A masterpiece of post-war Polish literature, Stone Upon Stone is Wiesław Myśliwski’s grand epic in the rural tradition—a profound and irreverent stream of memory cutting through the rich and varied terrain of one man’s connection to the land, to his family and community, to women, to tradition, to God, to death, and to what it means to be alive.Wise and impetuous, plainspoken and compassionate Szymek, recalls his youth in their village, his time as a guerrilla soldier, as a wedding official, barber, policeman, lover, drinker, and caretaker for his invalid brother.Filled with interwoven stories and voices, by turns hilarious and moving, Szymek’s narrative exudes the profound wisdom of one who has suffered, yet who loves life to the very core.

    Ultimately, she presents life in all its messiness and possibility, vivid enough for the reader to almost taste.”— Publishers Weekly "Gutsy, fresh and vivid, this story of one woman's brave quest through life will take you on a wild ride."—Kapka Kassabova, author of Street Without a Name and Twelve Minutes of LoveI turned up in the seaside town of Nesebar—an inconvenient four-year-old grandchild, just as my grandmother was raising the last two of her six children, putting the finishing touches on the house, ordering the workmen around and doing some of the construction work herself—thank God for that, because at least it used up some of her monstrous energy. Otherwise who knows what would've become of me.In Bulgaria during the height of communism in the 1960s, six-year-old Manda survives her cruel grandmother and rural poverty by finding sheer delight in the world—plump vegetables, garden gnomes, and darkened attic corners. The young Manda endures severe beatings, seemingly indestructible. But as a middle-aged artist in newly democratic Bulgaria, she desperately tries to feed her damaged soul with intrepid creativity and humor.Virginia Zaharieva was born in Sofia, Bulgaria, in 1959. She is a writer, psychotherapist, feminist, and mother. Her novel Nine Rabbits is among the most celebrated Bulgarian books to appear over the past two decades and the first of Zaharieva's work made available in North America.Angela Rodel is an award-winning translator. Born and educated in the United States with degrees in linguistics from Yale and the University of California, Los Angeles, she currently resides in Sofia, Bulgaria.

    They have been gone for seven years, and she is tormented by the role she played in that heartbreaking loss. You can hardly see a glimpse of the sexy, edgy woman she used to be. Back then, she was a magnet for men like Matt, who loved her beyond reason, and Griffin, who wouldn't let go but always left her wanting more. Now the lies they told and the choices they made have come to haunt all three of them.With shattering turns, Lies You Wanted to Hear explores the way good people talk themselves into doing terrible, unthinkable things. What happens when we come to believe our own lies? And what price must we pay for our mistakes?A searing story that will leave you wondering what choices you would make, Lies You Wanted to Hear is a stunning debut.

    From an award-winning and internationally acclaimed European writer, a chilling and suspenseful story set in the wake of a violent revolution, about a young girl rescued from an orphanage by an otherworldly grandmother she's never met.

    What's unnecessary is best of all, says Rainer, who wants to go on fighting. We agreed on that.' It is the late 1950s. A man is out walking in a park in Vienna. He will be beaten up by four teenagers, not for his money, he has an average amount ? nor for anything he might have done to them, but because the youths are arrogant and very pleased with themselves. Their arrogance is their way of reacting to the maggot?ridden corpse that is Austria where everyone has a closet to hide their Nazi histories, their sexual perversions and their hatred of the foreigner. Elfriede Jelinek, who writes like an angel of all that is tawdry, shows in Wonderful, Wonderful Times how actions of the present are determined by thoughts of the past

    He’s carrying a briefcase whose contents he’s selling to a representative from the Vatican; the briefcase contains a wealth of information about the violent history of the Zone—the lands of the Mediterranean basin, Spain, Algeria, Lebanon, Italy, that have become Mirković’s specialty.Over the course of a single night, Mirković visits the sites of these tragedies in his memory and recalls the damage that his own participation in that violence—as a soldier fighting for Croatia during the Balkan Wars—has wreaked in his own life. Mirkovic´ hopes that this night will be his last in the Zone, that this journey will expiate his sins, and that he can disappear with Sashka, the only woman he hasn’t abandoned, forever . . .One of the truly original books of the decade—and written as a single, hypnotic, propulsive, physically irresistible sentence—Mathias Énard’s Zone provides an extraordinary and panoramic view of the turmoil that has long deviled the shores of the Mediterranean.

    In the Bardo, souls wander for forty-nine days before being reborn, helped along on their journey by the teachings of the Book of the Dead.Unfortunately, Volodine's characters bungle their chances at enlightenment, with the recently dead choosing to waste away their afterlife sleeping, or choosing to be reborn as an insignificant spider. The still-living aren't much better off, making a mess of things in their own ways, such as erroneously reciting a Tibetan cookbook to a lost comrade instead of the holy book.Once again, Volodine has demonstrated his range and ambition, crafting a moving, hysterical work about transformations and the power of the book.

    And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

    The oppressive Communist regime bears down on all aspects of people’s lives much like the granite sky overhead. In the crumbling old building that hosts the Sofia Music School for the Gifted, inflexible and unsentimental apparatchiks drill the students like soldiers—as if the music they are teaching did not have the power to set these young souls on fire. Fifteen-year-old Konstantin is a brash, brilliant pianist of exceptional sensitivity, struggling toward adulthood in a society where honest expression often comes at a terrible cost. Confined to the Music School for most of each day and a good part of the night, Konstantin exults in his small rebellions—smoking, drinking, and mocking Party pomp and cant at every opportunity. Intelligent and arrogant, funny and despairing, compassionate and cruel, he is driven simultaneously by a desire to be the best and an almost irresistible urge to fail. His isolation, buttressed by the grim conventions of a loveless society, prevents him from getting close to the mercurial violin virtuoso Irina, but also from understanding himself. Through it all, Konstantin plays the piano with inflamed passion: he is transported by unparalleled explorations of Chopin, Debussy, and Bach, even as he is cursed by his teachers’ numbing efforts at mind control. Each challenging piano piece takes on a life of its own, engendering exquisite new revelations. A refuge from a reality Konstantin detests, the piano is also what tethers him to it. Yet if he can only truly master this grandest of instruments—as well as his own self-destructive urges—it might just secure his passage out of this broken country. Nikolai Grozni—himself a native of Bulgaria and a world-class pianist in his youth—sets this electrifying portrait of adolescent longing and anxiety against a backdrop of tumultuous, historic world events. Hypnotic and headlong, Wunderkind gives us a stunningly urgent, acutely observed, and wonderfully tragicomic glimpse behind the Iron Curtain at the very end of the Cold War, reminding us of the sometimes life-saving grace of great music.

    Ten-year-old Ana Jurić is a carefree tomboy who runs the streets of Croatia's capital with her best friend, Luka, takes care of her baby sister, Rahela, and idolizes her father. But as civil war breaks out across Yugoslavia, soccer games and school lessons are supplanted by sniper fire and air raid drills. When tragedy suddenly strikes, Ana is lost to a world of guerilla warfare and child soldiers; a daring escape plan to America becomes her only chance for survival.Ten years later Ana is a college student in New York. She's been hiding her past from her boyfriend, her friends, and most especially herself. Haunted by the events that forever changed her family, she returns alone to Croatia, where she must rediscover the place that was once her home and search for the ghosts of those she's lost.

    An investigation ensues and as each of the victim's neighbors is questioned, the reader is offered an all-access pass into the most colorful neighborhood in contemporary Rome. Each character takes his or her turn center-stage, giving evidence, recounting his or her story the dramas of racial identity, the anxieties and misunderstandings born of a life spent on society's margins, the daily humiliations provoked by mainstream culture's fears and indifference, preconceptions and insensitivity. What emerges is a moving story that is common to us all, whether we live in Italy or Los Angeles. This novel is animated by a style that is as colorful as the neighborhood it describes and is characterized by seemingly effortless equipoise that borrows from the cinematic tradition of the Commedia all Italiana as exemplified by directors such as Federico Fellini. At the heart of this bittersweet comedy told with affection and sensitivity is a social reality that we often tend to ignore and an anthropological analysis, refreshing in its generosity, that cannot fail to fascinate.

    It is October 23, 2018, and they are expecting Maurice’s estranged daughter (or is she?), Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles, rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today.

    But I'm grateful for that inauspicious start because ugliness, as my other uncle, Eurípides López Sánchez, was given to saying, is character forming.Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.

    A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation betrays both sense and one’s senses. Tales of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective’s quest into a territory overrun with the primitive excesses of Capitalism—accumulation and expulsion, corruption and cruelty—though the lessons of her journey are more experiential than moral: that just as love can fly away, sometimes unloving flies away as well. That sometimes leaving everything behind is the only thing left to do.

    Mark's decision to shake off her oath after fourteen years and to re-appropriate what is left of Hana's body and mind by moving to the United States creates a powerful rupture. The transition to a new life as a woman striving to shed the burden of her virginity is fraught with challenges, and the first-generation assimilated cousins with whom Hana tentatively undertakes her new life make her task no easier.Sworn Virgin is the first novel Elvira Dones wrote in Italian. She adds her voice to the burgeoning new generation of "blended" Italians, who deliberately adopt a "dirty" immigrant/exile approach to their language.According to Albanian tradition, if there are no male heirs, a woman can "choose" to become a man—and enjoy the associated freedoms—as long as she swears herself to virginity for life.Clever young Hana is ushered home by her uncle's impending death. Forced to abandon her studies in Tirana, she takes an oath and assumes the persona of Mark, a hardened mountain peasant—her only choice if she wants to be saved from an arranged marriage.Born in Durrës, Albania, Elvira Dones is a novelist, screenwriter, and documentary filmmaker currently based in the United States. After seven novels in Albanian, she wrote the two most recent in Italian, her adopted language. Sworn Virgin is the first of Dones's books to be translated into English.