It is an acute and compassionate look at male mid-life crises, female sexual desire, death and the fear of it, children and the trouble with them - all the things we battle with every day.

    For Kirsty MacLeod, the love of Murdo promises a new life away from the scrape of the land and the repression of the church. But the Great War looms.

    Starting with the CWA awarding winning Raven Black, this special ebook also contains the second and third novels in the Shetland series, White Nights and Red Bones.Raven Black: It is a cold January morning and Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter’s eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour Catherine Ross. As Fran opens her mouth to scream, the ravens continue their deadly dance . . . The locals on the quiet island stubbornly focus their gaze on one man – loner and simpleton Magnus Tait. But when police insist on opening out the investigation a veil of suspicion and fear is thrown over the entire community. For the first time in years, Catherine’s neighbours nervously lock their doors, whilst a killer lives on in their midst.

    Even if that means literally throwing herself at the Duke and risking her own ruination.No man is arguably more broken and debauched than Timothy Burton, the Duke of Marfront. But, according to his father’s will, he needs to wed and produce an heir. Only, he never sleeps with the same woman twice.When Diana finds herself bound to the same man she wanted to frame, she starts discovering not only his tender, guarded heart, but the big secret surrounding his mother’s death. For, she is about to follow her cold trail...

    For years, Walter has striven to impose his family values – stairs must be regularly washed, noise kept down, and wheelie bins moved back and forth at the correct times. When Walter is found murdered, there are plenty of suspects among his ungrateful neighbours. Comic book dealer Billy Briggs is estranged from his daughter, with his business in ruins, and Tony Miller is jobless and facing eviction, all because of Walter. Henrietta Quayle, bullied and belittled by the dead man, conceals a murderous obsession beneath her timid exterior. And alcoholic solicitor Gus Mackinnon has even more reason to hate Walter than anyone else. As Close Quarters takes a look back over the years at the various turbulent relationships between Walter and his neighbours, one thing becomes clear: although only one may be the murderer, none of them will mourn his passing.

    A bit too far removed for the taste of the Royal and Ancient Golf Club of St. Andrews, the Royal Dornoch Golf Club has never hosted a British Open, but that has hardly diminished its mystique or its renown. In an influential piece for The New Yorker in 1964, Herbert Warren Wind wrote, "It is the most natural course in the world. No golfer has completed his education until he has played and studied Royal Dornoch." If any town in the world deserves to be described as "the village of golf," it's Dornoch. You can take the legendary links away from St. Andrews, and you'll still have a charming and beautiful university town with great historic significance; take the links away from Dornoch and it would be as little noted or known as its neighbors Golspie, Tain, and Brora. (The town is forty miles north of Inverness, generally thought of as the northernmost outpost of civilization in Scotland.) The game has been played in Dornoch for some four hundred years. Its native son Donald Ross brought the style of the Dornoch links to America, where his legendary, classic courses include Pinehurst #2, Seminole, and Oak Hill. Lorne Rubenstein decided to spend a summer in Dornoch to clear the muddle from his golfing mind and to rediscover the natural charms of the game he loves. But in the Highlands he found far more than bracing air and challenging greens. He found a people shaped by the harshness of the land and the difficulty of drawing a living from it, and still haunted by a historic wrong inflicted on their ancestors nearly two centuries before. Rubenstein met many people of great thoughtfulness and spirit, eager to share their worldviews, their life stories, and a wee dram or two. And as he explored the empty, rugged landscape, he came to understand the ways in which the thorny, quarrelsome qualities of the game of golf reflect the values, character, and history of the people who brought it into the world. A Season in Dornoch is both the story of one man's immersion in the game of golf and an exploration of the world from which it emerged. Part travelogue, part portraiture, part good old-fashioned tale of matches played and friendships made, it takes us on an unforgettable journey to a marvelous, moody, mystical place.

    Her brothers have given her the task of deciding what to do with their parents’ farm, which is slowly falling into disrepair. Imogen will not be rushed into passing judgement on the place. When she starts to carry out some research into the history of Kilduggan Farm, she inadvertently sets off a chain of events that ends in tragedy. Suddenly, Imogen and her psychologist husband, Hugh, find themselves faced with a seemingly insoluble puzzle. How can it be possible that an unexplained death in the present day can match, in every detail, an unsolved case from 40 years ago?As the past begins to catch up with Imogen, she realises that she must strive to discover the truth about her family, even if it means that nothing will ever be the same again…This is an intricately plotted novel, cleverly interwoven with subtle clues and the occasional red-herring. It will keep you guessing and the pages turning, right up until its final, shocking conclusion.Aoife's Chariot is the first novel in the Imogen and Hugh Croft Mysteries Series. It is an absorbing family saga, full of mystery and suspense. Husband and wife sleuths Imogen and Hugh Croft are first introduced to readers in this tense genealogical mystery with deathly consequences.

    From the Middle Ages onwards the island of Britain has been shaped by the unique dynamic between Edinburgh and London, exchanging inhabitants, monarchs, money and ideas, sometimes in a spirit of friendship and at others in a spirit of murderous dislike.Tom Devine's seminal new book explores this extraordinary history in all its ambiguity, from the seventeenth century to the present. When not undermining each other with invading armies, both Scotland and England have broadly benefitted from each other's presence - indeed for long periods of time nobody questioned the union which joined them. But as Devine makes clear, it has for the most part been a relationship based on consent, not force, on mutual advantage, rather than antagonism - and it has always held the possibility of a political parting of the ways.With the United Kingdom under a level of scrutiny unmatched since the eighteenth century Independence or Union is the essential guide.

    A bloody scarf, a criminal father, and an ancient castle mark the trail, and before Callum knows it, that simple missing persons case turns into a deadly web of greed and lies.Can MacBain cut through it all in time to save the child's life? And, if so, what will be the cost?

    But when Alan Horne and Edwyn Collins decided to start their own label from a shabby Glasgow flat in 1979, nobody was going to stand in their way.Postcard Records was the mad, makeshift and quite preposterous result. Launching the careers of Orange Juice, Aztec Camera and cult heroes Josef K, the self-styled 'Sound of Young Scotland' stuck it to the London music biz and, quite by accident, kickstarted the 1980s indie music revolution.Simon Goddard has interviewed everyone involved in the making of the Postcard legend to tell this thrilling rock'n'roll story of punk audacity, knickerbocker glories, broken windscreens, raccoon-fur hats, comedy, violence and creating something beautiful from nothing, against all the odds.

    But when you are moonlighting for a secret organisation aiming to destroy all evidence of the paranormal, whilst working as a parapsychologist at the world renowned Diederich Institute of Parapsychology, things are bound to get complicated. Throw into that mix an uncanny ability for mind control, her baffling spirit guide, a fake clairvoyant mother, as well as some naked dead bodies, and mayhem ensues. Iona is forced out of the safe world of Edinburgh academia by her new Texan boss and is suddenly in the field, exploring a small Scottish town that believes the Beast of Badnoch is behind the spate of recent disappearances. Will her dishy colleague Andy find out that the psychic he’s investigating is her mother? And will that change how he feels about her? In this, the first of the Iona Adair Scottish Mysteries, Iona finds out that the supernatural world is far more dangerous and expansive than she could possibly imagine, even if it does have some very charming characters, like blood drinking Henry, a bonafide ancient techno-geek. The supernatural world has never been funnier, sexier or more tartan.

    The attraction between Maggie Adair, the fiery, committed English teacher at Downey House and David McDonald, a teacher at the local boys' school, has escalated - and now both are facing an uncertain future.The girls of Downey House - mercurial Fliss, glamorous Alice and shy, dependable Simone - are facing long summers at home. But the new term is not far away - and it will bring new pupils and lots of fresh new challenges...

    At the Battle of Quebec in 1759, only a few years after their defeat at Culloden, the 78th Highlanders faced down the French guns and turned the battle. At Waterloo, High- landers memorably fought alongside the Scots Greys against Napoleon’s feared Old Guard. In the Crimea, the thin red line stood firm against the charging Russian Hussars and saved the day at Balaclava.Yet this story is also one of betrayal. At Quebec, General Wolfe remarked that, despite the Highlanders’ courage, it was “no great mischief if they fall.” At Dunkirk in May 1940, the 51st Regiment was left to defend the SOE evacuation at St Valery; though following D-Day, the Highlanders were at the forefront of the fighting through France. It is all history, now: Over the last decade the historic regiments have been dismantled, despite widespread protest.

    They shine a light on what it really feels like when your world shatters and how they found hope in the deepest despair.Best friends since they met at university, Kerry and Pat had no idea that thirty years later, they’d need every ounce of their friendship to survive. In 2017, their worlds came crashing down when their teenage sons were both diagnosed with life-threatening illnesses within weeks of each other.During the following rollercoaster months, Kerry and Pat regularly snatched time to message each other – often with black humour – providing a momentary refuge from their frightening realities. Together these two ordinary mums found a way to survive their extraordinary challenges and to navigate a new normal in an alien and isolating world. With raw honesty, they share the things they’ve learnt and what they wish they’d known – from how to tame raging mother guilt to restoring their natural optimism in the aftershock of tragedy.In this profoundly moving book, Kerry and Pat take readers on a very personal exploration of the universal experiences of grief and loss, love and friendship that connect us all. Like a wise companion offering comfort, Take My Hand is a lifeline both to those overwhelmed by heartbreak and for friends and family who don’t know how to help. Most of all, it’s a powerful reminder that no matter how difficult life gets, you are not alone.

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."