Coquetdale, Northumberland. 1725. After the final tragedy of an age-old feud, Sam’s mother disappears. His guilt-ridden search brings unexpected adventure and romance. As a fellow of the secret order of ‘The True’, Sam learns to enhance his affinity with nature, and enigmatic links across time are revealed to him in ancient woodlands. 2000. Isolated hill-farmer, Kate, is cautiously attracted to an intriguing stranger brought to her door by endearing runaway, Joe. The man is certainly odd but not disturbing, unlike her stalker. Further down the dale, Kate’s woodsman cousin, Nick, falls in love with a mysterious young woman who arrives with spring and disappears as summer ends. Middle Wood links these seemingly disparate lives separated by centuries, but is that their only connection? Does the answer lie with The True? "A story is never finished until you can read it in the trees"

    These are, Kerrigan writes, "ferocious writers, truculent, badly spoken, foul mouthed." However provocative and disturbing, they are also flat-out dazzling as writers, whose sentences, as rigorous as riotous, lodge like knives in the reader's mind. Cela called himself a proponent of "uglyism," of "nothingism." But he has the knack, the critic Am�erico Castro reminds us, of deploying those "nothings and lacks" to construct beauty. The Hive is set over the course of a few days in the Madrid of 1943, not long after the end of the Spanish Civil War and when the regime of General Francisco Franco was at its most oppressive. The book includes more than three hundred characters whose comings and goings it tracks to hypnotic effect. Scabrous, scandalous, and profane, this virtuosic group portrait of a wounded and sick society was first published in Buenos Aires in 1950 because in Spain it could not be published at all. This new translation by James Womack is the first in English to present Cela's masterpiece in uncensored form"--

    An adaptation of the ballad singing culture of the gaucho minority that saw its way of life threatened by social and political changes of the 19th century.

    Jose, a feisty woman journalist, loves Serafita, a sheltered upper-class girl. They call themselves the "heretic quartet." In fascist Spain of the 1960's, these four lovers struggle to keep their secret amid brutal family clashes and terrifying religious repression.A searingly tender story of the past with lessons for toady

    When wealthy socialite Mariona Sobrerroca is found dead in her mansion in the exclusive Tibidabo district, the police scramble to seize control of the investigation.Ana Martí Noguer, an eager young journalist, is surprised to be assigned this important story, shadowing Inspector Isidro Castro.But Ana soon realizes that a bundle of strange letters unearthed at the scene point to a sequence of events dramatically different from the official version. She enlists the help of her cousin Beatriz, a scholar, and what begins as an intriguing puzzle opens up a series of revelations that implicate the regime's most influential figures. The two women have placed themselves in mortal danger. As the conspiracy unfolds, Ana's courage and Beatriz's wits will be their only weapons against the city's corrupt and murderous elite.

    He is the sole survivor of an ill-fated mining expedition in which both his masters, William and Richard Craver, died and from which their African porters fled. Garvey returns to London carrying two diamonds of extraordinary size, spinning a story too unspeakably terrifying to be believed. He is promptly arrested. Tommy Thompson, a London ghostwriter for a ghostwriter for a ghostwriter (don't ask!), is approached by his attorney to document Garvey's unholy African odyssey. From his prison cell awaiting the murder trial, Garvey recounts the mind-boggling horror that the Craver mining expedition encountered in the dark recesses of the Congo. Exactly how did the Craver brothers die? What unearthly forces would drive men to commit such acts of immeasurable brutality? Could love have possibly bloomed in the heart of such darkness? Only Tommy can untangle the mysteries of the Garvey case. A brilliant literary pastiche and tongue-in-cheek pulp African adventure, Pandora in the Congo is, at its heart, a fabulist literary exploration of imagination, reminding us that there is rarely one version to any story, and always more than meets the eye.

    American Doris Winter, running from a personal tragedy, yearns for a new start. Naturally shy Mary Whitworth-Baines struggles to fit in. Together though, they are a force to be reckoned with as they face the mystery that confronts them.Against the backdrop of war, when ties of friendship are exceptionally strong, they strive to unravel the puzzle's complex threads, risking their lives as they seek justice for Betty's sister.

    Assembling a team of experts and sparing no expense, he aims to precisely recreate the circumstances of the Valkyrie’s doomed final voyage. Little does Feldman or his team know that the ship has an agenda of its own. As the Valkyrie begins to weave its deadly web, Kate realizes that she must not only save herself, but the world as she knows it.

    A woman is found lifeless in Santesteban. All points to a murder committed by the Devil and its followers. The region is being scourged for months by the sorcerers, even if the precedent year eleven people were burned alive in a sorcery trial. The people are scared. To appease them the Santo Oficio decides to promote a grace edict to forgive those who admit their agreements with the Devil. The severe inquisitor Alonso de Salazar y Frías is in charge to apply the edict by covering the region. But what nobody knows is that Salazar doesn't't trust anymore in sorcery or spells and, even worst, he doesn't trust in the Devil any more, because he has lost his faith. To reveal the mystery of the witches, Salazar will use the anatomy studies from Leonardo da Vinci, forensic technics he learned in Rome, apothecary knowledge to analyse magical ointments... he finally will base his investigation on verifiable facts to establish factual truths instead of suppositions.Meanwhile, a young woman called Mayo from Labastide-d'Armagnac, who was, following her birth statements, the bastard daughter of the Devil and a mortal woman, travels selling spells. Mayo lost her female companion because this one was arrested during the last auto-da-fé, even if she wasn't condemned. To find her, Mayo decides to follow the steps of Salazar, whom she protects with her spells, even if he doesn't suspect anything about her beneficial actions.During their journey, both will face the diabolical powers which will obstruct their plans, the lack of faith and the death of those they love.

    So when he’s asked to broker a deal that will return the legendary gemstone to Israel, he eagerly accepts.Arriving in the volatile Middle East, Hopeman soon discovers that his assignment will be anything but easy. Representatives of the Holy Land’s three major religions—Judaism, Christianity, and Islam—are all laying claim to the priceless jewel that once adorned the miter of Pope Gregory, and they will do anything to possess it.Partnering with Israeli government agent Tamar Strauss—a beautiful and courageous Yemenite war widow who inspires the visiting American’s passion as well as his respect—Hopeman is soon entangled in a web of mystery and intrigue that crosses continents and stretches back thousands of years. As the duo follows the twisting travels of the gem and the bloody conflicts it has ignited throughout its extraordinary past—a history that intertwines with Hopeman’s own family saga—the story of a breathtaking land and its people unfolds in all its drama and glory.

    She had dreams of Hollywood stardom, not dirty diapers and pigs. But when Robert Smith, a country boy from head to toe, offers her and her daughter a chance at a normal life, reputation intact, Evalyn can’t help but accept. Little does Robert know, Evalyn is keeping a huge secret. While Evalyn’s family members deal with prejudice in 1940s Texas, fertility, changes of the heart, and even a ghost come back from the dead, Evalyn must fight for her family or lose everything she has grown to love.

    In the face of enormous personal tumult, he sits down to write. What follows is an audacious chronicle of his childhood and an unsparing account of his life's trials, failures, and triumphs that becomes a moving look at what family gives and takes away.With the intimacy of a diarist, he reckons with the ghosts of his parents and the current specters of his divorce, his children, his career, and his addictions. In unswervingly honest prose, Vilas explores his identity after great loss--what is a person without a marriage or without parents? What is a person when faced with memories alone? Already an acclaimed poet and novelist in Spain, Vilas takes his work to a whole new level with this autobiographical novel; critics have called it "a work of art able to cauterize pain."Elegiac and searching, Ordesa is a meditation on loss and a powerful exploration of a person who is both extraordinary and utterly ordinary--at once singular and representing us all--who transforms a time of crisis into something beautiful and redemptive.

    When she is able to see the ghost in the old Victorian house across the street, she wonders if her abilities have returned. Investigating the house, she discovers that the ghost, Maybelle Finders, has a family secret that is keeping her from moving on. Will Mary be able to help Maybelle repay old debts? And is Maybelle really telling Mary all there is to know about the secrets in the old house?

    This author's narrative, seeped in magic and peppered with Mexico's culinary customs, was quickly taken to the silver screen where Tita and Pedro's forbidden relationship would captivate audiences not only in its native country, but around the globe - cementing Equivel's name within the ever-growing canon of Latin American women writers. Nathanial Gardner introduces the reader to both the novel and the film version of Como agua para chocolate and examines not only key themes, such as rebellion and tradition, but also its style and main characters. This narrative's acclaimed use of food and other gastronomic elements are taken into consideration as well as the significance of magic realism to this text. As this novel/film combination follow each other in an unusually close manner, the first part analyses many of the components the two share while the second part of this study emphasizes the cinematic mechanisms that are unique to this particular presentation of Esquivel's most widely-studied creation to date.

    (Nancy Pearl)