Inside you'll find 30 Daily Lessons, 20 Fun Activities, 180 Multiple Choice Questions, 60 Short Essay Questions, 20 Essay Questions, Quizzes/Homework Assignments, Tests, and more. The lessons and activities will help students gain an intimate understanding of the text; while the tests and quizzes will help you evaluate how well the students have grasped the material.

    The perfect companion to Harper Lee's "To Kill a Mockingbird," this study guide contains a chapter by chapter analysis of the book, a summary of the plot, and a guide to major characters and themes.BookCap Study Guides do not contain text from the actual book, and are not meant to be purchased as alternatives to reading the book.

    All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents T. S. Eliot BiographyList of Works in Alphabetical OrderPoetryPrufrock and Other Observations:The Love Song of J. Alfred Prufrock Portrait of a Lady Preludes Rhapsody on a Windy NightMorning at the Window The Boston Evening Transcript Aunt Helen Cousin Nancy Mr. Apollinax Hysteria Conversation Galante La Figlia Che PiangePoems:GerontionBurbank with a Baedeker: Bleistein with a CigarSweeney ErectA Cooking EggLe DirecteurMelange Adultere De ToutLune De MielThe HippopotamusDans Le RestaurantWhispers of ImmortalityMr. Eliot's Sunday Morning ServiceSweeney Among the NightingalesThe Waste LandShort StoryEeldrop and AppleplexEssayEzra Pound: His Metric and Poetry

    Her shock at being evicted is quickly replaced by surprise when her beau suggests they finally buy a house together. Billie agrees to go house hunting only to find that every home has history, and trying to find a house that doesn't have old ghosts proves tricky for someone who can see the dead. Detective Mockler faces a challenge of his own when he's put in charge of a newly formed cold case unit to clear the backlog of old homicides. He dives into the new job eagerly only to hit an unexpected snag that could prove troubling to both himself and his psychic girlfriend. When the search for a house proves futile, Billie stumbles across her dream home; a quaint fixer-upper with vintage charm and a lack of ghosts. But nothing is ever simple when it comes to the paranormal and the new home-owners find themselves under assault from a violent presence that can elude Billie's psychic abilities. Meanwhile, John Gantry, the occult expert/con man, faces his own terrifying ordeal when he learns that his family is coming to visit for the holidays.

    This edition of The Yellow Wallpaper features historical materials which include nineteenth-century advice manuals for young women and mothers; medical texts discussing the nature of women's sexuality; social reform literature concerning women's rights, the working classes, and immigration; and excerpts from periodicals, diaries, and writers' notebooks that help give you a sense of the changing literary scene that Gilman entered.

    A practicing physician for more than 40 years, Williams worked in the idiom of modern American speech ― unlike his friend and mentor, Ezra Pound ― and his poems are redolent with a warmth and generosity of spirit. The Beat poets were particularly impressed with the accessibility of his language, and Williams's widely quoted dictum, "No ideas but in things," influenced a generation of American poets.This fine selection offers readers the opportunity to study and enjoy the richness and variety of Williams's early work. More than 70 poems, published between 1917 and 1921, include "Peace on Earth," "Tract," "El Hombre," "Danse Russe," "Keller Gegen Dom," "Willow Poem," "Queen-Anne's-Lace," "Portrait of a Lady," "The Widow's Lament in Springtime," and many others.

    

    In this series, a contemporary poet advocates a poet of the past or present whom they have particularly admired. By their selection of verses and by the personal and critical reactions they express, the selectors offer intriguing insight into their own work, as well as providing an introduction to some of the most influential poets of our time.Ezra Pound was born in 1885 in Hailey, Idaho. He came to Europe in 1908 and settled in London, where he became a central figure in the literary and artistic world, befriended by Yeats and a supporter of Eliot and Joyce, among others. In 1920 he moved to Paris, and later to Rapallo in Italy. During the Second World War he made a series of propagandist broadcasts over Radio Rome, for which he was later tried in the United States and subsequently committed to a hospital for the insane. After thirteen years, he was released and returned to Italy, dying in Venice in 1972.Thom Gunn was born in 1929 and educated at Cambridge University. He had his first collection of poems, Fighting Terms, published while still an undergraduate. He moved to North California in 1954 and has lived there ever since, teaching in American Universities. His latest collection is Boss Cupid (2000).

    I love how thick this writing is, sublimely claustrophobic yet expansive, like a child's nightmare of scale."—Dodie Bellamy"Autodidact and knight-errant, Ward often betrays the procedural forms he tries to impose on his labyrinthine ruminations in order to remain faithfully engaged to the traditional task of the post-Romantic poet, an 'ecstatic commingling' of okay-you know and 'starry anaphor.'"—Tyrone Williams"I should write a real blurb with real blurb-like things in it, but TCOIW, a kind of lullaby arranging the psychic terrain of my future prosodically, is saving my stupid ass."—Anselm Berrigan

    / Now barefoot I tread / on shards.Such is the elegant simplicity—a whole poem in ten words, vibrating with image and emotion—of the best-selling Russian poet Vera Pavlova. The one hundred poems in this book, her first full-length volume in English, all have the same salty immediacy, as if spoken by a woman who feels that, as the title poem concludes, “If there was nothing to regret, / there was nothing to desire.”Pavlova’s economy and directness make her delightfully accessible to us in all of the widely ranging topics she covers here: love, both sexual and the love that reaches beyond sex; motherhood; the memories of childhood that continue to feed us; our lives as passionate souls abroad in the world and the fullness of experience that entails. Expertly translated by her husband, Steven Seymour, Pavlova’s poems are highly disciplined miniatures, exhorting us without hesitation: “Enough painkilling, heal. / Enough cajoling, command.” It is a great pleasure to discover a new Russian poet—one who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.

    W. H. Auden had recently moved to America, fallen in love with a young man to whom he considered himself married, rethought his entire poetic and intellectual equipment, and reclaimed the Christian faith of his childhood. Then, in short order, his relationship fell apart and his mother, to whom he was very close, died. In the midst of this period of personal crisis and intellectual remaking, he decided to write a poem about Christmas and to have it set to music by his friend Benjamin Britten. Applying for a Guggenheim grant, Auden explained that he understood the difficulty of writing something vivid and distinctive about that most clich�d of subjects, but welcomed the challenge. In the end, the poem proved too long and complex to be set by Britten, but in it we have a remarkably ambitious and poetically rich attempt to see Christmas in double focus: as a moment in the history of the Roman Empire and of Judaism, and as an ever-new and always contemporary event for the believer. For the Time Being is Auden's only explicitly religious long poem, a technical tour de force, and a revelatory window into the poet's personal and intellectual development. This edition provides the most accurate text of the poem, a detailed introduction by Alan Jacobs that explains its themes and sets the poem in its proper contexts, and thorough annotations of its references and allusions.

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    

    The more I have known you the more I have lov’d. In every way,—even when my jealousies have been agonies of Love; in the hottest fit I ever had, I would have died for you.” – John Keats“All my thoughts—all passions seem now merged in that one consuming desire—the mere wish to make you comprehend—to make you see that for which there is no human voice—the unutterable fervor of my love for you.” – Edgar Allan Poe“Mio dulce amor, accept a thousand kisses, but give me none, for they fire my blood.” – Napoleon Bonaparte