Saul, however, is irrevocably drawn to Vine the moment he lays eye on her and believes they are meant to be married, over the objections of her mother and his. Despite her misgivings, Saul’s mother, Esme, and his brother Aaron take to Vine from the moment she comes to God’s Creek. In fact, Vine realizes from the start that Aaron’s interest in her is far more than brotherly. When Saul must leave Vine behind for a year of work, troubling and violent events follow his departure, and Vine’s spirit and her love are put to the ultimate test.This novel was the Winner of the Award for Special Achievement from the Fellowship of Southern Writers and a Finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and The Coal Tattoo. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.

    This is the story of John's relationship with his family, the town, and the woman he loves; and also between the past and the present, between oppression and guilt, hate and violence, love and acceptance.

    Vyry bears witness to the South’s antebellum opulence and to its brutality, its wartime ruin, and the promises of Reconstruction. Weaving her own family’s oral history with thirty years of research, Margaret Walker’s novel brings the everyday experiences of slaves to light. Jubilee churns with the hunger, the hymns, the struggles, and the very breath of American history.

    There are some facts and figures, but they tell us nothing about the women themselves: their motives, their emotions, and the memories they passed on to their children. Gayl Jones's first novel is a gripping portrait of this harsh sexual and psychological genealogy....Jones's language is subtle and sinewy, and her imagination sure." —Margo Jefferson, Newsweek

    Her family inhabits the upper echelon of Black society and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn’s daughter, Jackie, is a frazzled single mother grappling with her absent husband’s drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life. Jackie must decide if the promise of her husband is worth the near certainty he’ll leave again. Jackie’s son, T.C., loves the creative process of growing marijuana more than the weed itself. He finds something hypnotic about training the seedlings, testing the levels, trimming the leaves, drying the buds. He was a square before Hurricane Katrina, but the New Orleans he knew didn’t survive the storm, and in its wake he was changed too. Now, fresh out of a four-month stint for possession with the intent to distribute, he decides to start over—until an old friend convinces him to stake his new beginning on one last deal. For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. A Kind of Freedom is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

    In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.

    Set in provincial France in the 1960s, it is the intensely carnal story—part shocking reality, part feverish dream —of a love affair between a footloose Yale dropout and a young French girl. There is the seen and the unseen—and pages that burn bright with a rare intensity.

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

    Here is the story of the inimitable twelve-year-old Frankie, who is utterly, hopelessly bored with life until she hears about her older brother's wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old male cousin—not to mention her own unbridled imagination—Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be the member of something larger, more accepting than herself. "A marvelous study of the agony of adolescence" (Detroit Free Press), The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best.

    Jones.The Known World tells the story of Henry Townsend, a black farmer and former slave who falls under the tutelage of William Robbins, the most powerful man in Manchester County, Virginia. Making certain he never circumvents the law, Townsend runs his affairs with unusual discipline. But when death takes him unexpectedly, his widow, Caldonia, can't uphold the estate's order, and chaos ensues. Jones has woven a footnote of history into an epic that takes an unflinching look at slavery in all its moral complexities.

    She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage — with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home — though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life — her hunger, her anger — in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.

    Spanning forty years, this is the story of turbulent Tom Wingo, his gifted and troubled twin sister Savannah, and their struggle to triumph over the dark and tragic legacy of the extraordinary family into which they were born.Filled with the vanishing beauty of the South Carolina low country as well as the dusty glitter of New York City, The Prince of Tides is PAT CONROY at his very best.

    But as both a writer and an African American, he is offended and angered by the success of We's Lives in Da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited "some relatives in Harlem for a couple of days." Hailed as an authentic representation of the African American experience, the book is a national bestseller and its author feted on the Kenya Dunston television show. The book's success rankles all the more as Monk's own most recent novel has just notched its seventh rejection." "Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We's Lives in Da Ghetto." But when his agent sends this literary indictment (included here in its entirety) out to publishers, it is greeted as an authentic new voice of black America. Monk - or his pseudonymous alter ego, Stagg R. Leigh - is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.