Moving back and forth in time, between America today and China in the 1990s, Kinder Than Solitude is the story of three people whose lives are changed by a murder one of them may have committed. As one of the three observes, “Even the most innocent person, when cornered, is capable of a heartless crime.” When Moran, Ruyu, and Boyang were young, they were involved in a mysterious “accident” in which a friend of theirs was poisoned. Grown up, the three friends are separated by distance and personal estrangement. Moran and Ruyu live in the United States, Boyang in China; all three are haunted by what really happened in their youth, and by doubt about themselves. In California, Ruyu helps a local woman care for her family and home, and avoids entanglements, as she has done all her life. In Wisconsin, Moran visits her ex-husband, whose kindness once overcame her flight into solitude. In Beijing, Boyang struggles to deal with an inability to love, and with the outcome of what happened among the three friends twenty years ago. Brilliantly written, a breathtaking page-turner, Kinder Than Solitude resonates with provocative observations about human nature and life. In mesmerizing prose, and with profound insight, Yiyun Li unfolds this remarkable story, even as she explores the impact of personality and the past on the shape of a person’s present and future.

    His new novel features his trademark character-driven narrative and intimate domestic setting that first made him an international sensation. When Signora A first enters the narrator’s home, his wife, Nora, is experiencing a difficult pregnancy. First as their maid and nanny, then their confidante, this older woman begins to help her employers negotiate married life, quickly becoming the glue in their small household. She is the steady, maternal influence for both husband and wife, and their son, Emanuele, whom she protects from his parents’ expectations and disappointments. But the family’s delicate fabric comes undone when Signora A is diagnosed with cancer. Moving seamlessly between the past and present, Giordano highlights with remarkable precision the joy of youth and the fleeting nature of time. An elegiac, heartrending, and deeply personal portrait of marriage and the people we choose to call family, this is a jewel of a novel—short, intense, and unforgettable.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    The Vajkays—call them Mother and Father—live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, and attending the theater. But this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark.Then, Skylark is back. Is there a world beyond the daily grind and life's creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the irredeemably ordinary. To that extent, Skylark is nothing less than a magical novel.

    In this poignant, eye-opening and emotionally vivid novel, Mahbod Seraji lays bare the beauty and brutality of the centuries-old Persian culture, while reaffirming the human experiences we all share. In a middle-class neighborhood of Iran's sprawling capital city, 17-year-old Pasha Shahed spends the summer of 1973 on his rooftop with his best friend Ahmed, joking around one minute and asking burning questions about life the next. He also hides a secret love for his beautiful neighbor Zari, who has been betrothed since birth to another man. But the bliss of Pasha and Zari's stolen time together is shattered when Pasha unwittingly acts as a beacon for the Shah's secret police. The violent consequences awaken him to the reality of living under a powerful despot, and lead Zari to make a shocking choice...

    Every day, Thibault, a paramedic, drives where his dispatcher directs him, fighting traffic to attend to disasters. For many of the people he rushes to treat, he represents the only human connection in their day. Mathilde and Thibault are just two figures being pushed and shoved in a lonesome, crowded city. But what might happen if these two souls, traveling their separate paths, could meet?Delphine de Vigan's novel tells of urban isolation with poetic precision and resilient humor, in the much lauded follow-up to her bestselling No and Me.Praise for No and Me:"Thought-provoking and often poetic musings about No's life challenge readers to rethink their responsibilities to humankind...Quiet yet gripping."-Kirkus Reviews "All ages will find much to relish in this deceptively simple tale that is touching and enlightening." -Herald (Scotland)

    With the off-handed knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the apparently perfect new girl, Fréderique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy. Now translated into six languages, I beati anni del castigo in its Italian original won the 1990 Premio Bagutta and the 1990 Premio Speciale Rapallo. In Tim Parks’ consummate translation (with its "spare, haunting quality of a prose poem"), Sweet Days of Discipline was selected as one of the London Times Literary Supplement’s Notable Books of 1992: "In a period when novels are generally overblown and scarcely portable, it is good to be able to recommend [one that is] miraculously short and beautifully written."

    A major hit in Germany that went on to become one of Europe’s biggest literary blockbusters in the last five years, Night Train to Lisbon is an astonishing novel, a compelling exploration of consciousness, the possibility of truly understanding another person, and the ability of language to define our very selves. Raimund Gregorius is a Latin teacher at a Swiss college who one day—after a chance encounter with a mysterious Portuguese woman—abandons his old life to start a new one. He takes the night train to Lisbon and carries with him a book by Amadeu de Prado, a (fictional) Portuguese doctor and essayist whose writings explore the ideas of loneliness, mortality, death, friendship, love, and loyalty. Gregorius becomes obsessed by what he reads and restlessly struggles to comprehend the life of the author. His investigations lead him all over the city of Lisbon, as he speaks to those who were entangled in Prado’s life. Gradually, the picture of an extraordinary man emerges—a doctor and poet who rebelled against Salazar’s dictatorship.

    The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when “being a writer” was not an option open to women. As one of the Queen’s attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was “Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years.Margaret the First is very much a contemporary novel set in the past, rather than “historical fiction.” Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new narrative approach to imagining the life of a historical woman.

    Inside, he finds the first exact solution to the equations of general relativity, unaware that it contains a monster that could destroy his life's work.The great mathematician Alexander Grothendieck tunnels so deeply into abstraction that he tries to cut all ties with the world, terrified of the horror his discoveries might cause.Erwin Schrödinger and Werner Heisenberg battle over the soul of physics after creating two equivalent yet opposed versions of quantum mechanics. Their fight will tear the very fabric of reality, revealing a world stranger than they could have ever imagined.Using extraordinary, epoch-defining moments from the history of science, Benjamín Labatut plunges us into exhilarating territory between fact and fiction, progress and destruction, genius and madness.

    Ferrante's inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

    Roux, the narrator, is in pursuit of a mysterious friend named Xavier. His search, which develops into a quest, takes him from town to town across the subcontinent.

    and I asked God if he please couldn't take my brother Matthies instead of my rabbit. 'Amen.' Jas lives with her devout farming family in the rural Netherlands. One winter's day, her older brother joins an ice skating trip; resentful at being left alone, she makes a perverse plea to God; he never returns. As grief overwhelms the farm, Jas succumbs to a vortex of increasingly disturbing fantasies, watching her family disintegrate into a darkness that threatens to derail them all.A bestselling sensation in the Netherlands by a prize-winning young poet, Marieke Lucas Rijneveld's debut novel lays everything bare. It is a world of language unlike any other, which Michele Hutchison's striking translation captures in all its wild, violent beauty. Studded with unforgettable images - visceral, raw, surreal - The Discomfort of the Evening is a radical reading experience that will leave you changed forever.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.