. As the haunting becomes more malevolent and the house itself begins to turn on the Harcourts, the terrified family discover Cold Hill House's dark history, and the horrible truth of what it could mean for them.

    Women are vanishing without a trace overnight, leaving behind husbands and families. When up-and-coming novelist Adam Senft stumbles upon an unearthly scene, it plunges him and the entire town into an ancient nightmare. Folks say the woods in LeHorn's Hollow are haunted, but what waits there is far worse than any ghost. It has been summoned...and now it demands to be satisfied.

    Too often life is viewed in terms of good and evil, black or white, and the balance point tipping in either direction is ignored. Why should the afterlife be any different? We are given a choice when we die to move on to the Source, stay on earth and slowly evolve into more of what we were (good people become angels and bad people become demons), or a chosen few can work to keep the Balance between them. The title character Grey is such a warrior who works to maintain that balance. He wishes to retire by moving onto the next phase of existence (the Source), so he needs to train a replacement. Grey recruits Pete to learn how to destroy demons and when necessary smack angels around to keep them in line. With help from an eclectic crew of other metaphysical “policemen and women, like the no nonsense Raven,” Grey and Pete stop the biblical demon Legion from destroying a small town in Illinois, setting off a chain reaction that could upset the balance in this supernatural buddy cop comedy.The novel is written in two styles. Each chapter begins in a soliloquy from the title character Grey, where he tells pieces of his back-story intertwined with philosophical muses in his western argot that pertain to the subsequent chapter. Said chapter is then told in a third person narrative.