She disguises herself as a boy Rowan, befriends half-wolf Tykell, overgrown enchanting minstrel Lionel, and runaway princess Ettarde. Vicious Guy of Gisborne wears a black horse-head hide. But Robin says his camp is no place for a girl.

    Their travels lead them to Chapelvale, a sleepy nineteenth century village whose existence is at stake. Only by discovering the buried secrets and solving the dust-laden riddles of the ancient village can it be saved.

    Then Wise Child’s mother, Maeve, a black witch, reappears. In choosing between Maeve and Juniper, Wise Child discovers the extent of her supernatural powers—and her true loyalties.

    Esther's father has fled to Cuba, and she is the first one to join him. It's heartbreaking to be separated from her beloved sister, so Esther promises to write down everything that happens until they're reunited. And she does, recording both the good--the kindness of the Cuban people and her discovery of a valuable hidden talent--and the bad: the fact that Nazism has found a foothold even in Cuba.Based on Ruth Behar's family history.

    Really, one kisses the air over his hand, and that's a good thing, for he's so glistening with lotions and powders to cover the liver spots on his skin, which he hates...Aunt Soap says he was a beautiful lad when he was young. "Prinny was the handsomest Prince ever. His curls were the colour of honey on toast, like that red-gold Russian sable the Princess de Lieven wears." Now, unfortunately, his beauty has quite fled. Perhaps he does wear a corset, as I once heard Lady C. remark--though I can't see that it does much good. (I'm sure she would be shocked to know I overheard. But I do wonder why so many people seem to think a young person's ears do not work unless they are instructed to by some adult.)

    Awful information about phabulous Pharoahs, mean mummies, revolting recipes for 3000 year old sweets, and more. History has never been so horrible! For 9-12 year olds.

    Young Miriam Willard, on a day that had promised new happiness, finds herself instead a captive on a forest trail, caught up in the ebb and flow of the French and Indian War. It is a harrowing march north. Miriam can only force herself to the next stopping place, the next small portion of food, the next icy stream to be crossed. At the end of the trail waits a life of hard work and, perhaps, even a life of slavery. Mingled with her thoughts of Phineas Whitney, her sweetheart on his way to Harvard, is the crying of her sister’s baby, Captive, born on the trail. Miriam and her companions finally reach Montreal, a city of shifting loyalties filled with the intrigue of war, and here, by a sudden twist of fortune, Miriam meets the prominent Du Quesne family, who introduce her to a life she has never imagined. Based on an actual narrative diary published in 1807, Calico Captive skillfully reenacts an absorbing facet of history.

    Even if I told you that we have oceans filled with sea turtles and dolphins, or forests lush with parrots that call through air thick with warmth... Nobody comes here because they want to.The island of no return.Ami lives with her mother on an island where the sea is as blue as the sky. It’s all she knows and loves, but the arrival of malicious government official Mr Zamora changes her world forever: her island is to be made into a colony for lepers. Taken from her mother and banished across the sea, Ami faces an uncertain future in an orphanage. There she meets a honey-eyed girl named for butterflies, and together they discover a secret that will lead her on an adventure home. Ami must go back to the island of no return, but will she make it in time?

    M. Boston's thrilling and chilling tales of Green Knowe, a haunted manor deep in an overgrown garden in the English countryside, have been entertaining readers for half a century.There are three children: Toby, who rides the majestic horse Feste; his mischievous little sister, Linnet; and their brother, Alexander, who plays the flute. The children warmly welcome Tolly to Green Knowe... even though they've been dead for centuries.But that's how everything is at Green Knowe. The ancient manor hides as many stories as it does dusty old rooms.And the master of the house is great-grandmother Oldknow, whose storytelling mixes present and past with the oldest magic in the world.

    Polly lives in a house bursting at the seams with people, while Rose is often left alone by her busy parents. Polly is a down-to-earth dreamer with a wild imagination and an obsession with ghosts; Rose is a quiet, ethereal waif with a sharp tongue. Despite their differences, both girls spend their days feeling invisible and seek solace in books and the cozy confines of their respective attics. But soon they discover they aren't alone--they're actually neighbors, sharing a wall. They develop an unlikely friendship, and Polly is ecstatic to learn that Rose can actually see and talk to ghosts. Maybe she will finally see one too! But is there more to Rose than it seems? Why does no one ever talk to her? And why does she look so... ghostly? When the girls find a tombstone with Rose's name on it in the cemetery and encounter an angry spirit in her house who seems intent on hurting Polly, they have to unravel the mystery of Rose and her strange family... before it's too late.

    The boy is mauled by Apron, the neighbor's ailing cow whom he helps, alone, to give birth. The grateful farmer brings him a gift—a newborn pig. His father at first demurs ("We thank you, Brother Tanner," said Papa, "but it's not the Shaker Way to take frills for being neighborly. All that Robert done was what any farmer would do for another") but is persuaded. Rob keeps the pig, names her, and gives her his devotion... He wrestles with grammar in the schoolhouse. He hears rumors of sin. He is taken—at last—to the Rutland Fair. He broadens his heart to make room even for Baptists. And when his father, who can neither read nor cipher, whose hands are bloodied by his trade, whose wisdom and mastery of country things are bred in the bone, entrusts Rob with his final secret, the boy makes the sacrifice that completes his passage into manhood.All is told with quiet humor and simplicity. Here are lives lived by earthy reason—in a novel that, like a hoedown country fiddler's tune, rings at the same time with both poignancy and cheer.

    Carrie and Nick are billeted in Wales with old Mr Evans, who is so mean and cold, and his timid mouse of a sister, Lou, who suddenly starts having secrets. Their friend Albert is luckier, living in Druid's Bottom with warm-hearted Hepzibah Green and the strange Mister Johnny, who can talk to animals but not to human beings. Carrie and Nick visit him there whenever they can for Hepzibah makes life exciting and enticing with her stories and delicious cooking. Gradually they begin to feel more at ease in their war-time home, but then, in trying to heal the rift between Mr Evans and his estranged sister, and save Druid's Bottom, Carrie does a terrible thing which is to haunt her for years to come. Carrie revisits Wales as an adult and tells the story to her own children.

    In the mirrors that line its grand hallways, which once belonged to a princess. In those that reflect the elegant rooms, now filled with sick children. It is her secret.One morning, when Emmaline climbs over the wall of the hospital’s abandoned gardens, she discovers something incredible: a white horse with broken wings has left the mirror-world and entered her own. Tucked into the garden’s once-gleaming sundial, Emmaline finds a letter from the Horse Lord. He is hiding the wounded white horse, named Foxfire, from a dark and sinister force—a Black Horse who hunts by colorless moonlight. If Emmaline is to keep the Black Horse from finding her new friend, she must collect colorful objects with which to blind him. But where can Emmaline find color when her world is filled with gray?

    We shall all, in the end, find our way home.In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat. As the monk nurses Beatryce to health, he uncovers her dangerous secret, one that imperils them all--for the king of the land seeks just such a girl, and Brother Edik, who penned the prophecy himself, knows why.And so it is that a girl with a head full of stories--powerful tales-within-the-tale of queens and kings, mermaids and wolves--ventures into a dark wood in search of the castle of one who wishes her dead. But Beatryce knows that, should she lose her way, those who love her--a wild-eyed monk, a man who had once been king, a boy with a terrible sword, and a goat with a head as hard as stone--will never give up searching for her, and to know this is to know everything. With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo's lyrical tale, paired with resonant black-and-white illustrations by Caldecott Medalist Sophie Blackall, is a true collaboration between masters.

    In the charming town of Carlisle, children and grown-ups alike flock from miles around to hear her spellbinding tales. And when Bev King and his younger brother Felix arrive for the summer, they, too, are captivated by the Story Girl. Whether she's leading them on exciting misadventure or narrating timeless stories--from the scary "Tale of the Family Ghost" to the fanciful "How Kissing Was Discovered" to the bittersweet "The Blue Chest of Rachel Ward"--the Story Girl has her audience hanging on every word.