Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.

    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    It tells the story of Billy Fisher, a Yorkshire teenager unable to stop lying - especially to his three girlfriends. Trapped by his boring job and working-class parents, Billy finds that his only happiness lies in grand plans for his future and fantastical day-dreams of the fictional country Ambrosia.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

    

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.

    The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater.

    The author of 'The Life and Times of the Thunderbolt Kid' isn't, after all, a Shakespeare scholar, a playwright, or even a biographer. Reading 'Shakespeare The World As Stage', however, one gets the sense that this eclectic Iowan is exactly the type of person the Bard himself would have selected for the task. The man who gave us 'The Mother Tongue' and 'A Walk in the Woods' approaches Shakespeare with the same freedom of spirit and curiosity that made those books such reader favorites. A refreshing take on an elusive literary master.

    Book annotation not available for this title.Title FortinbrasAuthor Blessing, LeePublisher Dramatists Play ServicePublication Date 19920101Number of Pages Binding Type PAPERBACKLibrary of Congress 92165606

    1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

    It broke all historic records for plays of any kind, with an original London run of 1,466 performances.The play was first performed at the Theatre Royal, Bury St Edmunds in February 1892.