The Sussmans live in a posh building on the Upper East Side. When Joey DePino loses his job and is threatened by his bookies and loan shark, he involves the Sussmans in a sick, desperate plan to pay off his gambling debts. But ad exec David Sussman has his own problems trying to stop his suddenly psychopathic mistress from ruining him, and he won't go down without a fight. As the lives of the DePinos and the Sussmans become increasingly intertwined, Joey and David plunge their families into an amoral world where anything is possible and nothing is personal. Part crime novel, part unflinching satire of compulsive gambling, eating disorders, and cold-blooded evil, Nothing Personal firmly establishes Jason Starr as one of the most exciting young noir novelists around.

    . . and trust as essential to survival as it is hard-earned.Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first story he ever published, “The Trail of the Apache”—Elmore Leonard once again demonstrates the superb talent for language and gripping narrative that have made him one of the most acclaimed and influential writers of our time.

    She invents a happy life. As she knits for imaginary grandchildren, the real world recedes. Her descent into madness is subtle, appalling, and entirely believable.

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    Trying not to miss his girlfriend (away studying in Mexico), the nameless writer steadily crafts his literary effort--until strange things begin happening around him.Starting with a series of peculiar phone calls, the writer then finds clumps of seaweed on his doorstep. But as the incidents escalate, his friends fall victim to a series of mysterious "accidents"--some of them fatal. Aided by Elmo Crumley, a savvy, street-smart detective, and a reclusive actress of yesteryear with an intense hunger for life, the wordsmith sets out to find the connection between the bizarre events, and in doing so, uncovers the truth about his own creative abilities.

    Then Judge Sanza is killed. Then Judge Azar. Are these random murders, or part of a conspiracy? Inspector Rogas thinks he might know, but as soon as he makes progress he is transferred and encouraged to pin the crimes on the Left. And yet how committed are the cynical, fashionable, comfortable revolutionaries to revolution—or anything? Who is doing what to whom?Equal Danger is set in an imaginary country, one that seems all too real. It is the most extreme—and gripping—depiction of the politics of paranoia by Leonardo Sciascia, master of the metaphysical detective novel.

    Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. After a bruising breakup with his girlfriend, he’s out drinking whiskey when a hauntingly seductive woman appears by his side. Emmeline whispers to Caleb over absinthe, gets his blood on her fingers and then brushes his ear with her lips as she says goodbye. He must find her.As his search begins, Caleb becomes entangled in a serial-murder investigation. The police have been fishing men from the bay, and the postmortems are inconclusive. One of the victims vanished from the bar the night Caleb met Emmeline. When questioned, Caleb can’t offer any information, nor does he tell them he’s been secretly helping the city’s medical examiner, an old friend, study the chemical evidence on the victims’ remains. The search for the killer soon entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes.From the first pages up to the haunting, unforgettable denouement, The Poison Artist is a gripping thriller about obsession and damage, about a man unmoored by an unspeakable past and an irresistible woman who offers the ultimate escape.

    Mixing it up with the wrong people in New York, he escaped to L.A.—only to hit rock-bottom after too many nightmares and too much booze.Now forty-six and sober, JD is working hard to get it together. Living in Malibu at his mother's house in Point Dume, he's got a new job selling used cars with his friend Woody and a new girlfriend. But just as things are looking up, JD discovers a gruesome murder. Now the ex-private detective has to make a choice.Determined to exact vengeance, he follows a twisting trail of clues that leads him to unexpected truths about himself and his new life—and to a psychopathic killer with an eerie connection to his past. And, as JD soon learns, this time there's no easy way out.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    . . except himself. Out of control of his actions, Billy Milligan was a man tormented by twenty-four distinct personalities battling for supremacy over his body—a battle that culminated when he awoke in jail, arrested for the kidnap and rape of three women. In a landmark trial, Billy was acquitted of his crimes by reason of insanity caused by multiple personality—the first such court decision in history—bringing to public light the most remarkable and harrowing case of multiple personality ever recorded.Twenty-four people live inside Billy Milligan. Philip, a petty criminal; Kevin, who dealt drugs and masterminded a drugstore robbery; April, whose only ambition was to kill Billy's stepfather; Adalana, the shy, lonely, affection-starved lesbian who “used” Billy's body in the rapes that led to his arrest; David, the eight-year-old “keeper of pain”; and all of the others, including men, women, several children, both boys and girls, and the Teacher, the only one who can put them all together. You will meet each in this often shocking true story. And you will be drawn deeply into the mind of this tortured young man and his splintered, terrifying world.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    When Richard Bone sees a picture of conglomerate tycoon J.J. Wolfe in the newspaper, he's struck by how closely he resembles the man Bone saw dumping the body: could this millionaire redneck be the killer? Bone's close friend Cutter, a crippled Vietnam vet, is convinced that Wolfe is the killer. With nothing much more to lose, the reckless Cutter and handsome gigolo Bone hit the road to the Wolfe headquarters in the Ozarks, totally unprepared for what awaits them. Cutter and Bone are two of the most brilliantly drawn characters in modern American fiction. Cutter and Bone is a brilliant look at the underbelly of post-Vietnam America. Filmed and immortalized as Cutter's Way, this new edition marks the return of one of the greatest American post-war novels.

    The convict who held him hostage during a riot, twenty years ago, is being considered for release. Wes has been away from Black River ever since the riot. He grew up in this small Montana town, encircled by mountains, and, like his father before him and most of the men there, he made his living as a Corrections Officer. A talented, natural fiddler, he found solace and joy in his music. But during that riot Bobby Williams changed everything for Wes — undermining his faith and taking away his ability to play.How can a man who once embodied evil ever come to good? How can he pay for such crimes with anything but his life? As Wes considers his own choices and grieves for all he's lost, he must decide what he believes and whether he can let Williams walk away.With spare prose and stunning detail, S. M. Hulse drops us deep into the heart and darkness of an American town.