It's the Jazz Age, with romance and booze aplenty--even when Prohibition kicks in--and Mazie never turns down a night on the town. But her high spirits mask a childhood rooted in poverty, and her diary, always close at hand, holds her dearest secrets.When the Great Depression hits, Mazie's life is on the brink of transformation. Addicts and bums roam the Bowery; homelessness is rampant. If Mazie won't help them, then who? When she opens the doors of The Venice to those in need, this ticket-taking, fun-time girl becomes the beating heart of the Lower East Side, and in defining one neighborhood helps define the city.Then, more than ninety years after Mazie began her diary, it's discovered by a documentarian in search of a good story. Who was Mazie Phillips, really? A chorus of voices from the past and present fill in some of the mysterious blanks of her adventurous life.Inspired by the life of a woman who was profiled in Joseph Mitchell's classic Up in the Old Hotel, Saint Mazie is infused with Jami Attenberg's signature wit, bravery, and heart. Mazie's rise to "sainthood"--and her irrepressible spirit--is unforgettable.

    Everyone in Popisho was born with a little something… The local name for it was cors. Magic, but more than magic. A gift, nah? Yes. From the gods: a thing that felt so inexpressibly your own.Somewhere far away-- or maybe right nearby-- lies an archipelago called Popisho. A place of stunning beauty and incorrigible mischief, destiny and mystery, it is also a place in need of change.Xavier Redchoose is the macaenus of his generation, anointed by the gods to make each resident one perfect meal when the time is right. Anise, his long lost love, is on a march toward reckoning with her healing powers. The governor’s daughter, Sonteine, is getting married, her father demanding a feast out of turn. And graffiti messages from an unknown source are asking hard questions. A storm is brewing. Before it comes, before the end of the day, this wildly imaginative narrative will take us across the islands, their history, and into the lives of unforgettable characters.

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.